Vintage View

Happy Saturday!

Digging through some archived pics I came across this one.

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Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

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Yashica Flex AS-II by Yashima Optical

One of the original group of 6 cameras that Yashica (Yashima Optical Industries Company, Ltd.) made in the early to mid 1950s. This AS-II was introduced in 1954 and featured a built-in (well, attached) light meter. They’re solid cameras these early Yashica TLRs, and in our opinion, had some underrated features as well as great lenses. The light meter was made by Sekonic by the way.

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Yashica Flex AS-II with built-in light meter (just visible on the camera’s left side). The light meter’s cells were located under the nameplate and were exposed by lifting up the nameplate flap.

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The AS-II featured Yashimar lenses that were made by Tomioka Optical for Yashica. A Copal shutter with a blazing fast 1/200 top speed!

If you’re in the market for a vintage Yashica TLR then the AS-II should be on your list. Be advised that most will not have a working light meter – if you get one with one it’s a bonus. They are a bit hard to find – 63 year old cameras don’t often look this good or work perfectly. We were lucky as we were able to purchase this one from a collector in the US for a reasonable price.

Taken on the US Post Office steps in downtown Fernandina Beach, Florida. The post office dates to 1911.

Camera: Samsung Galaxy S4

Chris

Yashica Moves to a New Factory 1972

We’ll be the first to admit – not an exciting title or topic for a blog. It may even be a stretch for a blog named the ‘Yashica Pentamatic Fanatic’. But we feel compelled to share information about the Yashica Company, however slight and trivial, with our dear readers.

Yashica’s first factory was along the shores of beautiful Lake Suwa in the small town of Suwa. The next location (from Yashica brochures) was in Shimosuwa-machi, Suwa-gun, Nagano Prefecture. This was the industrial campus of Yashica and it grew over the years to occupy almost every square meter of the property.

Yashica's Shimosuwa Factory

Opened in 1956 along the shores of Lake Suwa in Nagano.

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A different view of the same campus. Yashica was running out of room by the mid-1960s.

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Back cover of the Yashica TL Electro-X ITS instruction booklet. The booklet was printed in Japan in June 1972.

At the time of the printing of the above book, Yashica was operating 3 factories. The top line that begins with the Yashica ‘Y’ on the far left is the address of the main headquarters of Yashica which was in Shibuya-ku, Tokyo. The next line is the location of the Suwa plant – Shimosuwa. The third line is the new plant in Okaya which was still in Nagano Prefecture. The 4th line was an unknown (to us until recently) factory in Sagamihara-shi, Kanagawa Prefecture (southwest of Tokyo and just west of Yokohama). As you can see, Yashica operated at least 14 other sales offices and service centers across Japan in mid-1972.

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Back cover of the Yashinon Lenses & Accessories booklet printed in Japan in January 1973.

Between June 1972 (the first book above) and January 1973 (the second book above), Yashica closed its campus and factory in Shimosuwa. The only factories listed are the new Okaya factory and the Sagamihara factory. That was a big move for Yashica and as we understand it, they had purchased the old silk mill in Okaya as far back as 1959. As of this book, Yashica did not close any of its other sales offices listed from the previous book.

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The factory was officially dedicated in December 1972. According to Yashica documents, the factory didn’t achieve full production until late 1974 or early 1975.

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The Yashica Okaya factory complex in the summer of 1974.

Why is any of this important? It isn’t unless you’re a Yashica Fanatic like us. Oh, it did have a strong ripple effect on the company though. Japan was in a bit of an economic slowdown in the early 1970s and it came to a head in late 1974 for Yashica. Mismanagement and embezzlement (and the costly move) caused Yashica to lay off workers – unheard of in Japan at the time. They closed the Sagamihara factory which put 900 Yashica employees out of work. That had an effect on the factory at Okaya and Yashica was soon in deep financial trouble. Their cameras were still top notch but the first warning shots about their future were fired.

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It is my understanding that Mr. Shiro Kaneko was installed as the new president of Yashica by the Nissho-Iwai Company (Yashica’s distributor) and by the Taiyo Kobe Bank which by 1974 had put its full financial resources behind Yashica’s new marketing efforts.

