Wonderful cover artwork.Newest models as of 1957.Minolta A-2 that I briefly owned.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
I like collecting data backs for my 1970s 35mm SLR cameras because they were such a hot item when new. The idea of recording information on your image was kind of a novel idea back then and adding the date the image was taken could be useful. Do you want to know how many images I took back then with the date imprinted? Zero. Back in the 1970s and ’80s data backs were really expensive and money spent on one could be better spent on another lens or a year’s worth of film. But they’re fun to collect now and I have one for my Canon F-1, Canon A-1 and I had one for a Canon T-70 that I owned.
I thought adding a Contax Data Back for my RTS would add to its classic look. Notice that the first year that could be imprinted was 1975 and on this model of the data back it went up to 1993.
The good news is that this data back is fully working. It takes the same battery as the camera which is handy (A544 6V).
The back is covered in the same material as the RTS body which means it’s slowly peeling off just like 99% of all the rest. I may try and save the skin on this one since it’s only lifting around the Contax label ATM.
I imagine quite a bit of engineering went into designing these backs which explains why they were so expensive when new. This one came with its original box but no instruction booklet. Time to chase one down.
The data back pictured here will only work on the original RTS and not the RTS II or III. The Yashica branded back for the FR is very close in design but it’s not interchangeable with the Contax.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
My recently acquired RTS stripped of its faulty skins. It’s a blank canvas and I like the look for now. The mirror is locked in the up position (the little lever to the right of the lens mount).
This scan (below) is from a Yashica marketing brochure from early 1975. There’s been so much misinformation about the origins of the RTS that I thought it would be best to go to the source to get the facts straight.
Lots of flowing marketing speak in there but it delivers with no uncertainties who did what and why. The when isn’t mentioned but many of the pictures inside this brochure are from mid 1974 based on the cameras, lenses, and accessories pictured (not just the RTS stuff). It’s generally believed that the initial talks between Yashica and Zeiss started as early as 1971. I might mention that this was an extremely challenging time financially and structurally for Yashica with some accounting and management issues reported in the global press which led to a bit of a scandal of epic proportions for Yashica’s founder(s).
Some of these accessories weren’t fully developed at the time this brochure was published and I’m far from being an expert on which lens was or was not available. I’ve never looked closely at the Carl Zeiss lens line developed for and with Yashica.
Contax RTS Real Time System.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
It isn’t a great way to start off a post about one of your cameras, but it’s appropriate. Especially a camera that I’ve been chasing for a long time and had an interest in since the late 1970s. My first 35mm SLR was a Yashica TL Electro X (purchased new in 1972) with an Auto Yashinon 50mm f1.7 M42 lens (screw mount). I loved that camera but wasn’t a fan of having to screw-in the lenses whenever I wanted to change focal lengths. I saw other photographers quickly attach and detach their lenses quickly (Canon, Nikon) and wanted a new camera that could do the same. But Yashica in 1977 wasn’t sexy enough sitting alongside the other SLRs for sale in the Navy Exchange store in Yokosuka, Japan. The Canon, Nikon, and Minolta reps were better prepared than the Yashica guy to present their products to cash flush Sailors looking to spend their hard earned dollars on new cameras, stereos, and watches. I vaguely remember looking at the then still new Yashica-Contax RTS in the Exchange catalog but wasn’t captured by its specs or looks. The Yashica FR and FR I versions didn’t capture my attention either. By this time I only wanted to get my hands of the Canon F-1 and Canon FD lenses not to mention all of the goodies you could add on to the F-1 (motor drives, a winder, finders, data backs…). So when I got to the store I didn’t even pick up the RTS.
Fast forward to the present and that RTS I didn’t think of much way back then I just purchased 44 years later. I want to see if the Contax RTS is a worthy camera that I missed out on or did I make the right choice. I still own that F-1 I purchased in 1978 and it’s held up beautifully over the years and followed me around the world.
Almost all present day RTS bodies share a common trait – peeling leatherette (or whatever that stuff was). A quick look at the online selling sites will show that it’s a rare camera that has complete original coverings and if it does look good and well attached then there’s a good likelihood it’s been replaced by aftermarket skins (I have some ordered).
