1950s Kodak Verichrome Safety Film

Kodak Verichrome Safety Film was produced between 1931-1956 when it was replaced by Verichrome Pan. It’s a orthochromatic black and white negative film. This rather rare unopened “Duo-Pak” expired in January 1957 which means it was probably made around two years prior.

Verichrome was made in 116, 120, 616, and 620 formats.

Thanks for stopping by and be sure to stop by my shop at http://www.ccstudio2380.com – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2021 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Yashima Flex – 1954

Yashica’s first twin-lens reflex (TLR) camera to bear the company name – Yashica was Yashima at its founding. The Yashica name wasn’t adopted for the company until 1958.

This Yashima Flex is as close to its original condition as one could hope for. It’s fully functional and a joy to use.

Yashima Flex with film logo

A beauty from the craftspeople at Yashima – Nagano Prefecture, Japan.

Thanks for stopping by! If you’re interested in purchasing classic cameras, please visit our e-commerce store at https://www.ccstudio2380.com

You can visit our gallery of photographs at https://500px.com/yashicachris

Some of our art prints can be found at https://society6.com/ccstudio2380

We’re also active buyers of classic photogear – contact us at chriscarol@ccstudio2380.com


Please respect that all content, including photos and text are property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2017 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

1957 Yashica-C

The Yashica-C made by Yashima, was part of the new wave of Yashicas that were released in late 1956 for sale in the world markets (focus scale is only in feet). It was listed at $46.50 plus $8.00 for the “De Luxe Leather Eveready Case”. The other models released at the same time were the Yashica-A ($29.95) and the Yashica LM ($59.95) which featured a built-in exposure meter!





This handsome camera came to us recently with all features fully working – even after six decades of use, no issues. Our guess would be this camera saw maybe 1 or 2 rolls of film in its life. It is in factory new condition.

Features: Semi-automatic film wind, 80mm Yashikor f: 3.5 taking and viewing lenses (hard coated and color corrected), Copal shutter with speeds at 1, 1/2, 1/5, 1/10, 1/25, 1/50, 1/100, 1/300 second and Bulb, self-timer, flash sync (M-x) built-in, bayonet lens mount and flash gun shoe with standard PC flash terminal.

If you’re looking to try medium format photography, the Yashica-C is a great camera and a great value. It can often be had for significantly less money then a Yashica-D.

A word of caution about 6 decade old TLRs. Corrosion of the black metal parts is common as is fungus and mold in and on the lenses. If the camera you’re interested in shows some exterior rust (and other forms of corrosion), then ask the seller a bunch of questions. Cameras like these that come from humid environments are often left in their organic leather cases (and in the dark) – fertile grounds for growing mold and fungus. Fungus filaments can completely destroy a lens or at the very least, etch parts of the coating for good.


All the goodies!

On a more happy note – this beauty has no mold or fungus and was purchased from a seller in Michigan. Probably a one owner camera – it came with a roll of Kodak Tri-X film loaded inside (at least from the mid 1960s).

Studio Camera: Fujifilm FinePix S9900W

Thanks for your visit and comments are always welcome. C&C ^.^

Fujica GW690 part 2

Just back from the Fujica’s first photo assignment in the US. What a simple and fun camera to use! The viewfinder (rangefinder) is super bright and big! It made it easy to compose my images and focus.

Yeah the leaf shutter going off isn’t going to get a bunch of oohs and ahhs from the crowd – it works and that’s what matters. The shutter sounds just like our Fujipet from 1958. Stay with what you know Fuji Photo!


It took up the entire camera bag! I only had room for some lens wipes and the lens cap. Just back from its test shots.

The camera did draw some attention from the tourists that were downtown. It’s fun to answer their questions about film vs. digital (we love both) and the most common question – why would you take pictures with such an old camera? The weather was gorgeous too today – bright blue sky and and plenty of strong Florida sunshine. It took no time for me to burn through the 8 exposures!

When I advanced the film after exposure number 8, it took only 5 strokes (maybe only 4) of the film advance lever to free the film fully from the supply roll. Thinking that I’d better be cautious, I decided to remove the film in my dark bag at home.


