Brothers from different mothers – Contax RTS and Fujifilm X-T2

Brothers from different mothers – the classic Contax-Yashica RTS (original model) and the Fujifilm X-T2. I find the weight and feel to be the same, and many of the manual controls I use are right on top of the T2. That could be why I was attracted to the Fuji in the first place.
In the world of modern mirrorless digital cameras, the T2 just feels and acts like an old-school SLR.

The Fuji features a sharp Fujinon zoom lens, and the RTS has a fast and sharp f1.7 Yashica lens. I enjoy the aesthetics of both cameras, and I often shoot with the half-cases attached.
Fujifilm got it right when they designed their T2 (and similar models), drawing on the successful designs and functionality from the past.
A better view of the lenses. I chose the Yashica lens over the much more costly Planer lens because, let’s face it, Yashica made both (maybe from a Tomioka design in collaboration with Zeiss). The famous T* coatings may be missing on the Yashica, but I doubt it. The T* mainly was a marketing exercise. Full disclosure – I’d take the Zeiss Planer in a heartbeat if money were no object.

I enjoy using my Fuji; it is my go-to camera whenever I shoot with my classic lens collection or when I need to test a lens before listing it in my Etsy shop or on eBay. It’s fast and easy, and the APS-C sensor has a 1.5 crop factor that “boosts” the focal length of every lens I use. See yesterday’s gorgeous 450mm shot below from my 300mm Nikkor-H lens.

Boeing 777 (likely) at over 30,000 feet over northeast Florida (not cropped).

Thanks for stopping by, Chris. Which is your favorite mirrorless camera? Are you a Canon or Nikon photographer? Has anyone tried the new Nikon Z cameras?

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
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Happy SUNday! – classic glass made new

The “easy” way to get a nearly 500mm lens. With a modern mirrorless digital camera, an inexpensive adapter, and a classic lens initially made in the film era, you have a super telephoto lens you may already own.

A Nikkor-H Auto 300mm f4.5 telephoto lens from around 1970 mated to my 2016 Fujifilm X-T2 mirrorless digital camera via a Fotodiox NIK-FX lens adapter.

The Fuji T2 uses an APS-C sensor with a crop factor of 1.5. So when attaching film-era lenses, simply multiply the lens focal length; here, it’s 300mm by the crop factor (1.5), resulting in a 450mm lens. More about crop factors can be found here https://www.bhphotovideo.com/explora/photography/tips-and-solutions/understanding-crop-factor

The Fotodiox adapter I’m using here was purchased directly from them for under $30 (no affiliation). I use Fotodiox because they have an easy-to-navigate site that makes buying easy. Any third-party lens adapter maker will do so shop around. Some adapters can be expensive, so know what you want and need before overbuying.

Autofocus. In my situation here, my camera lens combination can no longer use autofocus, and any type of image stabilization is also lost (unless your mirrorless camera has built-in IBIS). So it’s back to old-school photography – manually focusing the camera and adjusting the aperture, ISO, and shutter speed to get the correct exposure – the fun stuff!

It wasn’t the best day for shooting with a long telephoto lens as the sun was obscured by a thick layer of cirrus clouds – not much color going on. The long focal length of this lens compresses distant objects creating an exciting look. This row of townhomes at the beach was quite distant from my vantage point, and close objects were not in focus (shallow depth of field).
Check your camera collection – maybe there’s new life for your old lenses and a new perspective for your next photo outing.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Big glass from 1970 – Nikkor H Auto 300mm

Today’s Lens Camera Combo

Fujifilm X-T2
FotodioX Nik-FX Adapter
Nikkor-H Auto 300mm f4.5 Lens
Nippon Kogaku Japan – 1970
35mm Equivalent 450mm

Classic glass meets new.
FotodioX NIK-FX Adapter on Fujifilm X-T2.
Looks new.
35mm equivalent is a 450mm telephoto. Seen here as an out of the camera JPEG image. ISO 1600, 1/1900, f5.6.

I enjoyed my first outing with this massive lens on my T2 but without any type of image stabilization I had to bump the ISO and shoot at a high shutter speed to get the images in focus (no tripod).

The neighbor’s chimney top as seen from my studio at 450mm. It was a rather dull day with high cirrus cloudiness blocking any chance of brighter colors. Hopefully, the sun will shine brighter tomorrow so I can get out and about again.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

soon

It will be in my camera shop soon.

Nikon F Photomic FTn ‘Apollo’

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Happy SUNday! – My most favorite Yashica set

Over the years, I have collected an incredible variety of cameras made by Yashica, from their earliest days (1953) to the last true Yashica models in the late 1980s to early 1990s. I’d have to say that this Yashica Pentamatic set (made in August 1960) is my most impressive find. It’s a one-owner set, and it is in like-new condition. It came with some unexpected goodies (pictured), too.

