Limited Edition Canon OD F-1 from early 1978. Out of the blue (in this case, green), Canon in Japan released about 2,000 of these factory-painted olive-drab F-1s, reportedly only for the home market. They came with a special box, unique strap, custom case, and no lens. My OD F-1 has seen some action as it has just a touch of brassing in its key wear points, which I have no problem with. I’ve added a Canon Power Winder F and my trusty Canon FD 50mm f/1.4 S.S.C. lens. Canon only made the body green, so no green accessories or lenses exist. I have this set loaded with film and will take it out and about soon. Stay connected for more about this special camera and my images.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
This is a fully dressed Canon F-1. The body is my 1978 original, with the addition of the Canon Servo EE Finder, a Canon FD 55mm f/1.2 chrome nose lens, and Canon Motor Drive MF. It’s crazy heavy.This is an Asahi Pentax SL from 1968 with a super-sharp Asahi Super-Takumar f/1.8 55mm lens. It’s a basic camera with a mechanical shutter and no built-in meter. It’s a gem in all-black paint. This one is available for purchase in my camera shop at http://www.ccstudio2380.com.Officially known as the Canon OD F-1. The ‘OD’ indicates olive drab. It was a limited edition F-1 made in early 1978 and in limited quantities. Possibly just over 2,000 made. I’ve also added a Canon Power Winder F and a Canon FD 50mm f/1.4 S.S.C. lens from 1978. Canon didn’t color-match any accessories or lenses to this special version. Sharp and cool.Photographic Excellence One of the reasons I enjoy using my Fujifilm X-T2 is that it handles like my favorite Contax RTS. I use the Yashica lens and its cousin, the Carl Zeiss Planar f/1,7 50mm lens, equally. Both are made in the same factory from similar-quality glass. By the way, the Yashica f/1.7 lens is heavier than the Planar if weight equals quality. Fujifilm X-T2 from 2016 and the Contax RTS from 1976.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
From my personal collection of all things Canon, these are in my camera shop, CC Design Studios, at http://www.ccstudio2380.com—and they’re on sale at 20% off, too!
From Think Tank, Turnstyle 10 V2.0 Sling Bag with Canon Professional Services logo.New Canon Professional Services padded camera strap by OP/TECH.Canon EOS Shoulder Bag.New Canon EOS Digital camera strap.Canon super sharp EF zoom lens.Just add your own camera and you’ll have an instant classic.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Fujifilm X-T2 with a Canon Reflex 500mm f8 lens – effective focal length on a crop sensor mirrorless camera is 750mm. I like the overall softness of the image.
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
One of the fun things I enjoy about using adapters on my digital mirrorless cameras is the ability to use classic (vintage) film camera lenses that were initially designed for use on an SLR. In this case, I’m shooting with a Canon NFD Reflex Lens 500mm f8 ‘Mirror Lens.’
Canon and Fuji – a winning combination.
Here is a description of the lens by Canon –
This high performance super telephoto lens with a focal length of 500mm utilizes catadioptric system while enabling handheld shooting due to being lightweight and compact.
Reflex lenses have two significant features: one is the ability to almost completely compensate for secondary chromatic aberration which is more likely to occur at longer focal lengths in general dioptric system; the other is a dramatic reduction in the overall lens length due to the light path being looped back.
While making the most of these advantages of catadioptric system, optimal positioning of the optical system based on Canon’s own new optical design technology is used to properly compensate for various aberrations including aberration changes resulting from focusing that tend to occur in reflex lenses, providing quality image reproduction in all shooting ranges from close distances to infinity.
Moreover, in order to prevent reductions in contrast resulting from inner reflection, which is a problem in reflex lenses, the entire lens is given multilayered coating in addition to meticulous consideration being taken, such as electrostatic flocking being performed inside the lens barrel.
Furthermore, it has the feature of filters being able to be replaced with the lens attached to the camera by adopting a filter inserted into the light path.
Canon 500mm Reflex Lens mounted on my Fujifilm X-T2.
Here are a few images I shot this morning from my studio windows. The 35mm equivalent focal length of this 500mm lens on a 1.5 crop sensor APS-C camera (my T2) is 750mm!
My neighbor’s satellite dish is seen through numerous tree branches. The mirror lens tends to make closer objects not in focus appear to disappear.Japanese black pine needles on a distant tree. Notice the circular out-of-focus areas in the background. Mirror lenses produce circular highlights because there aren’t aperture blades (fixed f/8), so the lens is always ‘circular.’The lens can produce wonderful, soft, dreamy colors and patterns (which I like).Underexposed by a stop, I was more interested in getting the focus correct.
