Another slight departure from the Pentamatics. Here is a beautiful Yashica-Mat EM from around mid 1964. Everything works on this camera… the built-in exposure meter works like a charm (no batteries required) and the shutter is spot on. Of course what would a picture of a classic Yashica be without one of the ‘Sailor Boys’ posing alongside. The marketing doll is from around early 1962 and he was made in many different versions. The EM is a twin-lens reflex (TLR) film camera and was made by the talented craftspeople at Yashica’s factory in Shimosuwa, Nagano Prefecture, Japan. A true work of art that has stood the test of time.
A nice collection of different versions of Yashica’s ‘Sailor Boys’. In my travels I’ve discovered other Yashica marketing “dolls” but this just about covers them all. I know there’s a Christmas candle ‘Sailor Boy’ with matching Christmas box. If you’ve seen others please feel free to share them with me. Thanks!
The only difference we can tell between the original Yashica Pentamatic ’35’ and the Pentamatic II (which came out in August 1960), is the standard lens that came with the camera body.
The original Pentamatic came with the Auto-Yashinon, f/ 1.8, 5.5cm semi (fully?) automatic 6 element lens. Of course it has the unique Pentamatic bayonet mount and not the M42 screw mount. The Pentamatic II came with the Auto-Yashinon, f/ 1.7, 5.8cm lens (pictured below). Both lenses were made for Yashica by Tomioka Optical of Tokyo. We imagine the 58mm, f/ 1.7 lens was a bit faster than the f/ 1.8… but we don’t see why Yashica changed from the model I to model II and why they changed the lens… may never know either. The 5.8cm lens is a beautiful lens and weighs a ton and is rather rare today.
Update July 2017 – It is very likely that the Pentamatic II was only for sale in the Japanese home market and for only a short time. Maybe less than 5,000 cameras were made and of course about the same amount of these lenses. No English language sales brochures have been found that mention or feature the Pentamatic II. No advertisements either in English language newspapers or magazines.
The Auto Yashinon f/ 1.7, 5.8cm lens mounted on a later model Pentamatic S.
If you find a sales brochure or advertisement in English that features the Yashica Pentamatic II, please bring it to our attention. Thanks!
Chris & Carol
My best timeline on the development of the Yashica Pentamatic 35mm single-lens reflex (SLR) film camera…
Please note that this is a “dynamic timeline” and it will be updated as I discover new dates and developments…
- Summer 1959… Yashica develops / invents its first 35mm SLR
- September 1959… Yashica files to trademark the name ‘Pentamatic’ in Japan
- December 1959… First Pentamatics assembled at the Suwa factory
- February 1960… Yashica files to trademark the name ‘Pentamatic’ in the U.S.
- March 1960… Production reaches 1,500 units
- March 1960… First showing of the Pentamatic occurs at a trade show in St. Louis… first images of the camera are provided by Yashica
- May 1960… First published look at the Pentamatic in the May 1960 issue of Modern Photography magazine
- June 1960… First full page advertisements for the Pentamatic ’35’ appear in the June 1960 issues of Modern Photography, Popular Photography and U.S. Camera magazines
- June 1960… Production reaches 5,000 units
- July 1960… First review of the camera appears in the July issue of Modern Photography magazine
- August 1960… Production reaches 9,300 units
- Autumn 1960… Yashica releases the Pentamatic II in Japan and the U.S.
- Winter 1960-1961… The Pentamatic I and II are both available in the world marketplace
- December 1960… Camera dealers in New York advertise new Pentamatics at under $110 (USD)
- January 1961… Production reaches 15,700 units
- February 1962… February issue of Modern Photography has only two advertisements for the Pentamatic and NO mention of the Pentamatic II or of the upcoming Pentamatic S
- August 1963… ‘Pentamatic’ receives trademark registration in the U.S.
By January 1961, some pretty strong discounts on the original Pentamatic I and no ads for the model II.
First look at the new camera in the May 1960 issue of Modern Photography.
The Yashica Pentamatic has always fascinated me from the moment I first caught a glimpse of it while doing research on the Yashima / Yashica Company. It was (and still is) a strange looking camera… so 1960’s and it was Yashica’s very first 35mm single-lens reflex (SLR) camera. I love its sleek lines and simple design… and it was just a little bit “quirky”. My first 35mm SLR was the very popular and stylish Yashica TL Electro-X (in satin chrome finish) which I purchased in early 1972. That camera was big and heavy just like the Pentamatic… lots of brass and glass as they say. The exposure system was a through the lens (TTL) affair that used two red arrows to guide you in adjusting the shutter speed and aperture to obtain a properly exposed image. It was fairly accurate and easy to use but under some low light conditions the meter would be off as much as 1/2 to 1 full “f stops” especially when shooting with color slide film for transparencies. I used that Yashica through my first year of living in Yokohama before purchasing a Canon F-1 in 1978. Why the departure from Yashica? Simple, when comparing the new Contax RTS to the F-1, in my opinion, there was no contest. I also liked the system that Canon offered and the wide array of professional accessories and lenses.
