Studio Sunday – Fujifilm X-Series

We recently found a slightly used Fujifilm X-A10 mirrorless camera with the APS-C sensor (without lens) on eBay for a very good price. Our goal was to use it, with an adapter, with some of our vintage Canon FD lenses in the studio. 

We couldn’t be happier with the results – the adapter (FotodioX PRO) is solidly built and fits both the Canon lenses and the Fuji body nicely.

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Our favorite lens in the studio at the moment is our Canon FD 24mm f2.8 SSC lens that we purchased in Japan in 1978. It is our “go-to” lens for film photography and it stands to reason that it would work out in the studio as well. With the APS-C sensor on the Fujifilm X-A10, the 24mm focal length is a 36mm equivalent so we get the nice wide view close-up we love.

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f16

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f2.8

In the two images above, the difference in the depth-of-field between f16 and f2.8 is dramatic – in the lower image the DOF is about 2 inches! The front of the lens is in sharp focus while the camera body is out of focus. Focussing is critical.

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f5.6

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The Yashica is the rather rare (outside of Japan) model A-III in gray on gray from 1959.

If you can find the X-A10 (body only) it makes the perfect poor man’s mirrorless set-up. 16.3 MP and the APS-C sensor is well suited for general photography and works extremely well in the studio.

Thanks for your visit and Happy SUNday y’all.

Chris

Canon FD 24mm f2.8 and the Fujifilm X-A10

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Canon A-1 from 1980

The Fujifilm X-A10 with the FotodioX Pro adapter mated with our Canon FD 24mm f2.8 wide angle lens. Makes a nice 36mm on the APS-C sensor.

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Yashica A-III from 1959

The Fujifilm X-A10 mirrorless camera body is performing well under studio conditions. The Canon FD 24mm (36mm) handled these two classics very well. Just the right amount of view and fantastic depth-of-field.

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Seen here with the Canon FD 50mm f3.5 macro lens.

We highly recommend this set-up if you’re wanting to experience the Fujifilm X-series cameras and their APS-C sensors and Fujicolor film simulation modes.

Chris & Carol