Konica Kanpa! – A fun ‘Party Camera’ that takes your picture when you yell, “Kanpai!”

Confused??? Don’t be. Here’s a fun little 35mm film camera made by Konica in 1989. It’s called the Kanpai – essentially “cheers”. It’s a voice-activated camera that was designed to attach to a special mini tripod that allowed the camera to swivel (up to 100 degrees) and would take a picture whenever someone at a party yelled “cheers!” or whatever.

Part of our “Modern Classics” and “Plastic Fantastics” collection of film cameras.

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The microphone on the front of the camera (the 3 little holes next to the microphone icon) adjusts to the ambient sounds of a party and would then “listen” for when someone yelled “cheers” or whatever – it would then operate a small motor in the base which would turn the camera (when attached to the dedicated tripod) towards that sound and snap a picture. The lights above the microphone indicate the level of ambient sound and some degree of sensitivity.

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The “framing monitor” is simply an optical waist level finder. The LCD indicates the selectivity and sensitivity (little Pac-Man looking thingy) of the microphone and how far the camera rotates to capture an image when attached to the dedicated tripod.

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Not the original tripod – no cute shoes (yet).

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From a Konica press release: “One of three sound-level settings can be chosen. When used on low, the shutter is automatically released after 11 minutes and every three minutes thereafter even if no sound is detected, or when it detects a moderate noise level lasting at least 0.2 seconds. On medium and high sound-level settings, however, the camera fires only when responding to sounds with durations of 0.3 and 0.5 second or longer respectively (a single clap of the hands, for instance, won’t trip the shutter).

Although exposure interval times will vary with the camera’s sound-activated setting and noise levels, a 24-exposure roll of film typically will be fully exposed in 20 to 40 minutes. When mounted on its exclusive tabletop tripod, which couples to the camera’s film-wind motor, the Kanpai rotates left or right after each exposure (in a panning range of approximately 80 degrees) to capture action throughout the room. However, a tripod-mounted camera can also be fixed in one position. When not in its sound-activated release mode, the Konica Kanpai becomes a straightforward, fully automatic compact camera, featuring programmed auto-exposure, a fixed-focus 34mm lens, automatic film transport and ISO film-speed settings (100 & 400), and built-in flash. A clever framing monitor, located on the top of the camera, allows the photographer to take low or high-angle shots without having to look through the viewfinder.”

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The camera has a Konica 34mm f/ 5.6 fixed focus lens and an electronic programmed shutter capable of 1 to 1/200 sec. Designed to be used mostly indoors with the flash, I could see it being used as a street camera with its waist level finder.

Auto flash, self-timer, automatic exposure, and auto rewind. Date/time imprinting.

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Fresh batteries were inserted (by the way, the date/time defaulted to 1-1-87 and stops at 1-1-19). It takes (1) 2CR5 6V lithium battery and (1) CR2025 button battery.

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List price in 1989 was ¥30,000 (about $215 USD) in “stone” finish (we think this one is stone).

We’re still on the lookout for the original tripod and shoes! Many thanks go out to our friend Peggy at Camera Go Camera for passing along this super cool camera! By the way, her site has some neat “STUFF” that she’ll be happy to send your way – check it out!

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Available in red.

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Party Animal!

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“Let’s get the party started!”, “Kanpai!”, “Cheers!” – also works if you yell “BANZAI!”

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BANZAI, Daniel-san!

Thanks for stopping by! Remember, if you have some neat film cameras for sale – we are buyers! Contact us at chriscarol@ccstudio2380.com

C&C ^.^

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Happy SUNday!

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Have a beautiful day!

C&C ^.^

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Happy SUNday!

Our children’s favorites!

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Hope y’all having a wonderful day!

Chris, Carol, Pikachu, Ash, and Sailor Jupiter! ^.^

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

more machines

We can’t get enough of this “other-worldly look” – the neon blue (as our friend Pam pointed out) is awesome!

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Actually no post-production work here except to add the logos.

 

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Samsung Galaxy S8+

 

Thanks for stopping by!

Chris & Carol ^.^

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Canon Autoboy S II (Super) – SLR Slayer!

One of Canon’s best compact 35mm film cameras of the mid ’90s. Also known as the Sure Shot Z135 in the US and the Prima Super 135 in Europe. This beauty features high-quality Canon optics with a powerful 38-135mm 3.6x zoom lens (f3.6 to f8.9). When released in March of 1996, it listed for ¥62,000 or about $540 USD! We’ve used the Autoboy in the past and we can vouch for the quality of the images it produces. 7 shooting modes, date/time and caption imprinting, auto flash modes and what Canon calls “AiAF”! Whoa!

