Timeless Tuesday – Yashica 8 U-matic

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Yashica 8mm film movie camera from 1961. Fast f1.8 Yashinon zoom lens. The camera sold for around $140. in the early 1960s.

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Complete kit. BTW, the little hang tag from LIFE depicts a cover from 1947.

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

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Yashica TL Electro X – studio views

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Yashica’s best SLR – ever!

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Nicca Bits

I love finding “new” bits of vintage photo gear especially when you’ve been hunting for them for years.

These bits may seem like no big deal but if you collect hard to find items in their original boxes and cases it’s rewarding when it all comes together.

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Nicca-Hinomaruya Y2 filter and lens hood. Both are from at least 1955 but likely earlier.

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Hinomaruya was the exclusive distributor of Nicca cameras and accessories.

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Using a Y2 yellow filter is a must when shooting with black and white film. It will generally darken a blue sky and provide more contrast between the sky and clouds. It can also help add better definition when shooting landscapes where haze and light atmospheric fog is present. When using a Y2 filter on a camera such as this one you must compensate by a factor of two when taking your meter readings. If you’re using an SLR with TTL metering then the camera’s built-in meter will compensate for you.

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Nicca Type 33 sales brochure showing a slightly different box for the hood and for a color filter along with the older style filter box. The Type 33 was one of the last Nicca cameras produced by the company and was released in 1958 so this would represent the last style of filter and hood boxes. As with everything else, these items were distributed by Hinomaruya.

Studio Camera: Fujifilm X-A10

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

 

Yashica’s History as reported by Yashica – 1975

The Yashica marketing team that put this document together back in early 1975 appear to have summarized the history of the company – or were blatantly unaware of the actual dates of important milestones.

But with that said it’s important to “take it all in ” from all sources and to glean whatever good bits that it does offer. Yashica wasn’t a company that seemed to be all that interested in dates anyway. Some of the dates were more than likely dates that were recorded in Japan and may have marked the actual, formal date that the event was finalized. There’s also the possibility that if this brochure was put together in the US there may simply be some instances where meanings were lost in translation.

This excerpt is taken from the Yashica publication ‘Yashica A New Horizon’

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It does use the term “highlights” when summarizing the events.

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Yashica’s new (1974) headquarters building in Shibuya-ku, Tokyo.

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Published in early 1975, this brochure was primarily focused on camera dealers located in the United States.

I’ll be sharing additional bits from this interesting brochure over the coming weeks. Previous posts can be found here and here.

Many thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Yashica – A New Horizon 1975

From the rarely seen sales brochure ‘Yashica A New Horizon’ published in early 1975.

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This booklet was sent to all US camera dealers with a cover letter addressing Yashica’s future plans for distributing their line of cameras and photo equipment directly to dealers in the United States. In all of my years of collecting Yashica related items, this is the first time I’ve seen this publication. It’s a perfect 8.5 x 11 inches, in full color, printed on heavy stock glossy paper with 14-pages filled with photographs never used outside of this book.

Here is the cover letter that accompanied the brochure. It provides some insight into the heart of Yashica and at this point in time, brings to light their attempts to turn the company around and emerge from bankruptcy in a much better place.

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The letter is typed on bond paper (with watermark) and was signed by Mr. Kenji Sakuma so I don’t believe it is simply a photocopy casually dashed off to dealers. It shows how important this new program was to Yashica.

My good friend Paul Sokk (https://www.yashicatlr.com) pointed out the gender-specific remark “In the very near future, one of our salesmen, under the direction…”. When read using today’s optics it would appear as though it was out of place and implied that there would be no women calling on you Mr. Camera Dealer. Considering that this is from Japan and written in 1975 I believe it was simply stating the obvious – there probably weren’t females in these positions at this point in time and it would be many decades before the glass ceiling would be broken (struggles exist even to this day). Of course, the term salesmen could also be interpreted as a generic term for the position as the term sales person had not yet come into use.

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A view of the back cover which was released without the usual printing data or date.

The Yashica Line as represented in early 1975. Noticeably missing is the TL Electro X ITS model with its distinctive gold electron logo on the pentaprism.

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The Yashica line as presented in the brochure. The TL Electro X and TL-E are represented in the SLR category but no TL Electro X ITS which I find very odd.

As always, thanks for stopping by! Please feel free to share anything that may enhance this post or correct any inaccuracies. – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Yashica L AF vs. Kyocera T Scope

In case you missed this post the first time around here’s another look at these two exceptional cameras by Yashica-Kyocera.

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Round 1 – The Introduction

The Yashica-Kyocera L AF from 1986 and the Kyocera T Scope (Japanese name, T3 elsewhere). The L AF was assembled in Hong Kong with parts made in Japan and the T Scope was made in Japan.

Key feature – waterproof (more like weatherproof) – not a dive camera.

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DSCF7805 logo N.A. Scope = “New Angle Scope”

The scope is just like a waist-level finder – pretty cool actually.

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I’ll be doing a side by side field test of these two cameras shortly. Is the T3 really worth the extra money over the Yashica? The T Scope features a Carl Zeiss T* Series Tessar f/2.8 35mm lens against the Yashica (Tomioka?) f/3.5 32mm lens. I have a hunch that the Yashica’s lens was also made by Zeiss at the Tomioka factory in Tokyo. We’ll see if the vaunted T* coating makes a noticeable difference.

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Tuesday 2’s

Yashica’s first two TLRs – 1953 1954

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Twenty years of Yashica development – 1950s 1970s

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Studio Cameras:     (Top) Samsung Galaxy S4      (Bottom) Sony DSC W-170

Thanks for stopping by! – Chris

BTW, my camera shop is always open at http://www.ccstudio2380.com – lots of specials!

