Minolta Uniomat III

35mm rangefinder camera from Minolta. This one is from about 1963. Neat little camera – a bit small for my hands so it’s hard to reach the lens to focus comfortably. The rangefinder focuses well but doesn’t snap out at you although the view is bright. No film test for this one. The shutter fires and the speeds appear to be on time – the rear lens element is “ate up” (Southern term) with fungus and when I got rid of the fungus I was left with an etched lens. Maybe some polishing might bring it back. The light meter appears to be accurate too.

It’s a pretty little thing. I like the gray leatherette body and it certainly looks nice under my studio lights. We like to collect complete sets when we can and this one has its original box, leather case (black), silica-gel pack and the owners manual. It would have been extra nice had Minolta made the case gray like the camera.

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Although the box has some damage from handling it over the years, it’s still quite solid. It was covered with soot, dirt, dust, grime and I’m sure some DNA – it was so dirty that the Minolta logo was not visible! I used a new bar of ‘Mr. Clean Magic Eraser’ lightly made wet to gently ‘erase’ the dirt. It’s amazing how well it did without damaging the delicate 50+ year old paper. A new way to restore some of our older boxes in our collection.

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Nice image from inside the owners booklet.

We wish we had a chance to run a roll through it to test the f2.8 45mm Rokkor lens… but as is typical with these vintage rangefinders, the rear lens element is trashed with fungus.

Thanks for your visit. We hope you know a bit more about this unique camera.

Chris and Carol Photography ^.^

Yashica Pentamatic S & a “new” old school copy stand –

Every now and then as a collector of all things Yashica, you get a little lucky. In this case my luck was finding an accessory that I wanted so badly back in the day (early 1970s). It’s not actually an accessory – more of what I’ll call ‘studio support equipment’.

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Pentamatic S on the copy stand.

I know. It’s just a simple copy stand. They’re for sale everywhere. But not a built in 1971 Yashica branded copy stand – and in its original box too! Collector heaven.

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The grids are about 20 x 20 so it’s actually quite large.

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It’s definitely from another time and place. No official name for it – just a copy stand. It’s built pretty well – lots of real steel parts and no plastic. I believe the plastic looking parts are Bakelite. I’ll need to modify the tripod screw bracket a bit for use by my digital Fuji.

Yashica TL Electro-X

One of the most successful SLRs from Yashica – the ‘Pioneer in Electronic Cameras’… the Yashica TL Electro-X. The world’s first electronic single-lens reflex camera.

A random collection of clips from Yashica sales brochures and our eclectic collection of all things Yashica –

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‘ITS’ = Integrated Technology System… maybe.

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We’ve recently added this hard to find accessory from Yashica. It was still new in its original box! It will be used in our studio for some copy work.

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Original box. Lucky find!

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The Copy Stand listed for 20,000 JPY in 1971. About $55 USD

 

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Large dealer’s sign. Two sided but non lighted. Ca. 1968

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Yashica ‘Sailor Boy’ with another version of the slogan and electron logo. The ‘Sailor Boy’ first made his appearance in 1962.

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Elegance on ice.

Do you have something to add to our database about this interesting camera? Please feel free to comment. 

Thanks,

Chris & Carol Photography ^.^

East China Sea Sunrise

Sunrise and showers as viewed from the flight deck of the aircraft carrier USS Midway (CV-41) while conducting flight ops in the East China Sea in late 1979. Sometimes, the loneliness of life at sea can be rewarded – however briefly. Standing there in the predawn hours waiting for the tropical night to end – a dissipating rain shower on the horizon adds a bit of drama to the sunrise and the photographers night is done.

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The sun touches the clouds and the tropical shower has all but dissipated. A distant ship (part of our Task Group) can be seen on the horizon’s center.

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Flight Deck personnel clean their aircraft for the days activities. US Navy Sea King helicopter (on the right) from HC-1 and a F-4J Phantom jet awaits its next sortie.

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The cumulonimbus cloud drops its precipitation into the warm sea.

Camera: Canon F-1 (1978 version) with Canon FD 24mm f2.8 lens on Kodak Kodachrome.

Thanks for your visit.

Chris

Yashica Pentamatic S – Phase 1

A long neglected (not by us) Yashica Pentamatic S is getting a much needed restoration and some re-imagineering  by us as a top-level professional SLR.

A few peeks before the color coats get applied. Stripped of its hardware and sanded to slickness – 2000 grit sandpaper – she’s ready to shine again!

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We love the hints of brass that are showing through the factory silver finish after the wet sanding. The Pentamatic family of SLRs have one of the sharpest looking pentaprisms around. Without a clunky accessory shoe on the top of the finder, the Pentamatics have a clean, modern design. This one is from early in the production run in 1961. It’s number 237 off the assembly line at the Yashica campus in Suwa, Nagano Prefecture.

Stay with us as we will post updates along the way!

Camera: Fujifilm FinePix S9900W

Thanks, Chris and Carol Photography

 

Fireproof

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Rescue crewman’s fireproof helmet. USS Midway (CV-41), underway from Yokosuka, Japan in the South China Sea. 1978

No post production. As captured and composed.

Camera: Canon F-1 (1978 version)  Kodak Kodachrome 25  Canon FD 80-200mm f4 @ 4 sec

Excellent Post by Dan James

I’ve shot far more photographs with 50mm lenses than any other focal length. But switching 50s more often than underwear can become an exhausting and hollow experience. Here’s why my 50s philandering days are done, and how I’ve settled on my ideal. It took me a while to realise, but after something like seven or […]

via The Fall Of The 50s Philanderer (Or How I Found The Perfect 50mm Lens) — 35hunter