Undiscovered Yashica!

Well, “undiscovered” might be a bit of a stretch but at least unrecognized and undocumented as best as I can tell.

The very well known Yashica TL Electro-X but with a twist – no gothic “Y” on the pentaprism. No big deal really but it brings up some interesting questions. My good friend Paul Sokk (www.yashicatlr.com) and I have for years spent some of our free time exploring Yashica’s serial numbering system in hopes of decoding the numbers into some type of a recognizable date (if there was one to be decoded). Along the way, this version of the TL Electro-X would occasionally pop up.

Here’s the camera that’s now a part of my collection.

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The very familiar Yashica TL Electro-X except it’s just a bit unfamiliar and slightly different.

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Rear view of the Yashica TL Electro-X Type 1.

The serial number on this Yashica is 81200636. Here’s how it decodes: 8 = 1968, 12 = Dec, and 00636 is the sequence number for that month (December) assumed to start at 00001. Pretty simple once you’ve looked at hundreds of serial numbers.

This camera it turns out is from the first batch produced during a three month period of production (Oct-Dec 1968). I’ll refer to this as the TL Electro-X Type 1. When Yashica started making this camera again in July 1969, it saw a few changes – most noticeably the “X” was made larger and was now red, they dropped the hyphen between Electro and X and the pentaprism got its familiar gothic “Y”. I’ll call this second coming of the camera the TL Electro X Type 2 (pictured below).

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TL Electro X Type 2

The camera did receive one operational change as the “FP” flash socket was added on the T2 which was not available on the T1. The other changes are mostly cosmetic and I would guess these subtle tweaks were driven by the marketing department although there could have been problems with obtaining parts or production issues.

So if these changes didn’t affect the operation of the camera then why were they done? I don’t know yet and I may never know but up to this point in time this version of the camera went unreported even though it appeared in almost two years of advertising by Yashica! It was hidden in plain sight.

Contributor Jens Erik from Denmark sent me this ad from April 1973. It shows the T1 (lower right corner) and T2 together in the same ad along with the newly released Electro AX.

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Is it just a version of the original or is it truly a different type? Because there were visual and production changes made I’m calling it a different type – TL Electro-X T1.

I’ll be sharing a few more studio shots of this new Yashica soon so be sure to check back. Oh by the way, since Yashica only produced the Type 1 for a short time they’re a little hard to find on auction sites, actually quite rare when you start looking for one. Compared to the Type 2 which was in production from at least July 1969 to the end of the run in 1975, you’re looking for a camera with less than 5,000 made against hundreds of thousands made.

Check your collection… maybe this rare Yashica is hiding in plain sight!

Chris

Yashica on Broadway 1962

November-December 1962. Yashica billboard in NYC.

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Yashica ad from late 1962 features a typical TLR, rangefinder, and SLR popular at that time.

“Yashica Cameras, The World Over”

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Loew’s State Theatre located at 1540 Broadway, was running the just-released “Mutiny on the Bounty” at the time these photos were taken.

Thanks for stopping by! – Chris

 

Yashica TL-Super!

Another look at this groundbreaking camera from Yashica. This was the start of something big – very big!

Yashica TL-Super with Box

Chris and Carol's avatarChasing Classic Cameras with Chris

Another big step in Yashica’s growth was the groundbreaking introduction of the TL-Super in 1966. Yashica started making 35mm single-lens reflex (SLR) cameras in 1959 with the Pentamatic ’35’. The Pentamatic was a solid first offering by Yashica but it was a timid first step. On one hand, the Pentamatic was a beast but lacked some serious upgrades… no self timer and no built-in exposure meter. The self timer was not much of an issue as Yashica made an accessory timer that could be used on many of their camera platforms and was simple to use. There was an option to buy a separate exposure meter (more money) and slide it on the accessory shoe so that at least you didn’t have to hold a meter in your hand to take a meter reading. Awkward. What was groundbreaking for the TL-Super is the fact that two CdS resistors were mounted…

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Yashica’s Ultra Rare “Yasinon” Lenses

It appears (after further review) that Zunow Optical did make some of the very earliest cine lenses for Yashica’s movie cameras. The Yasinon name also appears on the early lenses for the Yashica 35 rangefinder but there is no evidence that Zunow made the lenses for that 35mm camera. It’s more likely that Tomioka made these lenses.

Chris and Carol's avatarChasing Classic Cameras with Chris

Are these previously unknown lenses made by Zunow Optical?

My good friend Paul Sokk (www.yashicatlr.com) spotted a rather unique lens name in a Yashica catalog that I sent him. The catalog is from 1958.

yasinon lens box Look closely at the two boxes in the lower center part of the scan. Plainly marked is the name “Yasinon” and Yashica. Just to the right are two boxes made in the same style that displays the lens maker “Zunow”.

yasinon zunow lens From the same year Yashica catalog here’s a grouping of three 8mm movie camera lenses – two marked made by Zunow and one marked with the name “Yasinon”.