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Hinomaruya ひのまるや and Nicca Camera

Nicca camera made one of the better 35 mm rangefinder cameras in the 1950s. The style of camera is typically referred to as a Leica copy or Leica clone which is an unfair label to attach to the cameras of this design. One could argue that all cameras are copies of some previous camera – someone had to be first.

Here’s one of my favorite cameras in my collection – the Nicca 3-S rangefinder from about 1955.

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Seldom seen outside of Japan, here’s a nice lens hood with Nicca branding. It was distributed by Hinomaruya Co., Ltd. of Tokyo, Japan. The hood (or lens shade) was designed to be used with the Nikkor 50 mm f/2 lens and had a mount size of 40.5 mm.

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The attention to even the smallest details is what makes collecting these vintage bits of photo gear interesting and fun. The Yashica branded lens shades from this period look exactly the same so I will assume that the same manufacturer made them all. Could it have been Hinomaruya? No proof that they actually “made” things.

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The back of the leather case carries the Hinomaruya (in Japanese it’s ひのまるや) logo in a similar font as the Nicca logo (or at least close to it).

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Side view of the box – the translation is “Nicca Lens Hood”.

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There’s very little about the company Hinomaruya available on the web. It’s last known address was Tokyo-to, Chuo-ku, Nihonbashi Muromachi 4-3 (which was just around the corner from Yashica). The company was the exclusive distributor of Nicca up until 1958 when Yashica acquired Nicca. They also distributed the rather cool Melcon 35 mm rangefinder camera and the Nikkor lenses used on both the Melcon and Nicca.

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Here’s a bag that has Nicca and Hinomaruya on it. Another direct link between the two of them.

I’m not sure if they made this slide projector or if they distributed it but this item is from about 1959 – interesting because it’s a year after the Yashica acquisition of Nicca.

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There are a few (very few) advertisements floating around on the web from Hinomaruya and I haven’t seen that name anywhere on paperwork from Nicca associated with the camera. It’s unknown if they handled warranty registrations and related paperwork for Nicca or Nikkor.

Thanks for stopping by and BTW, if you have additional information about Hinomaruya or Nicca please feel free to share it with me! Thanks – Chris

Studio Camera: Fujifilm X-A10

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Single Shot Focus on the Canon AV-1

Introduced in 1979 into an already crowded family of super slick Canon 35mm SLRs, the AV-1 has always been kicked around in the world of auto exposure cameras. Most question the need for such a camera that only features aperture priority AE. Whereas its much more famous siblings like the AE-1 and A-1 have gone down in history as two of the best 35mm AE cameras of all time (my opinion), almost no one has seen an AV-1 let alone use one. Probably the only other lesser known Canon is the AT-1.

Why aperture priority? Simple, you select the aperture (f-stop) on your Canon FD lens based on the lighting available and the depth-of-field that you want in your image. The camera selects the proper shutter speed based on the film’s speed (ASA, ISO, DIN) and the f-stop that you selected. If there’s not enough light to hand hold the camera it’s up to you to know your limitations. If you’re a steady shooter then you may be able to squeeze off a shot at let’s say 1/30th of a second with a wide-angle or normal lens. If you’re like most people you’ll more than likely be much more successful staying north of 1/60th of a second. The AV-1 will auto expose accurately down to (or up to) 2 seconds! You’d better be on a tripod for that shot or have your camera perched on a flat, stable surface.

The other reason for the AV-1’s existence is that it cost significantly less than the other A series cameras – much lower but with no real drop-off in build quality IMO.

Here’s my AV-1 in the pro-black finish. It’s a beautiful camera and it accepts all of Canon’s FD lenses (which is a major plus) plus it was designed to operate with the Canon Power Winder A and the A2 and it provides full auto flash with the Canon family of Speedlites like the 133A, 155A, 177A and the 199A (all are dedicated electronic flash units for the AV-1). One final plus, it uses the still very easy to find and afford No. 544A silver oxide 6v battery.

So here’s the “Single Shot Focus” of my AV-1

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This one was made in June 1982 (date code is W628K)

Studio Camera: Fujifilm X-A10 set on aperture priority AE

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Pentamatic Microscope Adapter – 1960

I have yet to use a microscope adapter in nearly 50 years of 35mm photography – but that doesn’t mean that I haven’t collected them and enjoyed the thought of someday using one. I’ve had a few Canon adapters over the years too.

The first step would be actively looking for a microscope to purchase on one of the many online auction sites. Something I will do.

Here’s a nice adapter from Yashica with the Pentamatic bayonet mount. It’s one of the first accessories to appear in the early Pentamatic instruction booklets from 1960. List price was ¥2,500 which was fairly expensive back in the day.

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The adapter mounts directly to the body of the camera – no lens needed.

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A scan from an early Pentamatic sales brochure.

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These instructions are from a later booklet featuring the adapter for the M42 screw mount.

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I believe that the microscope depicted here is a Yashima microscope but it’s not made by Yashica. Yashima was the first name that Yashica went by in the early 1950s.

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Not made by Yashica but still a super cool vintage microscope.

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Typically you’d use a right angle finder such as this one to make it a bit easier to use the adapter on a microscope.

What’s always amazed me is just how many different camera manufacturers made microscope adapters – Canon, Olympus, Nikon just to name a few and how many are still available for purchase online from various auction sites that are unused, still new in their boxes.

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Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.