The MF drive handles better for me. Its grip is so big that I feel confident toting it by my side.
Canon’s film eaters: The F-1 is on the left with the Motor Drive MF, and the Canon New F-1 is on the right with an AE Motor Drive FN. The grip on the New F-1 is slick, so it feels less secure in my hand. The most significant difference between these two is that the New F-1 is a shutter-priority AE camera, and with this motor drive, all one needs to do is focus. The original F-1 would need the rather large Servo EE Finder to achieve the same performance results.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Classic Canon AE-1 35mm SLR film camera.Shown with a sharp Canon New FD 50mm f/1.8 lens.My set will include everything pictured (minus the display stand).This is the last AE-1 in my extensive Canon camera collection.
This beautiful set is now available in my Etsy camera shop at http://www.ccstudio2380.com. It’s been professionally serviced and returned to factory specifications, including a new battery. Just add the film!
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Here are some random images of cameras that I’ve featured on my Instagram and Facebook pages.
An early Nikon F. The camera that started it all.Nikon FTn Photomic Apollo Nikon FTn Photomic, late 1972 to early 1973, ‘Apollo’ body. I purchased this lovely set from the original owner’s daughter. It still works like new, but I haven’t had the time to shoot a roll of film with it yet, as there are many more in line before it. What a machine!Nikon F Photomic T 35mm camera set with a sharp and fast Nikkor 50mm f/1.4 lens. c1967.Asahi Pentax H2 set from 1959. It’s one of the more classic-designed early SLRs in my collection. The Auto-Takumar f/2 55mm lens is as good as they come.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Nikon F Photomic T and a Nikon F2 Photomic A. The F is from around 1967, and the F2 is from 1978.Nicca 3-S and a Pentax ME Super. The Pentax is only slightly larger than what was considered to be a miniature camera in the 1950s, the Nicca 3-S 35mm rangefinder.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Yashica’s first 35mm camera was made from April 1958 to December 1960. New evidence indicates that the Yashica 35 had a longer run than previously reported. The first units rolled off the line in April 1958, and the last in December 1960. This camera may be one of the last made – its serial number shows it to be a December 1960 model, which was the 1,150th of that month. The lens is a Tomioka-made f/1.9, 4.5cm, with a Copal MKV-SV shutter. The build quality and sharpness of the lens are exceptional.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
I know Petri has made several different camera models over the years, some of which I absolutely love and others, like this one, that I dislike. Is it a classic, or has it not aged well? It was released in 1969, so at that time, early SLRs weren’t especially stunners compared to the more refined models of the later 1960s. That said, I think the Asahi Pentax H2 from 1959 is one of the best-designed cameras from that era. The Nikon F is a stunning camera, but I dislike removing the base plate to load and unload film.
I admit, it would look better with a lens. Without a lens, it looks like a plumbing fixture.A previous owner added the leatherette on the pentaprism, hiding the serial number. Does this add to or subtract from the camera’s appearance?Pretty clean design from behind.The tripod mount screw is moved forward under the lens mount; otherwise, it’s a simple base plate.
Here are my Asahi Pentax H2 from 1959 and my Yashica Pentamatic ’35’ from 1960 as a comparison.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
It’s available now on eBay.The seller sent an offer.
All kidding aside, this is an extremely rare camera built by Zunow Optical in the late 1950s. Only a few production models made it into the marketplace. Mostly non-working examples exist today and few ever come up for sale.
The Yashica Pentamatic ’35’ looks a bit like it. The Pentamatic was released in early 1960 but was designed in 1959 as a joint venture with Nicca and Yashica’s designers.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
We recently acquired this lens for our Yashica Pentamatic collection. Why is it important? It’s a great find because it’s the first time we’ve encountered a lens with a lower serial number than one pictured in an advertisement (in this case, the first-ever ad for the Pentamatic, June 1960). We know it is total nerd stuff, but that’s what makes collecting fun.
The lens was made for Yashica by Tomioka Optical, which at the time made about 90% of all their lenses (TLR, SLR, RF, and Cine).
The lens serial number decodes 59 = 1959, 10 = OCT, and 0092, the 92nd lens made since production started.
In the second image, the other lens was made in December and was the 1,630th made. Tomioka was busy producing these lenses long before Yashica released the Pentamatic in March 1960. The first Pentamatic bodies were made in January.
The third image shows an early Yashica Tominon Super Yashinon-R f/2.8 3.5cm wide-angle lens SN 350246. The date code was dropped in favor of a simpler code: 35 = 35 mm, and 0246 is the sequence number since the start of production.
The ad shows a lens with a higher production number than the lens we own. 92 indicates it was made in the first batch of 100 lenses.The October lens is on the left and the December lens is on the right. No November lenses were made.From an early batch of wide-angle lenses from Tomioka Optical. This one is number 246.A fast lens from Tomioka. The f/1.2 55mm lens which was made much later in the M42 screw mount.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Chasing Classic Cameras with Chris 