So back to the Pentamatic. When I started to concentrate my research on the Pentamatic I found nothing but confusing and contradicting information on the internet (as is typical of anything). No clear images of the camera, no images of its boxes or the accessories available. The release date was especially bothersome as it was all over the map and even now many sites still give the wrong introduction date in the U.S. The specifications of the cameras are often wrong or incomplete and when I did find solid proof of something, it made the existing entries even more out of line with reality. The Pentamatic series of SLRs (the original model I, model II and the model S) never sold in vast quantities (the original Pentamatic model I was produced at around 1,500 units per month at its peak of production) as best as I can tell, so finding a complete set was rare and finding sales brochures was even more daunting.
My quest was simple (I thought)… purchase a few Pentamatics and find a few instruction booklets and I would be all set. Wrong! Yashica normally does not date their cameras, lenses and publications (instruction booklets, warranty cards, accessory pamphlets and sales brochures) so I knew that I had my work cut out for me. On the other side of the coin, my Canon collection has dates everywhere! I can honestly say that I’ve never found something from Canon that was not dated in some way. Why didn’t Yashica do the same? I did find out eventually that from about 1956 or so Yashica (then Yashima) did date many of their photography booklets and featured pictures of their factories in Nagano Prefecture and of their headquarters in Shibuya-ku Tokyo. Many of these early booklets even had pictures of the president and founder (Mr. Yoshimasa Ushiyama) of Yashima… not often seen in other camera manufacturers publications. The practice of dating publications slowly vanished around late 1958 and by 1960 was basically gone. It wasn’t until the late 1960s and early 1970s that Yashica would occasionally slip in a date on a publication (but never on the camera or lens).
In summary… I don’t have all the answers to my Pentamatic questions and I am constantly updating information as I receive it both here on my blog and on my flickr page (Yashica Sailor Boy). My goal is to be as accurate as I can, fill in the blanks and share whatever I have with others. I encourage comments and would gladly receive any and all bits of info that you may want to share with me. Thank you for visiting my page! Chris
Nice Pentamatic model II page from a Yashica sales brochure from late 1960 or early 1961. Not a bad price in Japan at that time… about $110 (USD) with case. When introduced in mid 1960, the original model I was listed at about $159 (USD) here in the U.S.
Nice find for me from a collector in Japan. The first detailed sales brochure from Japan that included the Pentamatic I and II. This page is from the accessories part of the brochure.
A very complete listing of the lenses available (and prices) for the Pentamatic series from late 1960 or very early 1961. These lenses were built for Yashica by Tomioka Optical at their Tokyo factory. The only lenses missing are the original f/1.8 5.5cm lens (for the original Pentamatic) and the f/1.7 5.8cm lens for the model II. I have in my collection the 35mm, the 135mm, the 55mm and the 58mm.
Finally (again) found proof that the Yashica Pentamatic series…
…of cameras were available in the Japanese domestic market. It had been speculated by some (including myself) that the Pentamatic was not available in Japan when it was released into the U.S. markets in the May-June 1960 time period. My reason was solely based on the fact that up until this point no Japanese language sales brochures or advertisements had been discovered during my research. I always found it rather odd to think that Yashica’s first 35mm single-lens reflex (SLR) camera would not be available in Japan. It is generally known that Yashica made the photographic press in the U.S. aware of the new model as early as late March 1960 when the Pentamatic made its appearance at a large photography trade show in St. Louis.
The elusive Pentamatic II in a Japanese sales brochure most likely from late 1960 to very early 1961. The brochure covers the new model II and its accessories over a full 12 pages. The selling price was 37,300 yen for the model II and 34,800 yen for the original model I. It also appears that the “new” lens of choice for this model II would be the f/1.7 5.8cm lens made by Tomioka Optical and displaying the name ‘Auto Yashinon’. I had suspected that the 1.7 lens was dedicated for the model II but had no proof. The model I Pentamatic came with the f/1.8 5.5cm lens which was also made by Tomioka in Tokyo.
Some good prep work continued again today…
Some pieces received their final etching primer coat and others are getting the final or first (finish) coat of primer.
Final coat on base etching primer. Some light sanding and a smooth finish primer coat and then… the first “color” coat of lacquer.
More primer and then more primer. The bare aluminum needed to be painted with a primer coat that etched into the metal. Getting closer!
Back view of the film door. This was the most corroded part of the camera body and took the most time filling the pitted areas.
Final coat of finish primer on this 1955 metal cap.
The back door had suffered severe metal corrosion and needed to have the corroded areas repaired. Some filler putty and some wet sanding and another coat of primer should do it.