Ugh!

24/7
Fernandina paper mill (one of two on the island). It’s not a Chamber of Commerce view.

The top image was taken with my Fujifilm X-T2 and a 300mm Nikkor-H lens. The bottom photo was shot on my Galaxy S8+.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Brothers from different mothers – Contax RTS and Fujifilm X-T2

Brothers from different mothers – the classic Contax-Yashica RTS (original model) and the Fujifilm X-T2. I find the weight and feel to be the same, and many of the manual controls I use are right on top of the T2. That could be why I was attracted to the Fuji in the first place.
In the world of modern mirrorless digital cameras, the T2 just feels and acts like an old-school SLR.

The Fuji features a sharp Fujinon zoom lens, and the RTS has a fast and sharp f1.7 Yashica lens. I enjoy the aesthetics of both cameras, and I often shoot with the half-cases attached.
Fujifilm got it right when they designed their T2 (and similar models), drawing on the successful designs and functionality from the past.
A better view of the lenses. I chose the Yashica lens over the much more costly Planer lens because, let’s face it, Yashica made both (maybe from a Tomioka design in collaboration with Zeiss). The famous T* coatings may be missing on the Yashica, but I doubt it. The T* mainly was a marketing exercise. Full disclosure – I’d take the Zeiss Planer in a heartbeat if money were no object.

I enjoy using my Fuji; it is my go-to camera whenever I shoot with my classic lens collection or when I need to test a lens before listing it in my Etsy shop or on eBay. It’s fast and easy, and the APS-C sensor has a 1.5 crop factor that “boosts” the focal length of every lens I use. See yesterday’s gorgeous 450mm shot below from my 300mm Nikkor-H lens.

Boeing 777 (likely) at over 30,000 feet over northeast Florida (not cropped).

Thanks for stopping by, Chris. Which is your favorite mirrorless camera? Are you a Canon or Nikon photographer? Has anyone tried the new Nikon Z cameras?

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Contrasts – Industrial Ugly

Amelia Island, Florida. Such natural beauty and then this.
Samsung Galaxy S8+
I purposely shot into the sun to catch the reflections in the tidal mud along the Amelia River.

Looking south along the Amelia River at one of the two paper mills on the island (this one since the late 1930s). The other mill is just north of this location and is not in this image.

Amelia Island is stunning – its natural beauty is diverse, and it is almost hard to imagine how pretty it is. Thirteen miles of sandy Atlantic Coast beaches splashed with warm and generally clean seawater. On the west side of the island is this monstrosity. The mills, for the most part, never stop spewing pollution into the air and, more than likely, into the waters. Here is an interesting article written by one of the island’s original families. https://fernandinaobserver.com/general/rayonier-and-container-in-fernandina-a-brief-history-and-reflection/

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Happy SUNday! – classic glass made new

The “easy” way to get a nearly 500mm lens. With a modern mirrorless digital camera, an inexpensive adapter, and a classic lens initially made in the film era, you have a super telephoto lens you may already own.

A Nikkor-H Auto 300mm f4.5 telephoto lens from around 1970 mated to my 2016 Fujifilm X-T2 mirrorless digital camera via a Fotodiox NIK-FX lens adapter.

The Fuji T2 uses an APS-C sensor with a crop factor of 1.5. So when attaching film-era lenses, simply multiply the lens focal length; here, it’s 300mm by the crop factor (1.5), resulting in a 450mm lens. More about crop factors can be found here https://www.bhphotovideo.com/explora/photography/tips-and-solutions/understanding-crop-factor

The Fotodiox adapter I’m using here was purchased directly from them for under $30 (no affiliation). I use Fotodiox because they have an easy-to-navigate site that makes buying easy. Any third-party lens adapter maker will do so shop around. Some adapters can be expensive, so know what you want and need before overbuying.

Autofocus. In my situation here, my camera lens combination can no longer use autofocus, and any type of image stabilization is also lost (unless your mirrorless camera has built-in IBIS). So it’s back to old-school photography – manually focusing the camera and adjusting the aperture, ISO, and shutter speed to get the correct exposure – the fun stuff!