All went well in the dark bag. The roll had properly wound itself.



We wish Fujifilm still made Neopan 400.

Now that the first part of the test is done, time to send off the roll to ‘The Darkroom’ for processing and digital scans. We should see something online from them by late Friday afternoon (it’s Tuesday now). Time to head to the post office!


Check back soon to see the finished results. Thanks for your visit!

C&C ^.^

Costly Mistake…

It’s the best looking non-working Yashica TLR in our collection! There. Got that out of the way. This Yashica-Mat medium format camera is from 1968 and is in mint condition. The Mat had a super long run for Yashica – 1957 to 1973. Lots of pretty Mats out there to be had. Lots of dogs too. Sometimes the dogs work great and sometimes the pretty ones are dead in the water (DIW).

This one is DIW (nautical term meaning not moving). In my haste to add a good looking Mat to our collection, I overlooked a fatal flaw that often happens with these cameras…


Do you see the flaw that I missed?

How about now?


Look closely… do you see it yet?

How about more of a hint?


Okay, I’ll point it out.


Missing self timer lever. Did you see it right away? Pat yourself on the back if you did.

As I mentioned in the beginning of this post, in my haste to add a nice Mat to our collection, I failed to notice that the self timer lever was missing. No big deal right? It is and I know better. The lever is a small thingy with a little red dot of paint on the end of it. When it’s there, it should be all the way to the right (when looking straight on at the camera’s face). If it’s missing (as in this case) don’t buy it unless you enjoy repairing cameras. If it’s all the way to the left then ask questions of the seller. What happens is that the self timer lever should not be missing and should not be engaged to the left. In the instruction booklet, Yashica clearly cautions – “Be sure to move the synchro selector to the X position when using the Self-timer”.

The synchro selector lever is the little thingy sticking out just above the right thumb wheel as seen in image 1 (it has a little yellow dot of paint on it). The X position is pushing the level down (you can just make out the red X in the image above).


Syncro selector lever (yellow dot thingy) in the up M position (M is in yellow on the camera body).

Remember, yellow dot thingy lever up is in the M position. Yellow dot lever pointing down is in the red X position. A review: no self timer lever = run! Usually someone has forced the lever one way or another because the lever is stuck to the left. If the lever is in the left position and the yellow dot lever is in the up or M position then ask the seller a bunch of questions. Please ask if the shutter button trips the shutter when pressed. More then likely the answer will be no.

In closing, if the camera you’re interested in is photographed slightly turned as in this example below, it’s easy to overlook the missing self timer lever. Ask questions before purchasing it.



Here is an example of a Yashica-Mat with the self timer lever almost all the way to the left. I checked another image of this camera and the syncro selector lever is on M (which is in the up position). This is a classic case of what I’ve been talking about. You need to ask the seller if the shutter fires. More likely it does not. Run!

Completely my fault for not checking the lever and not asking questions of the seller.

Thanks for your visit… comments are always appreciated.


Yashima Yashicaflex A-II… 1955 – A restoration like no other!


Restoration challenge! Six decades of dirt, grime, soot and corrosion have taken their toll on this once beautiful Yashicaflex. There isn’t a part that escaped the corrosion – except the workings. The glass is just fine, shutter works, aperture blades are problem free – film advance works as does the focus. 

I’m finally on the home stretch of this year plus project. My desire to re-imagine this camera into the modern age has been the biggest holdup. Actually I’m calling it an “interpretative restoration” – that allows the artist and designer in me to reconcile with the fussy photographer that I am.

Watch the blog over the next two weeks or so as I bring it all together for the final reveal.

Thanks – Chris

More ‘Found Film’

We recently posted a short article about the good and bad sides of ‘found film’. It’s always exciting whenever we acquire a new camera and find film from the previous owner. We enjoy trying to figure out what year the film may be from. In this case, the 120 roll is Kodak Ektachrome-X – color slide film or reversal film if you prefer. It was found in a Yashica-A twin-lens reflex (TLR) medium format camera.


Yashica-A TLR and some ‘found film’. In this case some Kodak Ektachrome-X color slide film.

