Mr. David Yulee as seen in downtown Fernandina Beach
Yashica Pentamatic S 35mm SLR mated with the sharp 5.8cm f/1.7 lens which I believe was designed by Zunow. No direct written evidence to support that claim but the design cues are clearly more Zunow than Tomioka. The camera is from 1961 and the lens is from 1960.
Yashica Pentamatic S with attached exposure meter.
Yashica’s first SLRs represented a steep learning curve for the company.
The original Pentamatic ’35’ was co-designed with Nicca Camera starting in 1958. The camera was groundbreaking for Yashica to be sure but a miss overall against the competition (think Nikon F). Yashica’s best was yet to come. I happen to appreciate the rock-solid construction of this often overlooked camera. The lens was only in production for six months and disappeared from Yashica’s lineup at the same time as Zunow’s demise (January 1961). It was the standard lens for the Pentamatic II. This was not the lens that was supplied with the S – Yashica went back to the 5.5cm, f/1.8
Shot with my Samsung Galaxy S4 – January 2015
Thanks for stopping by and be sure to check out my camera shop at http://www.ccstudio2380.com for some great cameras and photo gear. – Chris
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We’ve got a wonderful vintage classic from Minolta – the venerable SR-T 101. Actually, quite a groundbreaking camera back in its day with many never before seen features and functions. This one was purchased by a young man serving in the U.S. Army in South Vietnam in 1969.
It was a combat camera having flown with him on several missions aboard a helicopter over the Mekong Delta region. He told me that he purchased it almost as soon as he arrived in country at a Post Exchange in Saigon. Despite its exciting beginnings, it’s made it to today with no dents and only a few bright spots in the satin chrome finish. It’s a fully mechanical camera – the shutter operates independently of a battery from Bulb to 1/1000 of a second. A battery is only needed to operate the TTL meter.
This good-looking Minolta has received a complete inspection and has been meticulously cleaned inside and out by me. I tested it with a fresh 1.5v alkaline battery and the light meter works just fine. It will be off by about 1/2 to 1 full stop but when shooting with negative film the wide exposure latitude of film usually makes any exposure differences unnoticeable.
That’s a “fresh” roll of expired Fujicolor film (from 2010) and the original soft body cap from Minolta. For more details and to see additional pictures of it, visit our online store at https://www.ccstudio.com
Or you can purchase it directly from here – I’ll ship nearly worldwide. Please drop me a line for a shipping quote to your country. In the USA, I will ship it USPS Priority Mail for only $6.00 Just click on the “Pay with PayPal” button below.
Many thanks for stopping by! Chris
Minolta SR-T 101 35mm Film Camera
Vintage (100% fully working) 35mm SLR from Minolta - the SR-T 101
After years of searching, we’ve finally acquired our first Pentamatic II. A rather rare camera that was only released in Japan and only for a short time. It’s estimated (by us) that less than 6,000 bodies were made. How many of those survived to the present day is of course unknown.
Much more detail about this Pentamatic coming soon.
Studio Camera: Fujifilm FinePix S9000W
The Pentamatic was Yashica’s first single-lens reflex (SLR) and was released in 1960 (May-June) timeframe. The Pentamatic S was released about mid to late 1961. Not much changed between the two – the S model added a built-in self-timer and most notably, a provision for mounting an exposure meter to the top right of the camera that coupled with the shutter speed dial. Other small changes were to add lugs for holding the neck strap (moving them from the extreme right and left sides of the body on the Pentamatic to a more typical front mounting on the S). Unseen from the exterior is a change to the focusing screen inside the pentaprism. The original fresnel screen in the Pentamatic was replaced with a split image screen in the model S. For me, that change makes the Pentamatic S much easier to focus and improves the brightness inside the viewfinder.
A look at both models shows these changes and the tiny bit of extra weight that the S carries over the original Pentamatic.
At 978 grams, the original Pentamatic is anything but a lightweight. (2.16 lbs)
At 1,004 grams, the S shows the slight weight increase from the changes made between the two models. (2.21 lbs)
Both cameras are photographed with the same lens attached – Auto Yashinon 5.5cm f1.8 lens which was the standard lens that came with both models. Only the Pentamatic II (released in September 1960) came with a different lens. (5.8cm f1.7)
Compared to other SLRs from the same time period, the Pentamatic was a bit of a beast to tote around. The buying public never embraced these wonderful cameras and they ended their production run in less than 2 years.
Finding good looking (and still working) Pentamatics is a challenge for any collector with the Pentamatic II being especially difficult to find in any condition.
Of note, if you have an Asahi Pentax, Nikon F or Canoflex camera with the standard lenses from the late 1950s or early 1960s, we would love for you to let us know what their combined weight is. We could be way off in our assumption that the Pentamatic was significantly heavier than the other cameras of that era. Thanks!
Studio Camera: Fujifilm FinePix S9900W