Thanks for your visit! Hope you got a little something out of it. – Chris

 

Yashima-Yashica Leather

A misleading title? We’re not sure. It’s doubtful that in Yashima’s early days of camera manufacturing, that they made their own leather case goods. They had plenty on their plate already – lens production (mostly testing), machining parts, pouring cast aluminum bodies, stamping out metal pieces and of course, putting it all together in a box and shipping it off to various Trading Companies and camera dealers around Japan and the world. Oh did we mention, inventing new camera designs too.

We believe that Yashima-Yashica had their leather case goods made by at least 4 different suppliers – each with their own maker’s marks stamped on the bottom of the case.

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Could the trademark be ‘Tomioka Kogaku’? In the early days of Yashima/Yashica, did they use leather cases made by outside companies? More than likely since they would not have had the facilities or skills to produce quality leather products in large quantities IMO.

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This image is of the bottom of our Yashicaflex Rookie’s leather camera case. Some of the 1950s era Yashima-Yashica cases have similar marks. With an occasional exception, most 1960s era cases do not carry these marks.

The mystery… we believe that these are ‘maker’s marks’ or trademarks of the company that manufactured the case for Yashima-Yashica. The marks are similar to marks found on Japanese tin toys from the same period. Our theory is that Yashica did not have the facilities or skills to make leather cases on their own in the early days of production and that outside leather crafters added their individual trademarks to the cases.

Other marks that we’ve seen… T.K , NT , GSS and another K.K but in a diamond shaped box.

If you know of the origins of these type of marks on Japanese leather goods please add your comments. We would love to know for sure.

Thanks… C&C ^.^

 

 

 

1955 Camera Case Mystery

During a recent restoration of our 1955 Yashicaflex A-II twin-lens reflex camera, we discovered that the leather case held an interesting surprise!

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The thread below is taken from our Flickr page (Yashica Sailor Boy).

Chris “As part of a restoration of my c1955 Yashima (Yashica) twin lens camera’s leather case, I discovered that the red felt material inside the case used backing made from Japanese newspapers! Leave it to the Japanese during the mid 1950’s to make good use of something that would normally have had one use and then thrown away here in the West. What really surprised me was how easy the felt pulled away from the newsprint without destroying the paper. I hope to get the writing translated… maybe some interesting clues as to where the case was made and when.”

Chris “The leather case was made for a Yashica Flex model A-II from 1955. The camera was purchased from a seller from Hiroshima, Japan. The camera was made in Tokyo and I am not sure if Yashima (Yashica) made their own leather cases or if they were made by a supplier. Maybe the newspaper will yield some clues as to where.”

Chris “I now know that it is a picture of Prime Minister Yoshida. This was a special edition newspaper made for (?) the Japanese National Railways (JNR). It appears that the paper is dated 17 February 1949. ‘Special Treated Approval Number 154 Issue’.”

Ken “The caption at the top actually records the newspaper’s national railways special handling permit #154, and does not identify the actual date of the issue in question. The article has to do with a controversy the prime minister created when he criticized a newspaper for allegedly spreading rumors about a political scandal concerning the shipbuilding industry. The scandal erupted in January 1954 and became one of the main causes of the fall of Yoshida’s government. It is not clear which newspaper this article comes from, but from the anti-government tone of the writing it is possibly the Asahi.”

Chris “Thank you so very much KenjiB_48. It helps to know this as it makes more sense for the Japanese company that made the leather case would have used a current (1955) newspaper for a camera made in 1955.”

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The inside front of the leather case held a similar surprise. It would appear that in the mid 1950s, some Japanese manufacturers found ways of recycling almost everything produced. Used newspapers, I would think, could be had for free. Why not use them for backing the felt to the leather. Pretty smart!

Thanks for your visit!

Chris ^.^

Yashima Yashicaflex A-II

Our Yashicaflex A-II is headed for the finish line – soon! These images were from day one and day 100 (just kidding about the 100). There have been so many issues to deal with restoring this 63 year old camera that it’s been a slow go. While this restoration has been an ongoing process for us, we’ve used some of our time to address some of the other cameras in our collection that needed only small repairs and a good cleaning.

