Fujifilm Nexia 4200 ix Z MRC APS film camera from 2001. It’s still new with its original Japanese market box. It features a super-sharp Fujinon 23-90mm 4x zoom lens. APS film is still available, as is processing through online film labs. These little cameras were competent in the pre-digital age and could produce stunning images. This one is available in my camera shop at http://www.ccstudio2380.com Thanks, Chris
Sharp-looking camera.
I’ve collected quite a few of these Fujifilm cameras over the years, and they’ve been fun cameras to use when shooting. This one is unused and is available for purchase in my camera shop.
As the box indicates, the Fujinon lens has the 35mm film equivalent of a 28-112.5mm lens.
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Fujifilm X-T2 with a Canon Reflex 500mm f8 lens – effective focal length on a crop sensor mirrorless camera is 750mm. I like the overall softness of the image.
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
The “easy” way to get a nearly 500mm lens. With a modern mirrorless digital camera, an inexpensive adapter, and a classic lens initially made in the film era, you have a super telephoto lens you may already own.
A Nikkor-H Auto 300mm f4.5 telephoto lens from around 1970 mated to my 2016 Fujifilm X-T2 mirrorless digital camera via a Fotodiox NIK-FX lens adapter.
The Fotodiox adapter I’m using here was purchased directly from them for under $30 (no affiliation). I use Fotodiox because they have an easy-to-navigate site that makes buying easy. Any third-party lens adapter maker will do so shop around. Some adapters can be expensive, so know what you want and need before overbuying.
Autofocus. In my situation here, my camera lens combination can no longer use autofocus, and any type of image stabilization is also lost (unless your mirrorless camera has built-in IBIS). So it’s back to old-school photography – manually focusing the camera and adjusting the aperture, ISO, and shutter speed to get the correct exposure – the fun stuff!
It wasn’t the best day for shooting with a long telephoto lens as the sun was obscured by a thick layer of cirrus clouds – not much color going on. The long focal length of this lens compresses distant objects creating an exciting look. This row of townhomes at the beach was quite distant from my vantage point, and close objects were not in focus (shallow depth of field).Check your camera collection – maybe there’s new life for your old lenses and a new perspective for your next photo outing.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Fujifilm X-T2 FotodioX Nik-FX Adapter Nikkor-H Auto 300mm f4.5 Lens Nippon Kogaku Japan – 1970 35mm Equivalent 450mm
Classic glass meets new.FotodioX NIK-FX Adapter on Fujifilm X-T2.Looks new.35mm equivalent is a 450mm telephoto. Seen here as an out of the camera JPEG image. ISO 1600, 1/1900, f5.6.
I enjoyed my first outing with this massive lens on my T2 but without any type of image stabilization I had to bump the ISO and shoot at a high shutter speed to get the images in focus (no tripod).
The neighbor’s chimney top as seen from my studio at 450mm. It was a rather dull day with high cirrus cloudiness blocking any chance of brighter colors. Hopefully, the sun will shine brighter tomorrow so I can get out and about again.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Fujifilm X-T2 TTArtisan AF 27mm f2.8 Auto Focus Lens Limited Edition Yellow-Orange APS-C 35mm Equivalent is 41mm
Sharp, colorful, compact, fun, inexpensive, especially compared to the Fujifilm equivalent. The orange ring is the lens hood.
APS-C AF 27mm f2.8 lens.Not subtle. The orange thingy is a lens hood.First image. f5.6, 1/20, ISO 1600, 27mm (41mm full-frame equivalent). Velvia Vivid film simulation.Velvia Vivid film simulation. Overcast day here in North Florida.FUJIFILM XF 27mm f/2.8 R WR Lens – $399.00 at B&H. Yes, the Fuji is a lot more lens, but to be quite frank, Fujifilm lenses are way too expensive to start filling my camera bag with them.I love color!
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
When it was released in 2000 it listed for about $400 USD.Sharp.
Like it was carved out of a block of stainless steel –
Brand new Fujifilm Nexia 3200 ixZ MRC APS film camera from 2000. Just before the digital camera revolution took hold, Fujifilm designed these super sharp and compact cameras with loads of features. This one features a sharp Super EBC Fujinon 23 to 70mm Zoom (7 elements/7 groups) f4.8 lens which has better specs than the popular Fujifilm Tiara. It’s available in my camera shop at http://www.ccstudio2380.com along with 4 other Nexia models all still new in the box and in mint condition. Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
I admit, one of the reasons I moved up to the Fujifilm X-T2 was the better film simulation modes over my X-A10 and the addition of 3 Acros versions. I’m a big fan of the film versions of Acros (going back to Neopan) so being able to do that digitally is something I’ve wanted to do. Now I’ll be able to use some of my vintage lenses on the new Fuji and get a near-film look. Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
In my opinion, the Fujifilm FinePix S9900W is one of the finest bridge cameras made – period. It’s also the only one I’ve used so my opinion and general “love” of all things from Fujifilm cloud my judgment.