My new to me RTS peeling skins and all. Most importantly, it works. Being an all electronic camera if something goes wrong it’s a paperweight. It uses the still easy to find A544 6V alkaline battery to power everything.Not only does the leatherette peel away from the metal body but it dries out and shrinks a bit too which makes it nearly impossible to simply dab some glue behind the upturned edges.It was super easy to peel away the covering on the film door – my guess is that it’s been reattached at some point before with contact adhesive. I cleaned any residual adhesive from the camera with isopropyl alcohol (70%) and some Q-tips and a rag.
Stay with me on this series of posts as I bring this ugly duckling back to life (appearance wise) and put it through some actual film tests. But first, I need to find a lens for it that won’t break the bank. The Carl Zeiss lenses designed to compliment this model are way over my paygrade so I’ll turn to the less expensive and maybe equally competent Yashica ML lenses in the C/Y mount. I have a sharp ML 50mm f1.7 on the way. BTW, RTS stands for Real Time System.
What the covering is supposed to look like.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Yashica J-3 in pro-black finish with Auto Yashinon 75-230mm f4.5 zoom lens. The camera is from 1963. This was Yashica’s first black 35mm SLR.
My trusty buddy Pirate keeping me company while I played with my cameras. Sadly, Pirate passed away back in the Spring of 2018.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
The Fujica GW690 Professional from Fuji Photo Film Company – November 1978. It’s a rather hefty medium format 120/220 roll film camera capable of producing images at an amazingly large 6 x 9 cm.
Loaded with Fujifilm Neopan 100 Acros.
Its original list price was ¥143,500. The camera features a non-interchangeable EBC Fujinon 90mm f/3.5 lens (5 elements in 5 groups) and a Seiko #0 leaf shutter with settings for T, 1-1/500 second. It weighs “just” 1,430 grams. No batteries needed as there is no built-in exposure meter. Simply focus the easy to use rangefinder, meter via a handheld meter (or phone app), set your aperture and shutter speed and you’re good to go. By the way, this beast produces 8 super sharp images so you can eat through a roll of 120 film in a hurry.
The Pentamatic was unique in the fact that the accessory shoe was located on the camera’s left side just above the rewind lever. Since the Pentamatic didn’t have TTL metering adding a separate meter was as easy as simply sliding whichever model you wanted on. Of course, the meter wasn’t coupled with the camera so you would set the camera’s aperture and shutter speed according to the meters readings.
Vintage view with the meter attached to the accessory shoe.Sears catalog ad from 1961.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
I purchased this Super 8 camera from a friend way back in 1977 while stationed in Japan on the USS Midway. I ran quite a few reels of film through it before the video revolution took hold in the early 1980s. I’ve since sold the camera to another collector (a few years back) but I still miss not owning it. What a beast but man was it an awesome camera to use. It’s macro and slow motion capabilities were not to be believed.
Here I am in the Philippines (near the Subic Navy Base) using the Canon with a curious onlooker.
As time went by my original Canon F-1 became somewhat obsolete as new advances in technology and electronics could deliver a lot of camera features in a “compact” 35mm SLR.
The Canon A-1. Lots of stuff packed in a compact camera (compared to the F-1).
I still have a couple of A-1s in my collection – one for show and one for go. Pictured above is the go-to camera in my bag. My Canon F-1 pictured below. This was a beast to carry on a photo walk!
The monster F-1 with all of its goodies. This is my original F-1 that pretty much went with me everywhere in the 1970s and 1980s. See pic below.Me with the F-1 while walking on the outskirts of Kowloon (Hong Kong) around 1978 or so.
I should mention that both images of me were taken by my very good Navy buddy and dear friend Jim. Sadly Jim and his wife were killed in an airplane crash in late 2001. Jim was a Nikon guy and it was always great fun to see who got the best from their cameras.
Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.
The Fujica GW690 Professional from Fuji Photo Film Company – November 1978. It’s a rather hefty medium format 120/220 roll film camera capable of producing images at an amazingly large 6 x 9 cm.
Loaded with Fujifilm Neopan 100 Acros. 
Original sales brochure – 1978. 
Released in 1985, the now Fuji GW690II in…