Day one is pictured below. After prying the camera from its leather case (literally), the rust and corrosion were widespread and had eaten deep into the metal. Dirt everywhere! But the camera functioned! Glass was mold and fungus free but dirty and the shutter was accurate.

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The die cast aluminum body and back door were corroded big time. The thin metal parts were rusty and pitted. The leatherette was dry and brittle with many missing pieces.

Below the same area after 3 coats of etching primer and filler putty to “replace” the missing aluminum due to the depth of the corrosion.

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By this point some of the final finish coats of primer and filler could be applied. Lots of sanding between coats. At least the corrosion was gone and something of a finish could be imagined.

The camera will be re-imagined and restored. Since it’s not a rare Yashica model, Carol and I feel free to express some creativity in the re-build. Stay with us as I believe we’ll be able to have the finished product ready to show by early spring. The Yashima Yashicaflex A-II ‘Sakura’.

Thanks for your visit!

Chris and Carol

Hit the Road 2016! Hello 2017!

Thank goodness 2016 is almost history! I’ve heard from friends in Australia that 2017 is going well (so far). Let’s not muck it up!

On a positive note – here on our blog, we’ve seen a significant increase in activity over last year (2015). Visitors to the site and views are through the roof! We (Carol and I) are thrilled that what started out as a repository of bits and tidbits of Yashima-Yashica information would gain the traction that it’s had. We thank you!

We enjoy the feedback we get and I can say that I’ve learned more than a few things from it. We’ve met some super talented people – photographers and bloggers that are out of this world amazing! We hope our readers got a little something special in return too. That was the goal of the ‘Yashica Pentamatic Fanatic’ -a sharing of knowledge about a silly camera that Yashica invented in 1959 that most people have never heard of.

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This year’s favorite.

In looking through the hundreds of film and digital images that we shot in 2016, this one turns out to be our favorite. We believe that every vintage camera is worth preserving (in some way or another) – we think of cameras as holding the heartbeats of all who may have gazed through its lenses, pressed its buttons and then anxiously awaited the results. We can imagine the thousands of faces and smiles that were captured and the thousands of important events in people’s lives that were saved for the future. Classic cameras do that for us.

Don’t get us wrong… we love the  world of digital photography but we also embrace the beautiful, often awkward analog machines of our past. We hope that photographers in the future will remember (every now and then) to pick up a classic camera, load some film into it and then set out to capture images with a camera older than yourself. Enjoy!

Happy New Year… we wish only the best for all!

Chris and Carol ^.^

 

Yashima Yashicaflex A-II… 1955 – A restoration like no other!

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Restoration challenge! Six decades of dirt, grime, soot and corrosion have taken their toll on this once beautiful Yashicaflex. There isn’t a part that escaped the corrosion – except the workings. The glass is just fine, shutter works, aperture blades are problem free – film advance works as does the focus. 

I’m finally on the home stretch of this year plus project. My desire to re-imagine this camera into the modern age has been the biggest holdup. Actually I’m calling it an “interpretative restoration” – that allows the artist and designer in me to reconcile with the fussy photographer that I am.

Watch the blog over the next two weeks or so as I bring it all together for the final reveal.

Thanks – Chris

Yashica 44… a ladies camera?

Any doubts that Yashima-Yashica was marketing to women for their new smaller 4×4 cm twin-lens reflex camera are erased once you see the cover to the sales flyer.

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In a male dominated society, Yashima-Yashica needed to leave no doubts as to who these new smaller and lighter cameras were for.

Normally sales flyers and brochures in the late 1950s were geared to and appealed to the male buyer. In all fairness, it was likely that’s who took most of the photographs during that period. Yashima-Yashica’s direct pitch to Japanese women was an attempt to tap the vast market of female buyers.

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As we understand it, the 44 model came in at least 7 or 8 colors!

Even though the front of the flyer was simple and left no doubt as to who the buyer would be – the reverse of the flyer was still detailed and quite technical. It’s possible that the camera was designed for the wife to use for taking pictures of the children (while the husband was off at work all day) but still detailed enough for the husband to feel comfortable purchasing. Just our take on things.

Thanks again for your visit – as always we appreciate any and all comments. In the interest of fair play, we ask that you do not copy the images and include them in your blog or post without asking for permission – thanks! ^.^