It wasn’t the best day for shooting with a long telephoto lens as the sun was obscured by a thick layer of cirrus clouds – not much color going on. The long focal length of this lens compresses distant objects creating an exciting look. This row of townhomes at the beach was quite distant from my vantage point, and close objects were not in focus (shallow depth of field).
Check your camera collection – maybe there’s new life for your old lenses and a new perspective for your next photo outing.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Big glass from 1970 – Nikkor H Auto 300mm

Today’s Lens Camera Combo

Fujifilm X-T2
FotodioX Nik-FX Adapter
Nikkor-H Auto 300mm f4.5 Lens
Nippon Kogaku Japan – 1970
35mm Equivalent 450mm

Classic glass meets new.
FotodioX NIK-FX Adapter on Fujifilm X-T2.
Looks new.
35mm equivalent is a 450mm telephoto. Seen here as an out of the camera JPEG image. ISO 1600, 1/1900, f5.6.

I enjoyed my first outing with this massive lens on my T2 but without any type of image stabilization I had to bump the ISO and shoot at a high shutter speed to get the images in focus (no tripod).

The neighbor’s chimney top as seen from my studio at 450mm. It was a rather dull day with high cirrus cloudiness blocking any chance of brighter colors. Hopefully, the sun will shine brighter tomorrow so I can get out and about again.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

1822 Capped Bust Half Dollar Coin – a survivor

Hand-struck beauty from 1822. The 13 stars represent the original 13 colonies; Lady Liberty wears her “Liberty Cap.”

I have my beautiful 1822 Capped Bust silver half dollar coin for purchase.

I’ve owned it for well over 50 years of its 202-year life. What I found most appealing
is that historically large silver US coins with a punched hole were more than likely worn
around the neck hanging by a leather piece kept out of site so as not to be lost by the owner.
Pockets were not common, and fifty cents during the pre-Civil War period was a great deal of money.

The hole, in my opinion, only adds to its history as I can only imagine who may have worn it and when. There is even a trace of material in the hole!

The Capped Bust half was minted from 1807 to 1839. It was designed by the famous engraver John Reich. It weighs 13.50 grams and contains 90% silver. The diameter is 32.50 mm.
It was minted at the Philadelphia Mint using hand-operated presses! Each coin differed slightly
from the other due to the person operating the press and the quality and wear of the dies.

The edge of the coin is lettered –
FIFTY CENTS OR HAF A DOLLAR

PCGS estimates that only about 6,000 coins survive in any grade to this day, making it
a relatively rare coin.

The reverse features our American Eagle atop an olive branch and arrows – a traditional design that started with these early coins.

Here is a beautiful image of a nearly perfect specimen of the coin courtesy of PCGS.

My coin is available in my shop at http://www.ccstudio2380.com if you’re interested in purchasing it or want additional information. Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

soon

It will be in my camera shop soon.

Nikon F Photomic FTn ‘Apollo’

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

A fun new lens for my Fujifilm X-T2

Fujifilm X-T2
TTArtisan AF 27mm f2.8 Auto Focus Lens
Limited Edition Yellow-Orange
APS-C
35mm Equivalent is 41mm

Sharp, colorful, compact, fun, inexpensive, especially compared to the Fujifilm equivalent.
The orange ring is the lens hood.

APS-C AF 27mm f2.8 lens.
Not subtle. The orange thingy is a lens hood.
First image. f5.6, 1/20, ISO 1600, 27mm (41mm full-frame equivalent). Velvia Vivid film simulation.
Velvia Vivid film simulation. Overcast day here in North Florida.
FUJIFILM XF 27mm f/2.8 R WR Lens – $399.00 at B&H. Yes, the Fuji is a lot more lens, but to be quite frank, Fujifilm lenses are way too expensive to start filling my camera bag with them.
I love color!

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Standing Man

Nikon One Touch L35 AF3. Fujicolor Superia X-TRA 400 color negative film. Nikon f2.8 35mm lens.

I met this gentleman while I was testing my Nikon and spoke to him for a bit. What a pleasant individual. I like using Fujifilm, and the camera’s exposure was spot on.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.

Happy SUNday! – My most favorite Yashica set

Over the years, I have collected an incredible variety of cameras made by Yashica, from their earliest days (1953) to the last true Yashica models in the late 1980s to early 1990s. I’d have to say that this Yashica Pentamatic set (made in August 1960) is my most impressive find. It’s a one-owner set, and it is in like-new condition. It came with some unexpected goodies (pictured), too.

A gem of a camera set from 1960.

Thanks for stopping by, Chris

Follow me on Instagram at @ccphotographyai

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

Copyright © 2015-2024 Chasing Classic Cameras with Chris (Yashica Pentamatic Fanatic), Chris Whelan
All rights reserved.