The camera (Yashica-A) is from October 1959. Its general appearance would indicate that it saw limited use as the camera is in near mint condition with only a few small detracting marks. It works perfectly and the optics are sharp and clear. The shutter is accurate and it’s ready to shoot with again. It always amazes me how many cameras we find with half used rolls of film.


Nice little addition to our vintage film collection.

We’re not going to get this roll developed. Our experience with the most recent roll was basically a waste of money – and a bit scary as you never know if the previous photographer shot something bad. We’ll let this one alone.

If anyone can give us an idea as to when this style of film was in use we would love to know.

Many thanks for your visit!


You can visit us on flickr at https://www.flickr.com/photos/127540935@N08/



Yashica-Mat EM… on assignment… update 12.9.2016

This month’s assignment (actually from September) is to load some Fujifilm into our Yashica-Mat EM and enjoy the benefits that only medium format film photography can fulfill.

Oh the joys of composing 6 x 6 cm images through a pop-up viewing hood in bright sunlight. What I do find nice is that the focusing dial is on the camera’s left side… a natural place for it to me. The EM has a built-in exposure meter and a ‘computer’, slide rule actually, to adjust the aperture and shutter speeds which you then set by using the two thumb wheels. I’ve learned over the years to use the guess method of focusing – I’ve learned how to judge distances by eye and then I set the focus on the marked dial. If you’re shooting in bright light and use the smallest apertures then the dept of field will cover most inaccuracies in your focus guess. Saves time and frustration. This month the Yashica-Mat EM (this one is from 1964) I will be using is in perfect condition… all shutter speeds sound correct and the aperture blades behave as they should. The meter does not require batteries and I’m sure most of my bright and sunny shots will be f/ 11 and 16 and f/ 22 for the Fujifilm 400. Below is my favorite one camera-one day bag. It’s made from vintage washed canvas material and is super soft inside and out. I trust it not to scratch my cameras going in and out and once inside, they’re safely cushioned.


My day bag – one camera only. The bag is super soft vintage cotton canvas and has a cushioned liner to protect its precious cargo.

The bag is 100% cotton and made by ‘Rothco’. It was stitched in India which makes me feel a bit better about it. It was purchased at the National Navy UDT-SEAL Museum in Ft. Pierce, Florida which helps support this awesome museum. The desert toned U.S. Flag was also purchased there and was added to the bag by me. No worries when I travel with it. No matter what I wear, I’ll always look like an American. I mention this only because when I was a Sailor in the U.S. Navy (a long time ago) we were often told to not look American while travelling overseas – which is a hard thing to do when an aircraft carrier is in a foreign port and 5,000 Sailors were out on liberty.

I plan on shooting two rolls of Fujifilm – gorgeous Neopan 100 Acros and a roll of PRO 400H color negative film. The Yashica has Tomioka Optical made Yashinon 80mm lenses with a fairly bright f/ 3.5 taking lens. The glass is crystal clear and always produces sharp details. The image is nice and bright on the focusing screen and the red grid marks help to keep things straight. I’ll tote along the lens hood just in case. No tripods needed but I may bring along my monopod.

We hope to post our images soon. Now that the fall weather has given us a brake from the oppressive heat and humidity of summer it will be fun to roam about our little town and the adjacent countryside.


Fresh roll of Fujicolor PRO 400H color negative film.

And some of the results…


Purposely pointed into the low angled sun – great way to test how the lens is going to look. The stars from the highlights on the water was a nice plus. Also a great test for the EM’s exposure meter. I metered off the water well left of the bridge. About 1/250 at f/ 11 maybe f/ 16.


The Fujicolor did well here. Big contrast in this image between the stark beige of the building and the deep blue sky. Shot at 1/500 around f/ 16-22. No post production of this image. As framed in the focusing hood on the EM.


Dat two of the photoshoot. I lost the bright sunshine and the sky turned rather blah. Small town America at its best. 1/250 at f/ 11-16. No post production. As developed.

The EM performed beautifully – the built-in exposure meter was spot on and the shutter was accurate. These images were focused at infinity so no real chance to test the accuracy of mid-range focusing. Another time.

Thanks for your visit!

Chris & Carol