 

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Gorgeous surfaces – well finished and appointed.

These “Modern Classics” deserve another look in this digital age. They’re the perfect way to get into film photography without busting the bank!

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Includes the crazy hard to find original Canon sales brochure for the Autoboy! 

The sales brochure was shot in and around Miami’s South Beach – some pretty awesome images inside from the post “Miami Vice” era!autoboy logo 3

The Autoboy has some heft to it (375g) – yes there’s plastic but of a much higher quality. The switches, levers, and whatnots are solid and the motor drive for the film transport and power zoom are quick and reasonably quiet.autoboy back logo

It features a super bright viewfinder and clear zoom indicator reference lines, 7 shooting modes and can imprint date/time and up to 7 captions in multiple languages! It’s easy to use and has a quick, accurate autofocus.

We think this Canon gives the much-touted Yashica-Kyocera T* cameras a good run for the money (I think it outperforms them albeit with a bit slower lens but with a crazy wide focal range!autoboy box collage

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Of course, we’ve added this beauty to our online camera store at https://www.ccstudio2380.com

Thanks for stopping by and if you have any questions please feel free to contact us at chriscarol@ccstudio2380.com

C&C ^.^

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

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From the control room –

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Fun at the movie theater. After watching The Last Jedi tonight, I took a quick peek in the control room and my camera happened to go off!

Have a Happy Weekend!

Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Fujifilm Instax 100 “Wide Picture Format” Instant Print Camera – 1999

Fujifilm’s very first Instax film camera – released in May 1999. This beautiful camera takes the wide format Instax film that produces images of 6cm x 9cm (actual 6.2cm x 9.9cm) in glorious full color – now Instax is available in monochrome too!

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fuji monochrome

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instax box collage logoThe camera features a quality Fujinon 95mm lens (2 elements 2 groups) set at f14 and designed to use Instax film rated at ISO800. The shutter fires at 1/64-1/200th of a second. There’s a control to lighten or darken the exposure and an LCD that clearly shows your picture count. The lens focuses from 0.9m to 3m and from 3m to infinity with the push of a button.instax panel logoThis set comes in its original box, has an unopened pack of Fujifilm (dated 2001), the original strap, and the instructions. Oh, and four new Fujifilm (AA) batteries!

If you’re interested in purchasing this unique (and a rather rare set) it’s available in our online shop at http://www.ccstudio2380.com

We can be contacted via secure email at chriscarol@ccstudio2380.com

Stop by and check out our other unique and hard to find cameras – a great way to get into film photography and show off your “Modern Classic”!

Thanks for stopping by!

C&C ^.^

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Yashica J-7 and Yashica TL – the last of a series and the start of a new era

The Yashica J-7 was the last camera in Yashica’s popular J-Series of 35mm SLR cameras that ran from about late 1962 to early 1968. They were: the J-3, J-5, J-4, and the J-7. You could throw in the J-P but the J-P was closer in design and function to the Penta J and not the J-Series. All of these SLRs featured the famous and common M42 screw mount lens camera bodies.

The J-Series featured a CdS exposure meter which was built into the camera body on the camera’s left front top plate (see images below). The disadvantage of this type of meter was that the exposure readings did not accurately reflect the amount of light passing through the lens. Adjustments needed to be made if filters were used. The Yashica TL was Yashica’s first SLR to feature an exposure meter built inside of the camera and took readings through the attached lens (hence the “TL” for through the lens). As Yashica stated in the instruction booklet for the TL – “The two CdS resistors measures the average degree of light entering through the lens and directed to the focusing groundglass. In other words, the average value of light directed to the film plane is accurately computed”. This was a giant step for Yashica and would lead them to pioneer the use of electronics in photography as each new SLR made major advances towards the goal of accurate “computer controlled” exposure readings. The Yashica TL Electro-X and the ITS were the pinnacles of these accomplishments by late 1969 and early 1970.

 

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A close-up view of the CdS exposure meter on the J-7.

 

 

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The last SLR in the famous J-Series of cameras.

 

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The J-Series of 35mm SLR cameras from Yashica. The J-3 was the only one to be released in a pro-black finish.

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The “Best of the Best” – Yashica’s ITS model of the TL Electro-X.

And there you have it. A very short history of Yashica’s early 35mm SLR cameras.

Thanks for stopping by!

C&C ^.^

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Hi! Mickey Mouse Camera

Our super cool Hi! Mickey Mouse camera from Fujifilm.

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Carol made a cute custom camera case for the Fujifilm Hi! Mickey Mouse camera.

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You can find this and many other interesting cameras in our online store at http://www.ccstudio2380.com

We’d love to see you there!

C&C ^.^

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2018 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.