Shown here with a hard-to-find sales brochure.I purchased this wonderful camera for general use in my home studio shooting pictures for this blog and for listings in my online camera shop.A crazy long Fujinon 50x zoom lens with 5-axis image stabilization.Super macro image.
Pairing an expansive zoom lens with a versatile imaging system, the FinePix S9900W Digital Camera from Fujifilm features a 16.2 MP 1/2.3″ BSI-CMOS sensor along with a 50x optical zoom lens. The lens covers wide-angle to super-telephoto perspectives, and a 24-1200mm equivalent focal length range, and 5-axis image stabilization helps to minimize the appearance of camera shake for sharper, clearer imagery. With respect to the image sensor, both high-resolution still shooting and full HD video recording is supported, and a top sensitivity of ISO 12800 benefits working in difficult lighting situations. A continuous shooting rate of 10 fps is available, and the processing abilities of the S9900W also maintain quick handling performance throughout the camera system. Additionally, built-in Wi-Fi connectivity enables seamless sharing of imagery to mobile devices as well as wireless remote control over the camera using the Fujifilm Camera Remote app.
Covering wide-angle to super-telephoto perspectives, the Fujinon 50x optical zoom lens provides an equivalent focal length range of 24-1200mm to suit working in nearly any environment. Intelligent Digital Zoom can be used to effectively double this range to 100x, with minimal image quality degradation, to benefit working with very distant subjects. For working with very close subject matter, a Super Macro mode permits focusing as closely as 0.4″ away.
Five-axis image stabilization combines both two-axis optical (pitch and yaw) and three-axis digital (roll, vertical shift, and horizontal shift) image stabilization systems, and helps to compensate for camera shake across all pertinent axes. This helps to realize sharper, clear imagery when shooting stills at slower shutter speeds or just maintaining a steady frame when recording video on the move.
It’s such a versatile camera and I hate selling it but my camera collection needs to be thinned out a bit. It’s in my camera shop at http://www.ccstudio2380.com if you’re interested. Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
ISO 800 color film was made for shooting in full sunlight to be able to take advantage of the film’s full capabilities.Image trickery.I’ve decided to sell my Fuji. It’s available in my camera shop at http://www.ccstudio2380.com
The Fujifilm Instax Wide 300 is one of my all-time favorite instant film cameras. The large 62 x 99mm picture is a format that I more easily relate to (6 x 7cm). The fill-in flash feature is nice since it “fills in” shadows in bright sunlight which is the best way to take advantage of the color and sharpness of the film. I haven’t used the Mono Chrome film yet so I don’t know how well it actually performs. Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
I’ve been collecting all sorts of interesting and fun-to-use cameras from the Fuji Photo Film Company for years. From the humble Fujipet 6×6 camera from the late 1950s to the incredible Fujicaflex TLR (their only TLR), to the amazing Fujica GW690 Professional rangefinder, and all of the little Fujifilm FinePix digital cameras of the 2000s. Not to leave out my brief ownership of a really nice Fujica ST701 35mm SLR and all of the Fujifilm Discovery point & shoot cameras and the other equally unique Fuji “Plastic Fantastics” that I still own.
The time has come to start the big sell-off as our plan is to move to a smaller place within the next three to five years and there just won’t be enough room to display everything. S with that said, here is just one of my “new old stock” Fujis – the Fuji K-28 “Construction Camera”.
A truly heavy-duty waterproof, dirtproof 35mm work site point & shoot camera from 1991.A 4mm thick piece of fixed glass protects the sharp 28mm Fujinon lens.Everything is sealed against water, dirt, and dust. How cool is that black and yellow striped sticker?Because these were made to excel on the job site they weren’t typically purchased for a collection but this one obviously was.It’s never had a roll of film through it in over thirty years!Super cool, right?
If you’re interested in adding a unique camera to your collection I have this K-28 in my online camera shop at http://www.ccstudio2380.com which is hosted by Etsy. It ships nearly worldwide and it’s even on sale at 10% off just in time for Christmas. Thanks for stopping by, Chris.
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Chasing Classic Cameras with Chris 