It’s fun to collect, but now it’s time to disperse.
More to come soon. Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Before the dawn of the digital age, camera manufacturers produced some of their most technologically advanced 35mm SLR film cameras to date. Sophisticated autofocus systems, auto exposure, eye-control, and zone-assist focusing to name just a few features. The Canon EOS-1N (1994), the Nikon F4 (1988) which was Nikons first professional camera with autofocus, the F5 (1996), and the Contax RX (1994), AX (1996) which had a basic autofocus system and later, the N1 (2000) a true autofocus camera with a new line of Zeiss lenses.
My Contax RX set. The lens was initially sold separately.The RX’s ‘highlight’ was the Digital Focus Indicator (DFI) function—not quite autofocus, but close.It’s a handsome SLR with a timeless, classic look that, in my opinion, modern Fujifilm mirrorless cameras emulate.The list price of JPY 160,000 was about USD 1,600 in 1994.Contax RX brochure. Shoots at up to 3 frames per second.Canon EOS-1N RS (a film eater with autofocus). It’s capable of shooting 10 frames per second! Uses Canon EF lenses.Canon EOS-1N brochure – 1994.Nikon F5 1996. It’s capable of shooting 8 frames per second.Nikon F5 brochure.The Contax RX. The data back only indicates the year up to 2019. Thirty years on, it’s stuck in the 1990s. The data is printed between the frames on the film, not in the image.Contax craziness!
More soon. Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan