Fuji Photo Film – Fuji Pet 35

From 1959, Fuji Photo Film Co., Ltd. follow-up to their widely popular Fujipet 120 film camera. The Pet 35 took advantage of the growing popularity of 35mm photography – plus it’s a great way to sell more film!

The Pet 35 was way more sophisticated than the Fujipet – but retained the funky charm and quirkiness of the original. Since the Pet 35 is not a common camera, we’ve presented a visual tour of our almost mint condition Pet 35.

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Original set as found. We have the leather case too.

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The lens is a Fujinar-K 3 element glass lens – 45mm with a maximum aperture of f/3.5 with closest focussing to 0.5 meters.

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The lever to the right of the lens cocks the shutter and the left lever trips the Copal B leaf shutter.

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The Copal shutter features speeds of B, 1/25, 1/50, 1/100 and 1/200 of a second.

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In keeping with the funky design – two oversized knobs that left no doubt on how to operate them.

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The body is dark gray on this Pet 35.

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Outer ring is the focus adjustment, next is the shutter speed selector and finally the aperture settings.

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The original Pet 35 lens cap.

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Nicely detailed and finished.

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Early 1960s Fuji Film Neopan SS – ASA 100. How about film for only ¥190!

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Original selling price was ¥3,400 – the leather case sold for ¥700 and a soft case was available for ¥350

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Original sales brochure specs.

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The viewfinder is bright and clear – and big for such a small camera.

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ASA reminder scale and film back release.

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The Pet 35 is far from being a ‘toy camera’ as its build quality is quite high. No foam or yarn light seals to fail – the metal film door fit tightly into the body to seal out light.

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Gotta love the Fuji Film stickers inside!

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Thanks so much for your visit – we hope that you enjoyed our tour of this fantastic Fuji!

Studio Camera: Fujifilm FinePix S9900W

Chris & Carol ^.^

Canon AE-1 Program – An alternative to the more costly A-1

Canon’s A Series of cameras were among the best in the late 1970s and early 1980s. Often overlooked, the Canon AE-1 Program (it was also available in a pro black body) was a fun and accurate SLR during its heyday. Of course the Canon A-1 and the AE-1 were the most popular of all.

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The AE-1 Program, like all of the Canon A Series of bodies, used the Canon FD lenses – here with the popular and super lightweight 50mm f/1.8 lens.

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AE-1 Program in pro black and Olympic Edition.

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If you get a chance to pick one of these up for a fair price we think you’ll be surprised at how well the auto exposure modes do under challenging lighting situations. It’s not built as robustly as the A-1 but can be had for much less.

The AE-1 P makes a nice addition to any Canon collection and certainly would look good in any collection of early Japanese SLRs.

Thanks for stopping by!

Camera: Sony Cyber-shot DSC-W170

Chris

FIFA World Cup 1986 Canon T50

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Probably not many of these floating around in the U.S. – this was in our collection of ‘all things Canon’ for awhile but has since moved on to another collector. We thought it deserved a spot on the blog if only because few people know of its existence.

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The Canon T50 is one of the simplest cameras (35mm SLR) that Canon ever produced. It accepted all Canon FD lenses, took 2 AA batteries, had a power winder built-in and had programmed automation!

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Cool logo!

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Simple Simon! Shutter button, function dial, hot shoe and rewind lever.

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Nice bright graphics!

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Bold hand grip and clean design.

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If you want a simple, and we mean simple, 35mm SLR film camera to play around with, then the T50 and its cousin the T70 are just the ticket. Both take all of Canon’s FD lenses – and that’s worth the price of admission any day!

Camera: Sony Cyber-shot W170

Chris

Pentamatic S – 1961

Yashica Pentamatic S with its no name clip-on light meter.

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S fitted with its light meter, lens hood and the standard 5.8cm f/1.7 lens that came with the Pentamatic II.

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Pentamatic S

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Standard lens for the Pentamatic II here fitted to the S – Auto Yashinon f/1.7 5.8cm made by Tomioka Optical.

The Yashica Pentamatic S was available in 1961 and came with the Auto Yashinon f/1.8 5.5cm lens.

Chris

Photo Gear No More – the ones we regret.

As collectors, Carol and I have to make some tough decisions from time to time (actually a lot). While we would love to own every camera, lens and photo thingy that strikes our fancy, we, like most people, have a budget. Well not really a budget per se as a budget requires planning and thought – something we rarely do. What we have in reality is limited space (and funds) just like most people. Compromises must be made – negotiations entered into and decisions rendered.

So our collection is a dynamic thing – a living, breathing thing that must be fed and then purged. Buy – play with – cherish and then sell. Here (in no particular order) is some of the gear that we wish we still owned…

Canon FD 17mm f4 super wide angle lens ⇓

Why? It was in mint new condition with no issues. The glass was pristine and we had the proper Canon lens hood and both Canon lens caps (and case). It just didn’t wow us! I had always wanted it since day one (1978) and had to settle on a Canon Fd 24mm wide angle instead due to the silly cost of the thing. I LOVE the 24mm – it is one of my most widely used Canon lenses. When we finally got this 17mm in 2014 and shot with it, well, nothing special. The images weren’t dramatic enough to justify owning it so it was sold. Why the regret now? We didn’t give it a fair shot. Maybe we shot a roll and a half with it. Not enough time really. The other reason – when it’s mint you freak out all the time about messing it up and messing with the resale value. Stupid reason but it happens.

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Asahi Pentax Spotmatic with the Takumar f1.4 lens ⇓

Why? Beautiful camera in nearly perfect condition. We’ve always appreciated the early Asahi Pentax 35mm SLRs and this one fell into our hands. We would have rather had a working H2 or something along those lines but none were available at that time. Why the regret now? See above. Another case of a mint camera (for the collection) and unlikely that we’d ever shoot with it. Now we wish we had kept it to at least shoot some film with it. Oh well, it’s gone and unlikely to be replaced.

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Nikonos II ⇓

Why? It was my first ever 35mm camera! Purchased new by me in 1971. I took it everywhere and used it both above and below the surface of the water constantly. She was in great shape when I sold it in 2011- my SCUBA diving days were over and no reason to keep it. Right? Wrong! My regret is purely nostalgic. My first 35mm camera! What was I thinking!!! It’s still the only Nikon I’ve ever bought!

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Canon T70 35mm SLR ⇓

Why? Built-in motor drive, multiple auto exposure modes and drop dead simple to use. Uses the complete family of Canon FD lenses and exposures were as accurate as our A-1. Why the regret? We’ve owned about 10 of them over the years and have used them extensively. We’re just used to the little beasts and this happens after each acquisition and sale. We begin to miss that goofy style and its other quirks. (This one was sold to a collector in Australia).

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Fujifilm XP100 FinePix go anywhere digital camera ⇓

Why? Fun little Fuji that we often took to the beach for some awesome surf shots – plus it’s a cool green! We made some neat videos with it too – great images and sound. I decided to sell it as we didn’t need a closet full of seldom used digital cameras. They become relics quickly in the fast paced world of pixel capturing. We regret it now whenever we’re at the beach and the waves are killer!

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Asahi Pentax 6×7 medium format camera ⇓

Why? A gem of a camera! Mint condition and it took some stunning pics! Eye-level finder with meter and we had the big wooden hand grip and at least 2 new lenses for it too. Weighs like 2 kilotons or close to it! The 6×7 format can enlarge very nicely and the Super Takumar lenses were sharp. Why the regret? We can’t find one as nice to replace it without spending crazy money and we let ours go for too little. We have a Fujica GW-690 now so the need for the 6×7 format is lessened. Besides, the Fujica is as beat to hell as anything we own and that’s a good thing. No worries about scratching it up so we actually use it.

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Canon FD 300mm f4 telephoto lens ⇓

Why, why, why? We bought it because we’ve always wanted that focal length and couldn’t afford what we really wanted – the FD 300mm f2.8 L white lens. Another case of a mint condition lens that looked like it was made yesterday. In reality it was a dark lens (f4) and a bit clumsy to use. We used it mostly on a tripod and our little town is not a telephoto town. What we mean by that is that our town is made for wide angle shots (old buildings with lots of details) and not tripod mounted lenses. Plus I’m just too old to hand hold 300mm lenses anymore and don’t want to be bothered straining my neck with it. The regret? I wish I could still hand hold a 300mm lens damn it!!! Actually I still want the f2.8!

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So there you have it. Certainly it’s not all the gear we miss – just a small sample. If we can round up the images of some of the others there may be a part two.

Do you have a favorite piece of gear that you regret selling (or heaven forbid, gave away)? Let us know. Thanks

Chris and Carol ^.^

I See Red – Fujica DL-20

Pretty little Fujica DL-20 from 1983.

The world’s first 35mm drop-in loading camera! Simply load your Fujifilm cartridge into the opening on the bottom, close the back – and your Fujica will do the rest!

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Features a Fujinon 38mm f/4 lens with built-in lens and viewfinder cover.

Released in March 1983 in Japan, it was also known as the ‘Auto Mate’. 

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Original list price in Japan was 30,000 JPY.

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Shutter fires from 1/100 to 1/300 of a second.

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Also released at the same time the more feature packed DL-100 (Auto Ace).

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Solid little thing! Thick plastic everywhere and a bright red finish too!

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Manually set ISO settings (100 & 400). 3 zone focusing. Auto exposure (EE).

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Built-in electronic flash.

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Push the film cartridge into the opening on the camera’s left side with about 5 cm of film extended – close the back and it auto loads the film.

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Cute centerfold art… love the image on the far right!

Weighs in at 300 g. Fits nicely in your hand (although a bit small for me) and fits in a coat pocket with ease. A simple, compact 35mm point and shoot camera from Fuji Photo Film.

We don’t know if we’re going to shoot the Acros first or load up some bright Fujicolor. Soon we hope!

Camera: Fujifilm FinePix S9900W

Thanks for stopping by!

Chris