What’s the most interesting about this discovery is that the name Yasinon was unknown to us prior to seeing these catalogs.

yasinon yashica 35 bro 1 Yashica’s first 35mm camera – the Yashica 35. If you look closely at the camera lenses you’ll see that they’re marked with the Yasinon name.

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Canon T50 and T70

Overlooked 35mm SLRs from the early 1980s. They feature built-in power winders and have auto exposure too. Both cameras accept all of Canon’s FD lenses which are still available in bunches!

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If you find these for sale in like-new condition and working then definitely snatch one up. They make great basic film cameras to develop your film photography skills.

These two were part of my ever-changing Canon collection over the years. I believe I sold these in 2011.

I’m always on the hunt for quality Canon, Yashica and Nikon cameras. Please feel free to contact me if you’re interested in selling yours. We are very active buyers of almost all types of photo gear. Contact us at ccphotographyai@gmail.com

Thanks – C&C

More Canon stuff!

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Back when I had a much larger collection of Canon Olympic stuff.

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I had acquired this photographer’s vest for the 1984 Summer Olympics held in Los Angeles. This vest was unused and still in its original sealed plastic bag.

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I also acquired these cool pins to go with the vest.

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Another one of those dream accessories that I finally got my hands on but let’s face it, very few people ever used these things outside of professional photographers.

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This one was still new in its original box as delivered from the factory.

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A thing of beauty and quite a bit of design went into this monster.

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There’s a ton of Canon Olympic collectibles out there from simple lens caps to camera straps and bags. There are three Canon 35mm SLRs with Canon Olympic logos – 1976 Montreal, 1980 Lake Placid and 1984 Los Angeles.

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Yashica 35 – Yashima’s first 35mm camera!

Yashima Optical Industries Company, Limited (Yashima) released their first 35mm rangefinder camera in April 1958. The camera was in development for at least a year (no proof of that but it seems reasonable to assume that an established TLR camera maker didn’t just pull this camera out of thin air). It could have been developed totally in-house as there is only speculation that Yashima received outside assistance in its development.

Here’s my earliest example of this historic camera. Note that the lens is marked “Yasinon” vice “Yashinon”. Yashima released at least two months of cameras (April and May 1958) with those markings before changing to what we now know as Yashinon.

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My recently acquired Yashica 35 with 60 or more years of dirt! Straight from an online seller in Japan. Note the unfamiliar “Yasinon” lens. These super early examples are rather hard to find since there were only two months of production.

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The good news is that it appears the camera lived most of its life in its leather case so there’s no damage to the surfaces of the body and lens. The bad news about living in a leather case is that it tends to support the growth of mold and fungus on the glass elements of the lens and in the rangefinder.

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The dirt is mostly made up of dust and fibers from the felt lining of the leather case and not soot and finger grime – which is a good thing. Sometimes this type of dirt actually keeps the surfaces protected from metal corrosion as long as it’s been stored in a dry environment.

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What it looked like on the Japanese auction site.

After some initial cleaning of the exterior (see below) with a bunch of Q-tips and some Windex, the camera is looking a whole lot better.

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I use Q-tips and a bit of Windex to gently clean the surfaces of the camera. The Windex leaves no residue and doesn’t harm the leatherette, metal or glass (I’ve safely used that for years). I use the super soft toothbrush to gently clean those hard to reach crevices and to polish the surfaces to a nice sheen.

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Looking sharp but not perfect. If I want a totally clean and usable camera I’ll have to remove the top plate and clean the rangefinder and viewfinder elements. The rangefinder is accurate and focus is easy to obtain but it’s just a little dim inside. If you look closely at the center of the lens you will see the patch of fungus. Unfortunately, that is not cleanable.

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The serial number, No. 843945, decodes to 8 = 1958, 4 = April, 3945 is the production sequence number 3,945 since production began in April.

This is one of the earliest examples of this fine camera having been built sometime in April 1958. Yashima used quality materials and production techniques as the fit and feel of the camera are of a much more expensive camera.

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Earliest sales brochure for the Yashica 35. The serial number of the camera pictured is just a bit earlier than my new camera. Here it’s No. 843002 and mine is No. 843945.

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Same brochure as pictured above. The f1.9 lens model is on the left. The serial number on the lens is No. 18275. Mine is No. 20254.

If you look closely, the lens is described as a Yashinon F1.9 even though the lens says Yasinon. Yashima was in the process of changing over or was it them catching a mistake?

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BTW, 17,000 JPY was about $47 USD in April 1958

By the way, it’s generally believed that these two lenses were made for Yashima by Tomioka Optical. Yashima did have a relationship with Zunow Optical by there’s no proof that these lenses are from Zunow.

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Happy SUNday! – Charmander Attacks!

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Ultra rare 1999 Topps Pokémon TV Animation Edition Series 1 Foil 3rd Printing collectible card with debossed teardrops and flames.

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Due to a printing error, the “Topps” logo (bottom center) should be green vice black. All of these special foil cards should be green to match the rest of the 3rd printing in Series 1. Confused? To a collector (my kids) this is cool stuff so that means its cool stuff to me too! Of all the characters that my kids were followers of I personally enjoyed the Pokémon the most.

Have a beautiful day! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.