These two from the mid-1970s are not often seen together. The RTS was released in 1975, and I purchased this F-1 in 1978. I considered buying the RTS instead of the F-1, but the representative from Canon at the Navy Exchange store in Yokohama convinced me the F-1 was better, and at the time, a bit less expensive than the Contax. Many years later, I was able to get the RTS, and I added the PMD W-6 as a bonus. The Canon handles better due to its larger rubberized grip, but the RTS is a bit more sporty (designed by Porsche). I use them both. The Contax can eat through film at 5 fps vs. the Canon’s 3.5 fps.
Heavyweight superstars.The Canon’s drive is much larger, but the Contax is faster.Designed to excel in sports and unmanned photography.I find the large rubberized grip on the Canon to be easy to hold, and the extra-wide base kept the camera stable on a table.The Contax is super slick; the drive almost disappears into the camera’s body. Conversely, the smaller footprint means the camera is not as stable on a table.The grip on the Canon is removable, which opens up additional possibilities and accessories..One of my favorite Carl Zeiss lenses.
Comments are always welcome; I’ve learned a great deal from reader feedback. As always, thanks for stopping by. While there, visit my camera shop at http://www.ccstudio2380.com (CC Design Studios, hosted on Etsy). – Chris Whelan
My Contax RTS with a Contax RTW W-3 and Carl Zeiss Vario-Sonnar T* 28-70mm f/3.5-4.5 Macro Zoom lens. www.ccstudio2380.com
The Contax RTS was released in 1975.I added a Contax Real Time Winder W-3.The Carl Zeiss lens is super sharp, and the zoom range is perfect for my type of photography.It’s not complete without the appropriate Contax overdesigned and oversized lens hood.Instruction booklet from 1977.Ad from 1976.
The original Contax RTS (Real Time System) is a joy to use. If you are looking for a classic 35mm SLR to add to your collection, look no further than the RTS.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
This is a fully dressed Canon F-1. The body is my 1978 original, with the addition of the Canon Servo EE Finder, a Canon FD 55mm f/1.2 chrome nose lens, and Canon Motor Drive MF. It’s crazy heavy.This is an Asahi Pentax SL from 1968 with a super-sharp Asahi Super-Takumar f/1.8 55mm lens. It’s a basic camera with a mechanical shutter and no built-in meter. It’s a gem in all-black paint. This one is available for purchase in my camera shop at http://www.ccstudio2380.com.Officially known as the Canon OD F-1. The ‘OD’ indicates olive drab. It was a limited edition F-1 made in early 1978 and in limited quantities. Possibly just over 2,000 made. I’ve also added a Canon Power Winder F and a Canon FD 50mm f/1.4 S.S.C. lens from 1978. Canon didn’t color-match any accessories or lenses to this special version. Sharp and cool.Photographic Excellence One of the reasons I enjoy using my Fujifilm X-T2 is that it handles like my favorite Contax RTS. I use the Yashica lens and its cousin, the Carl Zeiss Planar f/1,7 50mm lens, equally. Both are made in the same factory from similar-quality glass. By the way, the Yashica f/1.7 lens is heavier than the Planar if weight equals quality. Fujifilm X-T2 from 2016 and the Contax RTS from 1976.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
It’s fun to collect, but now it’s time to disperse.
More to come soon. Thanks for stopping by, Chris
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Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Before the dawn of the digital age, camera manufacturers produced some of their most technologically advanced 35mm SLR film cameras to date. Sophisticated autofocus systems, auto exposure, eye-control, and zone-assist focusing to name just a few features. The Canon EOS-1N (1994), the Nikon F4 (1988) which was Nikons first professional camera with autofocus, the F5 (1996), and the Contax RX (1994), AX (1996) which had a basic autofocus system and later, the N1 (2000) a true autofocus camera with a new line of Zeiss lenses.
My Contax RX set. The lens was initially sold separately.The RX’s ‘highlight’ was the Digital Focus Indicator (DFI) function—not quite autofocus, but close.It’s a handsome SLR with a timeless, classic look that, in my opinion, modern Fujifilm mirrorless cameras emulate.The list price of JPY 160,000 was about USD 1,600 in 1994.Contax RX brochure. Shoots at up to 3 frames per second.Canon EOS-1N RS (a film eater with autofocus). It’s capable of shooting 10 frames per second! Uses Canon EF lenses.Canon EOS-1N brochure – 1994.Nikon F5 1996. It’s capable of shooting 8 frames per second.Nikon F5 brochure.The Contax RX. The data back only indicates the year up to 2019. Thirty years on, it’s stuck in the 1990s. The data is printed between the frames on the film, not in the image.Contax craziness!