This set is compact and not very heavy. I’ve even shot hand-held, but most images will benefit from using a tripod and the self-timer function to trip the shutter. I’m using a K&F Concept FD-FX adapter to use my Canon lens from 1981 on my X-T2 from 2016. I enjoy the unique look of digital images when shooting with a classic lens. I purchased the lens recently (I’ve owned a few in the past) for only $100, which included the digital adapter, Canon lens caps, the filter, and a beat-up case.
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Canon EOS R with Canon RF 70-200mm f4 L IS USM lens at 200mm.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
From 1972, an early chrome nose model of this desirable lens.It’s super clean too – near perfect optics. A tribute to Canon’s lens designers.
Rare Canon FD 55mm f/1.2 Lens First Version Chrome Nose 1972 w/ Canon Front and Rear Caps – Mint Condition – Fully Tested – 7 elements/5 groups – 58mm filter mount
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
I’ve decided to part with some of the more important cameras in my collection and this set certainly qualifies.
None better… Canon F-1 ‘Super Set’. Canon F-1 body (1978), Canon FD 55mm f1.2 Chrome Nose lens (1972), Canon Motor Drive MF with Grip MF, and finally a Canon Servo EE Finder. Everything is part of my collection and everything is working as designed. A tribute to Canon’s designers and engineers. I’ll be listing this set soon in my camera shop at www.ccstudio2380.com
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Chasing Classic Cameras with Chris – An original version (l) Canon FD 50mm f/1.8 chrome nose lens from November 1971. I love these early Canon chrome nose gems as they look so classic mounted on the first Canon F-1. The FD 50mm f/1.8 is a sharp alternative to the f/1.4 and often at a much better price. I have this one in my camera shop at http://www.ccstudio2380.com Thanks, Chris
Canon FD 50mm f/1.8 Chrome Nose lens – 1971None nicer.
When Canon released its first true professional 35mm SLR in the Spring of 1971, this was likely the lens that would have been with it. Of course, the f/1.4 was an excellent choice, especially for photographers who needed that extra speed for low-light situations. This lens’ date code is L1106 which indicates it was made in November 1971 and was the last version (l) lenses made. The chrome nose models were replaced by 1973 giving way to a slightly lighter and less expensive model. It has 6 elements in 4 groups, uses 55mm filters, and weighs a hefty 332 grams.
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
I thought I’d share a few images from a quick photoshoot from the other day. The subject is a seed cone of a still young (about 4 years old) bald cypress tree that I grew from seed in a pot that’s presently sitting in my front yard.
See if you can guess which of these three cameras took which picture. All three were digital cameras – Canon, Nikon, and Sony. Only very minor post-production was used (no Photoshop or anything like that). The available daylight changed as the afternoon wore on so they’ll be slight differences in the quality of the lighting. There’s a wide range, and I mean a wide range in the number of megapixels of the camera’s sensors from 7.2MP to 30.3MP. Give it a go.
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Did you guess?
OK, image number 1 was taken using a Nikon Coolpix P90 12.1MP bridge camera with a CCD sensor (1/2.33″) and a 24x optical Nikkor zoom lens. ISO 64, f3.2 at a full wide angle (4.6mm) using the macro mode. I think the capture is colorful and sharp and it holds up well zoomed in on a crop. Released in 2009.
Number 2. Sony Cyber-shot DSC-W7 7.2MP digicam with a Super HAD CCD sensor (1/1.8″) and a 3x optical Carl Zeiss zoom lens. ISO 100, f2.8 at 7.9mm in macro mode. The level of detail is amazing and the edition of the colors is very pleasing. It holds up very well zoomed in on a crop. Released in 2005.
Number 3. Canon EOS R full-frame mirrorless camera with a CMOS sensor at 30.3MP. The lens was a Canon RF 70-200mm f4L IS USM zoom lens. ISO 250, f4.5 at 200mm. I think I may have missed the best focus by shooting at f4.5 handheld at 200mm since when zoomed in on a crop the cone loses some of its sharpness especially compared to the other images. Released in late 2018.
My pick for the best shot is image number 2. It’s the most pleasing composition in my opinion. Overall the Sony handled the subject the best and was actually the easiest to shoot with.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Chasing Classic Cameras with Chris 