Yashica Pentamatic II – The Phantom

June 4, 2021June 4, 2021Chris and Carol 2 Comments

The Yashica Pentamatic II is without a doubt the hardest camera to find in any condition in Yashica’s lineup. If you do find one, buy it at least for its standard lens. You won’t be disappointed.

Chasing Classic Cameras with Chris

A new Pentamatic joins the family – this one was made in September of 1960.

DSCF7800 Seldom seen in the wild, Yashica’s “Phantom” camera – the P2

The Pentamatic II was fitted with a limited production lens made by Zunow Optical – a 5.8cm f1.7 Auto Yashinon with 10 aperture blades. It’s a massive camera with a ton (1,028 grams) of brass and glass.

It’s a distinctive design – very modern but classic at the same time. A clean pentaprism without the cold shoe mounted on it – in fact, the cold shoe (accessory shoe) is mounted on the camera’s left shoulder just above the hidden rewind knob.

DSCF7802

The serial number (NO. 96000944) indicates the “when” of this camera. The “9” is for September and the next digits, “60” is for 1960. The last 5 digits are the sequence number or production number. This one is the 944th made since production…

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Yashica Heavyweights – 1960s glass & brass

June 2, 2021June 2, 2021Chris and Carol 2 Comments

Here is a fun visual comparison between three early Yashica cameras.

Yashica’s first 35mm SLR released in early 1960. The Pentamatic 35 with its fast f/1.8 lens was a neck breaker to be sure.

Yashica’s first modern 35mm SLR released shortly after the end of the Pentamatic series in 1962.

First released in 1964, the Yashica Mat EM (Exposure Meter) was and still is a very popular TLR (twin-lens reflex) 120 roll film camera. It features a built-in exposure meter powered by selenium cells. The meter on mine is still working and is accurate when shooting negative films.

What’s the heaviest camera in your collection? Not pictured here I’d say my fully decked out Canon F-1 with a motor drive and big f/1.2 lens is crazy heavy. I’ll have to dig it out and post the results here soon.

Comments are always welcomed as I’ve learned quite a bit from reader feedback. As always, thanks for stopping by and while you’re at it, feel free to visit my camera shop at http://www.ccstudio2380.com (CC Design Studios hosted by Etsy). – Chris Whelan

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris, Chasing Classic Cameras with Chris.

The Best of Yashica – 1972

May 28, 2021May 28, 2021Chris and Carol Leave a comment

From the Yashica book The Creative System of Photography. Some of the lenses pictured here are nearly impossible to find today in mint or near mint condition. I do know some intrepid Yashica collectors that have come very close to owning all of this.

To chase down all of this is a pretty monumental task so I’d give it a Chase Factor of a solid 10 (CF-10). Good luck chasers!

Yashica’s last TLR – Chasing a True Classic!

May 27, 2021May 27, 2021Chris and Carol 2 Comments

Yashica’s (Kyocera by this point) last TLR model. This one was part of the last run of the model before production shut down in 1986. Yashica (originally named Yashima) started off in 1953 with the obscure Pigeonflex TLR followed by the Yashima Flex and then continued to build TLRs way longer than the market could bear (or need). The good news is that the 124G can be found today in great quantities and cameras as “young” as 35 years-old.
It’s a very affordable way to get into medium format photography and in the case of this model, be able to use both 120 and 220 roll film giving you either 12 or 24 exposures.

After about 33 years of making TLRs, this was Yashica’s best.

A beauty – here’s what a modern TLR looked like back in 1985.

The design of the last box that held the 124G (1985-1986).

This gorgeous camera was the first to carry the company name – Yashica Flex made in 1954.

For contrast, compare the Yashima Flex to the Yashica Mat 124G. Their excellent build quality remained throughout the decades. If you’re chasing one of these for your collection you’re in luck because Yashica made a bunch of 124Gs and there’s a bunch still out there. Expect to pay a premium for mint examples but be careful, they’re still older cameras and a host of bad things can happen to them from lack of use and improper storage. Ask lots of questions of the seller if you’re buying online and look for sellers with excellent reputations for selling quality classic and vintage cameras. BTW, not too many of the original Yashima Flex cameras will look like my example pictured above. I was so very lucky to buy mine from the original owner in Japan who obviously kept it in pristine condition both physically and mechanically.