A gem of a camera set from 1960.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

More about the E.P mark on Japanese-made cameras and lenses (1953-1977)

There is still plenty of conjecture about the exact meaning of the two letters that appear in a diamond design on Japanese-made photo gear made in the 1950s and 1960s and gradually disappearing in the mid to late 1970s. Some suggest that it meant “Exchange Purchase” since the mark often appeared on cameras sold in military exchanges throughout Japan during that period. The catch is that not all of the cameras sold in the exchange stores had that mark – probably only 30% or less, depending on the decade and store. Stereo equipment was also marked as was binoculars. Expensive jewelry and watches didn’t have the mark. So what gives, and exactly who ordered the symbols to be placed on, at times, random items within these few categories.

Here is a never-before-seen (by me) mark on the presentation box of a <E.P> marked Nikon S2 35mm rangefinder camera from the 1950s. The camera bears the mark, and so does the box. It’s too bad the box doesn’t have an affixed price sticker. It would have been interesting to see which exchange it sold in and for how much.

Look closely at the image of this Nikon box pictured below. In the upper right-hand corner is a price sticker. The sticker has quite a bit of good information, but it also leaves out some vital info. The “Japan Tax Exempt” and dollar amount printed on the sticker are such a tease. The camera was from the early 1970s, so it could have had the <E.P> mark, but not necessarily. From memory of my time living in Japan and shopping at the Navy Exchanges in Yokosuka and Yokohama, I don’t ever recall seeing a price sticker with “Tax Exempt” printed on it since everything sold in the exchange was tax-free and therefore tax exempt. If it wasn’t sold at the exchange and in fact sold at a duty-free or tax-free shop in Japan, why would it be priced in USD and not yen?

Intriguing find.
My 1955 Nicca 3-S with a <E.P> mark on the rewind knob (typical placement of the mark).

No record exists that explains precisely what the “E & P” stood for or why the program existed and, for that matter, who instituted and administrated the process. I believe the mark was primarily intended to deter the black market reselling of photo gear to Japanese civilians by military personnel since the cameras were tax-free in the military stores and were more than likely also priced lower than the same camera “out in town” in a Japanese camera shop. It’s likely “EP” stood for “Exempt Purchase” or “Exempt Product” and not “Exchange Purchase” for the reasons I stated in this post. Do you have additional information about the program? Do you fondly remember purchasing a great camera at the exchange, please share it.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

The best addition to my camera collection in 2023

The best addition to my camera collection in 2023. I’m a big-time Canon and Yashica collector, so getting into the Nikon brand has been a fun experience. Lots to learn, which has made it a challenge.
Nikon F2A (F2 Photomic A) with a Nikkor 50mm f2 lens. Pictured with the AS-1 Flash Unit Coupler and AR-1 Soft Shutter Release.
The F2 body is from early 1973, and the DP-11 metered viewfinder is from 1978.

Pictured is the Nikon Speedlight SB-16B, which is too big on the AS-1 adapter. When a flash head is this big, it’s best to go with a flash with a handle. The SB-16 features a bounce, swivel tilt head, and forward firing flash below the main flash. When mounted on the F2, the TTL flash feature is unavailable like it would be on the later F3. It’s still an automatic flash with two settings and a manual flash mode.
The Nikkor 50mm f2 is a great lens – you don’t always need a faster lens when shooting with a higher ISO (ASA back then). I find it plenty sharp enough, especially at f4 and 5.6.

Do you have a new favorite Nikon?
Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Happy SUNday! – Minolta Madness

A couple of Minolta 35mm film cameras for your Sunday morning viewing pleasure.

Purchased in the summer of 1975 and still going strong.
Purchased in the autumn of 2000. It’s hard to believe it’s been 23 years!

Do you have an all-time favorite Minolta camera? Do you still have it? By the way, I’ve put both of these classics in my camera shop at http://www.ccstudio2380.com. Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

The Minolta SR-T 102 was a 1970s ‘superstar’!

In some circles, it was the best 35mm SLR for the money, and you were buying into a well-established SLR system with excellent Rokkor lenses. Maybe not as well thought of as the Nikon F and the Canon F-1, but certainly much more affordable. Here is a beautiful example of this model I recently purchased from its original owner – complete with the factory boxes, too!

Gorgeous 1970s tech.
It looks and operates like new!
Mint condition Rokkor lens, metal screw-in Vivitar hood, and a 55mm Hoya Skylight (1A) filter.
Beauty shot.
An excellent working exposure meter to go with the all-mechanical shutter. Classic.

This gem is available in my Etsy camera shop at http://www.ccstudio2380.com. Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Canon’s Super Fast FD lens

From 1972, an early chrome nose model of this desirable lens.
It’s super clean too – near perfect optics. A tribute to Canon’s lens designers.

Rare Canon FD 55mm f/1.2 Lens
First Version Chrome Nose 1972
w/ Canon Front and Rear Caps
– Mint Condition
– Fully Tested
– 7 elements/5 groups
– 58mm filter mount

SN 26473
M105 Date Code (OCT 1972)

This excellent lens is in my camera shop at http://www.ccstudio2380.com

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.