More soon. Thanks for stopping by, Chris
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Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Scientific/Medical ‘Sci-Med’ camera with a Real Time Winder both are from around 1977 or early 1978. No official documentation exists on this variant of the Contax-Yashica RTS (first model) released in 1975. It’s been referred to as the RTS ‘Fundus,’ but again, there needs to be a mention of why it was produced and for what purpose beyond the Sci-Med community to be able to accept that designation, in my opinion. Slight enhancements include a small raised collar around the sensitive magnetic shutter release button and a shutter speed lock button on the right side of the camera’s top plate (as viewed from the front). The shutter speed dial locks in the 1/60 position (electronic flash sync speed), and the button needs to be depressed to select another speed. The Real Time Winder was mated with this camera as they shared the curious ‘Registered Number U.S.A.’ sticker. Many unknowns exist about this limited production camera, and much misinformation is floating around. I hope to uncover some truths or, at the very least, present only factual info. If you have documentation concerning this Scientific/Medical version, please share it with me – advertisements, brochures, or mentions in the photographic press back in the day.
Most RTS cameras have degraded or peeled leatherette coverings as the adhesives and the slightly softer leather haven’t held up over the decades. This one has, for the most part. The RTS line (RTS, RTS II Quartz, and RTS III) all use lenses with the Contax/Yashica (C/Y) mount.The Real Time Winder can shoot up to 2 frames per second (2 fps). Higher-speed motor drives and winders with speeds up to 5 fps were also available.The JCII ‘Passed’ sticker is in a different position from where these stickers were usually placed on the RTS, which would be on the left side of the prism. I guess it was put here on the Sci-Med version because the ‘Registered’ sticker was placed on the prism (by the factory or the distributor?).The baseplate is marked ‘Scientific / Medical’; otherwise, it’s not different from a standard RTS.The registration numbers are different, but the winder and the camera body were together as a set when I purchased them.Early magazine advertisement. Here, it incorrectly indicates that the Real Time Winder is capable of 2 1/2 fps. The manual has it at 2 fps.1976 magazine ad.Beautifully designed and highly functional.
The Contax-Yashica RTS, Real Time System, was jointly developed by Yashica and Carl Zeiss, with the design originating from Porsche. The camera features fully automatic through-the-lens electronic exposure control; select the proper film speed (ASA, ISO) and the desired aperture (f-stop), and the camera selects the appropriate shutter speed. It’s also a fully manual camera, with the user setting the shutter and aperture values. It was a camera I was initially interested in when I was looking to replace my first SLR, the Yashica TL Electro-X, in 1978 when I was stationed in the Navy in Japan. If I remember correctly, the Navy Exchange stores didn’t have a large selection of Contax cameras, so my choice quickly became the Canon F-1 over the Nikon F-2.
Here is my first Contax RTS, which isn’t the Sci-Med version.
I chose the Yashica ML 50mm f1.7 lens over the more expensive Zeiss T-Star (T*) lens.
Thanks for stopping by, Chris
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Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
In the Contax RTS instruction booklet, the baseplate pictured either has a “real” serial number or one “made up” by the marketing department. RTS models out in the wild don’t have a serial number that is easy to decode (date manufactured), but this one does, at least if you know how to read Yashica serial numbers. I interpret this SN as February 1975 (502), and its number is 166.
The original instruction booklet (dated 06/76) has an 8-digit SN.My RTS baseplate has serial number 087024, which looks nothing like the serial number in the instructions.Here is a baseplate from an RTS-Fundus Scientific / Medical camera. I see 091238. I don’t see a date code in there – do you?
Anyway, this is just a quick post to gather my thoughts. Do you own a Contax RTS first model? I’d like to see more serial numbers as a pattern may appear. Thanks for stopping by, Chris
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Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Brothers from different mothers – the classic Contax-Yashica RTS (original model) and the Fujifilm X-T2. I find the weight and feel to be the same, and many of the manual controls I use are right on top of the T2. That could be why I was attracted to the Fuji in the first place. In the world of modern mirrorless digital cameras, the T2 just feels and acts like an old-school SLR.
