Fuji Discovery 900 Zoom Plus – 1991

From the Fuji Photo Film Company, Limited, Tokyo.

Actually quite a sophisticated 35mm compact autofocus camera from the early 1990s – during the compact camera war period where each manufacturer was trying to cram as many features into as small a package as they could. In the case of this Fuji, it came pretty close to having everything except the compact part.

Which in the case of this camera, is a very good thing in our opinion. It has a wonderful feel to it – it has some heft (362 g without battery and film) and fits nicely into your grip. It’s plastic but with a host of motors and what not the weight goes up which helps to hold it steady when taking a picture.

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It was packaged in a descriptive and colorful box that included a roll of Fujicolor film, a lithium battery (which was still working after 24 years!), a padded strap and a series of 3 HG Creative Exposure cards for exposure compensation. The film expired in May 1994.

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We think it’s one of the better designed compact 35s of that era – beautiful lines and a quality fit and finishes. It was made in Japan – and it appears that it was also assembled there as well. The June issue of Popular Photography has it listed as $299.95 as the manufacturer’s suggested retail price! I believe that gives some clue as to the design that Fuji put into this nice update to their Discovery 900.

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The Discovery comes with a Fujinon 38-85mm power zoom lens (f/3.8 – 8.2) and uses a 3 zone multi-beam autofocus system. Focuses close-up to 29.5 inches and the AF focuses from .75 meter to infinity.

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The Fujinon lens consists of 7 components, 7 elements. The programmed electronic shutter operates from 1/8 to 1/250 second.

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The top view is simple and uncluttered. The HG card slot is in the center (where a hot shoe would be). It has a sequential self-timer and the power zoom buttons are on the far right. It also features drop-in film loading and uses DX coding with ISO 50, 100, 200, 400, 800, and 1600 DX-coded films.

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This camera was a presentation camera to the employees (?) of the plant – or maybe the plant only got one. It is in mint never used condition so I’m guessing it never took pictures of their cement pipes at the plant. Our first thought was to remove the plaque, but it is well designed and affixed properly so it’s best to leave it be. Besides, it helps to date the camera and that’s okay with us.

The little Pac Man looking symbol and slide lever opens and closes the lens cover and activates the camera. The landscape button on the left helps the AF system to fix a distant focus at infinity or at least takes an average focus from the scene. We love the centered viewfinder – it provides a nice bright view of the composition.

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The Fuji Discovery 900 Zoom Plus 35mm camera.

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The Fuji Discovery 90 Date – a smaller and less feature-packed cousin to the 900.

We think Fuji did well with this sophisticated camera and can’t wait for a field test! Soon!

Thanks for your visit.

Camera: Fujifilm FinePix S9900W

Chris

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Fujica GW690… Fuji Photo Film’s Venerable Workhorse

Fuji Photo Film Co., Ltd. – Tokyo

Fujica GW690 Professional – 1978 version. Yes it’s big. Yes it’s a bit heavy too. But who doesn’t love big 6x9cm negatives! We had an Asahi Pentax 6×7 SLR for a while in our active collection and thoroughly enjoyed the images it produced. The 6×7 and 6×9 in our opinion are great formats. We still shoot in squares though – it’s fun to compose a 6×6 frame on a twin-lens reflex. If anything will slow your photography down it’s that.

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This camera arrived yesterday and it’s all cleaned up and ready to go. This is a heavily used (think venerable workhorse) GW690 with all sorts of dings, dents and scrapes to show for it’s almost four decades of use. We imagine it’s seen more than a few tour groups in its time – now it’s time to slow down a bit. We purchased it to be a user camera for some fine art prints we want to create and sell on our online site. We normally print on 8.5 x 11 inch Canon paper with an occasional bump to 13 x 19 inches and the 6×9 format is perfect.

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We’re big fans of Fuji cameras and this one will earn its keep in our studio. I’m headed out this afternoon with a roll of Fujifilm Neopan 100 Acros loaded to test it out.

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It’s a simple camera – completely analog. No onboard exposure meter, no auto film advance, no auto focus – just what we wanted.

We chose the GW690 vice the “newer” models (II and III) because I’m not a big fan of the built-in lens hood on the later models (gets in the way). The shutter settings (leaf shutter) and aperture settings are right next to one another which makes it super easy to see the relationship each has on the other. Focusing is quick on this model and the rangefinder window is bright and easy to see.

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A 35mm box of film gives you a comparison to just how big the Fujica is. By the way, this model was the last to be called a Fujica.

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Ready to rock some Neopan!

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We thought it would look good with some vintage Fuji Film beside it. The film expired in 1964!

We’ll have the results next week as we send our film out to ‘The Darkroom’ for their professional development and scans. 6×9 on 120 roll film produces only 8 exposures so I should be able to shoot in one afternoon. Let’s see… with the purchase of the film, processing and shipping it’s going to cost about $25 per 8 images. Yikes!

Thanks for your visit. Chris & Carol ^.^

 

A little Fujicolor to brighten our day!

I’ve always been a fan of Kodak film. Living in the United States it was hard to find anything else to buy at the corner stores – even in New York. Every now and again I’d pick up a roll of Fujifilm and was always impressed with the results.  I’ve always liked the little green boxes too… they catch my eye.

While our main collecting focus has been Yashima-Yashica cameras and gear, there’s always been a little offshoot into the world of Fuji. Partly because we lived in Japan – Yokohama to be exact, and Fujifilm was more available and there were labs nearby to process the film. Kodak processing was via handy but slow mail back to Palo Alto, California if I remember correctly.

So on this end of the week Friday, we thought a little Fujicolor was in order.

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We’re thinking of a color. Can you guess?

The 12 exposure Fujicolor 100 rolls are all expired (2010) but they usually produce good results if you treat them like they’re ASA50. The Acros 100 is a fresh roll and you can’t beat it for good looking black and white prints. The little XP100 is our go to all weather camera. It has a bright screen (for the beach) and is great in the surf for some wave pics. 1080p video and stereo sound too.

We’ve added a nice Fujica ST701 and Fujipet to our collection but I think were done. Oh, I almost forgot – my primary digital camera is a Fujifilm FinePix S9900W so that’s another Fuji. Oh and I bought my daughter a Fujifilm XP too. Okay, but that’s it. No more Fuji Photo Film Company cameras for us die hard Yashica fans. Well except for a nice Fujicaflex TLR, and the Fuji Photo GS6x9 sure looks great. I’d better stop now!

Thanks for your visit! Comments and likes are always appreciated.

Chris & Carol