Classic Canon AE-1 35mm SLR film camera.Shown with a sharp Canon New FD 50mm f/1.8 lens.My set will include everything pictured (minus the display stand).This is the last AE-1 in my extensive Canon camera collection.
This beautiful set is now available in my Etsy camera shop at http://www.ccstudio2380.com. It’s been professionally serviced and returned to factory specifications, including a new battery. Just add the film!
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Canon NFD 24mm f/2.8 lens. I should have used a yellow or orange filter.My 1978 Canon F-1 loaded and ready to go on a photo walk.Canon NFD 24mm f/2.8 lens.I got better results using the meter in the F-1 when using a 1.35v Wein Cell.Canon NFD 24mm f/2.8 lens. A slightly better exposure.The World-famous Palace Saloon, Fernandina Beach Historic District.
Processing and scans were done by The Darkroom at medium resolution. The images below I used a 625A 1.5v battery which, on average made the camera’s meter two stops off.
Canon FD 50mm f/1.4 SSC lens. In the tight confines of the historic district, a 50mm lens isn’t my favorite lens to shoot with. I’m a wide-angle lens guy.OK exposure but, I’m not happy with it.Missed it by a country mile!Canon OD F-1 with a Canon FD 50mm f/1.4 SSC lens (my original lens from 1978).
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Here are just a few items in my Etsy camera shop from my collection of cameras and photo gear. Visit http://www.ccstudio2380.com to see these items in detail.
Canon and Contax.Asahi Pentax, Canon, Yashica, and Nikon.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
None better. My Canon F-1 ‘Super Set’: a Canon F-1 body (1978), a Canon FD 55mm f1.2 Chrome Nose lens (1972), a Canon Motor Drive MF with Grip MF, and finally, a Canon Servo EE Finder. Everything is part of my collection, and everything works as designed. It is a tribute to Canon’s designers and engineers.
It stands tall. It’s not light—it’s not something you tote around on a photo walk. It’s shown here without the Servo-EE finder. It’s certainly better suited for a studio or at a fixed point at a sporting event.My original F-1 (body only) was purchased at the US Navy Exchange in Yokohama, Japan, in the summer of 1978. The f/1.2 lens and the motor drive were added much later.
I believe it will stay in my collection until I pass it along to another collector at a much later point. I must get serious about thinning my collection over this next year. I now have some very nice cameras in my Etsy camera shop that you may find interesting. Check it out at http://www.ccstudio2380.com. Thanks for stopping by, Chris
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Limited Edition Canon OD F-1 from early 1978. Out of the blue (in this case, green), Canon in Japan released about 2,000 of these factory-painted olive-drab F-1s, reportedly only for the home market. They came with a special box, unique strap, custom case, and no lens. My OD F-1 has seen some action as it has just a touch of brassing in its key wear points, which I have no problem with. I’ve added a Canon Power Winder F and my trusty Canon FD 50mm f/1.4 S.S.C. lens. Canon only made the body green, so no green accessories or lenses exist. I have this set loaded with film and will take it out and about soon. Stay connected for more about this special camera and my images.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
This is a fully dressed Canon F-1. The body is my 1978 original, with the addition of the Canon Servo EE Finder, a Canon FD 55mm f/1.2 chrome nose lens, and Canon Motor Drive MF. It’s crazy heavy.This is an Asahi Pentax SL from 1968 with a super-sharp Asahi Super-Takumar f/1.8 55mm lens. It’s a basic camera with a mechanical shutter and no built-in meter. It’s a gem in all-black paint. This one is available for purchase in my camera shop at http://www.ccstudio2380.com.Officially known as the Canon OD F-1. The ‘OD’ indicates olive drab. It was a limited edition F-1 made in early 1978 and in limited quantities. Possibly just over 2,000 made. I’ve also added a Canon Power Winder F and a Canon FD 50mm f/1.4 S.S.C. lens from 1978. Canon didn’t color-match any accessories or lenses to this special version. Sharp and cool.Photographic Excellence One of the reasons I enjoy using my Fujifilm X-T2 is that it handles like my favorite Contax RTS. I use the Yashica lens and its cousin, the Carl Zeiss Planar f/1,7 50mm lens, equally. Both are made in the same factory from similar-quality glass. By the way, the Yashica f/1.7 lens is heavier than the Planar if weight equals quality. Fujifilm X-T2 from 2016 and the Contax RTS from 1976.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
One of the fun things I enjoy about using adapters on my digital mirrorless cameras is the ability to use classic (vintage) film camera lenses that were initially designed for use on an SLR. In this case, I’m shooting with a Canon NFD Reflex Lens 500mm f8 ‘Mirror Lens.’
Canon and Fuji – a winning combination.
Here is a description of the lens by Canon –
This high performance super telephoto lens with a focal length of 500mm utilizes catadioptric system while enabling handheld shooting due to being lightweight and compact.
Reflex lenses have two significant features: one is the ability to almost completely compensate for secondary chromatic aberration which is more likely to occur at longer focal lengths in general dioptric system; the other is a dramatic reduction in the overall lens length due to the light path being looped back.
While making the most of these advantages of catadioptric system, optimal positioning of the optical system based on Canon’s own new optical design technology is used to properly compensate for various aberrations including aberration changes resulting from focusing that tend to occur in reflex lenses, providing quality image reproduction in all shooting ranges from close distances to infinity.
Moreover, in order to prevent reductions in contrast resulting from inner reflection, which is a problem in reflex lenses, the entire lens is given multilayered coating in addition to meticulous consideration being taken, such as electrostatic flocking being performed inside the lens barrel.
Furthermore, it has the feature of filters being able to be replaced with the lens attached to the camera by adopting a filter inserted into the light path.
Canon 500mm Reflex Lens mounted on my Fujifilm X-T2.
Here are a few images I shot this morning from my studio windows. The 35mm equivalent focal length of this 500mm lens on a 1.5 crop sensor APS-C camera (my T2) is 750mm!
My neighbor’s satellite dish is seen through numerous tree branches. The mirror lens tends to make closer objects not in focus appear to disappear.Japanese black pine needles on a distant tree. Notice the circular out-of-focus areas in the background. Mirror lenses produce circular highlights because there aren’t aperture blades (fixed f/8), so the lens is always ‘circular.’The lens can produce wonderful, soft, dreamy colors and patterns (which I like).Underexposed by a stop, I was more interested in getting the focus correct.
This set is compact and not very heavy. I’ve even shot hand-held, but most images will benefit from using a tripod and the self-timer function to trip the shutter. I’m using a K&F Concept FD-FX adapter to use my Canon lens from 1981 on my X-T2 from 2016. I enjoy the unique look of digital images when shooting with a classic lens. I purchased the lens recently (I’ve owned a few in the past) for only $100, which included the digital adapter, Canon lens caps, the filter, and a beat-up case.
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Chasing Classic Cameras with Chris 