The St Johns River on a sunny day. Looking north with the sleek Acosta Bridge on the far right and the ancient train draw bridge just to the left.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Canon EOS R with Canon RF 70-200mm f4 L IS USM lens at 200mm.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
For the most part, the Winter here in Northeast Florida has been mild, especially along the Atlantic coast. No hard freezes, and the plants seem to be taking advantage of the extended daylight and the warmth. My Gerbera daisy has blossomed, and as always, it provides an excellent early bit of color in the garden and a chance to use some of my cameras.
Fujifilm X-T2 with Fujinon XF 18-55mm f2.8-4 R LM OIS zoom lens. Velvia Vivid film simulation.
This first image (top) is as the Fuji captured the flower – no post-processing. The flower overall is sharp, and I like the colors Velvia Vivid produces.
Canon EOS R with Canon RF70-200mm f4 L IS USM zoom lens.
I’ve cropped this second image and added a bit of contrast and saturation in post. The flower is much sharper than the image from the Fuji, but some of that is the size of the sensors. The Fujifilm X-T2 is a crop sensor mirrorless camera, and the Canon is a full-frame mirrorless camera. It’s difficult to say which camera has the “better” lens as both are considered high quality. The Canon lens is more than double the price of the Fujinon, but it’s also a fully weather-sealed professional lens with a longer zoom range. I’ll write more about the differences between the two cameras and why I keep both in my collection. The Canon EOS R has 30.3MP, whereas the Fuji has 24MP, but that’s not enough of a difference since the two cameras are significantly different in their style and function.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
This cute adolescent raccoon awaited a handout in a local grocery store parking lot. A reminder not to use the flash on my camera phone when photographing wildlife.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Scientific/Medical ‘Sci-Med’ camera with a Real Time Winder both are from around 1977 or early 1978. No official documentation exists on this variant of the Contax-Yashica RTS (first model) released in 1975. It’s been referred to as the RTS ‘Fundus,’ but again, there needs to be a mention of why it was produced and for what purpose beyond the Sci-Med community to be able to accept that designation, in my opinion. Slight enhancements include a small raised collar around the sensitive magnetic shutter release button and a shutter speed lock button on the right side of the camera’s top plate (as viewed from the front). The shutter speed dial locks in the 1/60 position (electronic flash sync speed), and the button needs to be depressed to select another speed. The Real Time Winder was mated with this camera as they shared the curious ‘Registered Number U.S.A.’ sticker. Many unknowns exist about this limited production camera, and much misinformation is floating around. I hope to uncover some truths or, at the very least, present only factual info. If you have documentation concerning this Scientific/Medical version, please share it with me – advertisements, brochures, or mentions in the photographic press back in the day.
Most RTS cameras have degraded or peeled leatherette coverings as the adhesives and the slightly softer leather haven’t held up over the decades. This one has, for the most part. The RTS line (RTS, RTS II Quartz, and RTS III) all use lenses with the Contax/Yashica (C/Y) mount.The Real Time Winder can shoot up to 2 frames per second (2 fps). Higher-speed motor drives and winders with speeds up to 5 fps were also available.The JCII ‘Passed’ sticker is in a different position from where these stickers were usually placed on the RTS, which would be on the left side of the prism. I guess it was put here on the Sci-Med version because the ‘Registered’ sticker was placed on the prism (by the factory or the distributor?).The baseplate is marked ‘Scientific / Medical’; otherwise, it’s not different from a standard RTS.The registration numbers are different, but the winder and the camera body were together as a set when I purchased them.Early magazine advertisement. Here, it incorrectly indicates that the Real Time Winder is capable of 2 1/2 fps. The manual has it at 2 fps.1976 magazine ad.Beautifully designed and highly functional.
The Contax-Yashica RTS, Real Time System, was jointly developed by Yashica and Carl Zeiss, with the design originating from Porsche. The camera features fully automatic through-the-lens electronic exposure control; select the proper film speed (ASA, ISO) and the desired aperture (f-stop), and the camera selects the appropriate shutter speed. It’s also a fully manual camera, with the user setting the shutter and aperture values. It was a camera I was initially interested in when I was looking to replace my first SLR, the Yashica TL Electro-X, in 1978 when I was stationed in the Navy in Japan. If I remember correctly, the Navy Exchange stores didn’t have a large selection of Contax cameras, so my choice quickly became the Canon F-1 over the Nikon F-2.
Here is my first Contax RTS, which isn’t the Sci-Med version.
I chose the Yashica ML 50mm f1.7 lens over the more expensive Zeiss T-Star (T*) lens.
Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
In the Contax RTS instruction booklet, the baseplate pictured either has a “real” serial number or one “made up” by the marketing department. RTS models out in the wild don’t have a serial number that is easy to decode (date manufactured), but this one does, at least if you know how to read Yashica serial numbers. I interpret this SN as February 1975 (502), and its number is 166.
The original instruction booklet (dated 06/76) has an 8-digit SN.My RTS baseplate has serial number 087024, which looks nothing like the serial number in the instructions.Here is a baseplate from an RTS-Fundus Scientific / Medical camera. I see 091238. I don’t see a date code in there – do you?
Anyway, this is just a quick post to gather my thoughts. Do you own a Contax RTS first model? I’d like to see more serial numbers as a pattern may appear. Thanks for stopping by, Chris
Follow me on Instagram at @ccphotographyai
Comments are always welcomed, as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by, and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, is this blog’s property and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Chasing Classic Cameras with Chris 