The Fuji features a sharp Fujinon zoom lens, and the RTS has a fast and sharp f1.7 Yashica lens. I enjoy the aesthetics of both cameras, and I often shoot with the half-cases attached.Fujifilm got it right when they designed their T2 (and similar models), drawing on the successful designs and functionality from the past.A better view of the lenses. I chose the Yashica lens over the much more costly Planer lens because, let’s face it, Yashica made both (maybe from a Tomioka design in collaboration with Zeiss). The famous T* coatings may be missing on the Yashica, but I doubt it. The T* mainly was a marketing exercise. Full disclosure – I’d take the Zeiss Planer in a heartbeat if money were no object.
I enjoy using my Fuji; it is my go-to camera whenever I shoot with my classic lens collection or when I need to test a lens before listing it in my Etsy shop or on eBay. It’s fast and easy, and the APS-C sensor has a 1.5 crop factor that “boosts” the focal length of every lens I use. See yesterday’s gorgeous 450mm shot below from my 300mm Nikkor-H lens.
Boeing 777 (likely) at over 30,000 feet over northeast Florida (not cropped).
Thanks for stopping by, Chris. Which is your favorite mirrorless camera? Are you a Canon or Nikon photographer? Has anyone tried the new Nikon Z cameras?
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Not really. I just like the look of my RTS with the brown leather half-case and the green Sigma lens. The Contax RTS is from 1975 – I’m not sure when Sigma made these green body lenses.
Sigma 70-210mm f3.5-4.5 APO Zoom lens in green.Push-pull zoom with macro capabilities. The matching lens hood is a screw mount.
Here is what Sigma had to say about the lens at its introduction (10 Feb 1986). “The world’s shortest Apochromatic High-Speed Telephoto lens. One-Touch zoom, Helical focusing, which has an advantage for using a polarizing filter. The lens will supply together with an Achromatic Macro Lens for High-Quality close-up photography.” I can’t be 100% certain that my lens is this lens as described but it could be. Further reading hints that ‘APO’ originally meant ‘Advanced Performance Optics’. Either way ‘APO’ indicated that the lens had low dispersion glass.
Looking extra sharp.
Since film is so expensive to shoot with I believe I’ll get a FotodioX C/Y to FX adapter to use this lens on my Fujifilm X-T2. I’m interested to know when Sigma first produced green lenses. Any info would be appreciated. Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
A dream collection of Yashica cameras – if only it was 1975 again! This photo is from the Yashica publication intended for US camera dealers and represents only a small portion of what was available from Yashica in 1975. Conspicuous in its absence is the flagship TL Electro-X ITS with its distinctive gold electron logo on the pentaprism.
Contax Heaven
From ‘Yashica A New Horizon’ – 1975 marketing brochure. If you look closely at the copy stand in the area just below the bulb on the right you can just make out a piece of black tape. On my copy stand, it says Yashica and since Contax didn’t make one (at the time of this image) they just covered up the Yashica name. How cool would it be to own everything pictured?
My good friend Graham Buxton-Smither had this to say about the Contax image above – “It was an aspirational piccie back in the late 1970s – one could only dream about owning such gear – even more so when you added the Zeiss lens range. You are absolutely right about the copy stand – it’s Yashica’s Cope Stand II. Two other Yashica items are shown – the Microscope Adapter and the Magnifier. All is not as it seems with other gear too! The motor drive/250 back is the one later used by Olympus with the OM1n; the hammer-head flash is a lower-powered National, quite unlike the RTF540; the bellows is simply a basic Novoflex rebranded (the Contax Auto Bellows is far superior with swing/tilt), and the radio control kit is nothing like the actual one eventually produced under the Contax name. It’s still a great piccie though! I’m adding a photo to the Yashica Group showing the ML 55 2.8 + 27mm Tube on a Contax RTS Fundus that shows the true Contax 250 back and drive.” I’ve included an image of Graham’s Contax that he mentions above (see below).
This shows the ML 55 2.8 in 1:1 macro mode using Yashica’s 27mm Extension Tube. It’s attached to my lab kit – a Contax RTS Fundus with the Professional Motor Drive and 250 Back. I often use it with the AC Control Box when observing an item over extended periods of days or weeks.
Thank you for stopping by and hopefully, I’ve piqued your curiosity a bit! – Chris
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and, while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Chasing Classic Cameras with Chris 