SUNday Spotlight – visible instamatic

May 23, 2021May 23, 2021Chris and Carol Leave a comment

Kodak Instamatic X-15F (1976-1988).

Leica M4 – 1969

May 22, 2021May 22, 2021Chris and Carol Leave a comment

A beauty in black.

CC Design Studios

May 20, 2021May 20, 2021Chris and Carol Leave a comment

Good day, all! My camera shop http://www.ccstudio2380.com is filled with an eclectic mix of some really cool and rather rare items this month. Here’s a small sample.

There’s a little bit for most everyone in the shop from rare historical pictures to vintage film and of course, classic and vintage cameras and photogear collectibles. I’m about to list a few Fuji and Fujifilm cameras from my personal collection – a new in the box Fuji Discovery 90 35mm camera set and a new in the box Fuji Discovery 3000 Zoom 35mm camera set. I’m always open to offers and if there’s something you’re looking for to add to your collection just contact me at ccphotographyai@gmail.com – I just may have what you’ve been looking for.

Monday’s Camera – Asahi Pentax 6×7 – Beauty IS the Beast!

May 17, 2021May 17, 2021Chris and Carol Leave a comment

A beautiful monster. That’s how I described this camera to a friend. A beautiful heavy monster is what it felt like in your hands and no way was I going to use the neck strap. It’s also a camera that I wish I still owned because I really didn’t get to shoot with it as much as I’d liked to.

The true beauty of this camera was the 6×7 cm negatives or color slides that it produced. It was advertised as an SLR albeit a giant SLR with through the lens metering, easy and quick focusing, interchangeable lenses, backs, viewfinders, and more but I couldn’t get over its bulkiness and weight. So it was passed on to another collector and to this day I wish I still owned it.

Chase Factor. CF7 considering that there’s a bunch of them out there online but it’s a hard camera to find that checks all of the necessary boxes – condition, appearance, functionality, and price. In my case I was lucky to find mine still in it’s original box and in nearly mint condition (and fully working) but I was afraid to take it in the field or on a photoshoot because the collector in me was worried it would get scratched or damaged and eventually hurt its resale or collector value. It’s hard to have a collector grade camera also be your shooter.

believe me, that large wooden handle was worth its weight in gold. It provided a solid grip on the beast.

Like a Leica, or better? Nicca

May 14, 2021May 14, 2021Chris and Carol Leave a comment

My good friend Paul Sokk has authored one of the most comprehensive sites dedicated to all things (I mean all things) related to and about Yashica twin-lens reflex cameras you’ll ever see. As if cracking Yashica’s history wasn’t enough, Paul then went on to research pretty much everything there is to know about Nicca and the cameras they made and their contribution to Yashica and their development of the Yashica Pentamatic.

All decked-out with its 28mm W-Nikkor lens and matching viewfinder.

I could go on and on about Paul’s site or just give you the link – it will be well worth a visit and your time. http://www.yashicatlr.com/Nicca.html

https://www.buymeacoffee.com/chasingacoffee

Zeiss Ikon Contax IIIa

May 13, 2021May 13, 2021Chris and Carol Leave a comment

Carl Zeiss Sonnar f/ 1.5 50mm lens shown here with a Zeiss Ikon slip-on lens hood (shade).

This lovely camera is from 1951 and features a built-in exposure meter.

Shown with the meter flap open for business. This image was taken with my Nikon D800 in my studio as a test shot – no post processing.

I haven’t had a chance to run a roll of film through this beauty yet. All levers, knobs, buttons, and dials are working as is the meter. My list of film test cameras is quite extensive so the likelihood that this one will see film anytime soon is slim, very slim.

A quick search on eBay shows a nice selection of these available in all sorts of condition and states of operation. A recent set with body, lens, and box went for $450 (similar to mine) in working condition. I would think around $350 to $400 is reasonable for a clean example and having the box is always nice and in this case worth the $50. I’d give the Contax IIIa a chase factor of 6 – they’re out there so finding one isn’t a problem but finding a 70-year-old camera in full functioning condition is the hard part. Expect some issues that may need to be addressed and of course without service (CLA) little guarantee of continued function. It does make an awesome display camera amongst my other 35mm rangefinders so it’s got that going for it.

https://www.buymeacoffee.com/chasingacoffee