FIFA World Cup 1986 Canon T50

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Probably not many of these floating around in the U.S. – this was in our collection of ‘all things Canon’ for awhile but has since moved on to another collector. We thought it deserved a spot on the blog if only because few people know of its existence.

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The Canon T50 is one of the simplest cameras (35mm SLR) that Canon ever produced. It accepted all Canon FD lenses, took 2 AA batteries, had a power winder built-in and had programmed automation!

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Cool logo!

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Simple Simon! Shutter button, function dial, hot shoe and rewind lever.

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Nice bright graphics!

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Bold hand grip and clean design.

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If you want a simple, and we mean simple, 35mm SLR film camera to play around with, then the T50 and its cousin the T70 are just the ticket. Both take all of Canon’s FD lenses – and that’s worth the price of admission any day!

Camera: Sony Cyber-shot W170

Chris

Pentamatic S – 1961

Yashica Pentamatic S with its no name clip-on light meter.

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S fitted with its light meter, lens hood and the standard 5.8cm f/1.7 lens that came with the Pentamatic II.

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Pentamatic S

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Standard lens for the Pentamatic II here fitted to the S – Auto Yashinon f/1.7 5.8cm made by Tomioka Optical.

The Yashica Pentamatic S was available in 1961 and came with the Auto Yashinon f/1.8 5.5cm lens.

Chris

Photo Gear No More – the ones we regret.

As collectors, Carol and I have to make some tough decisions from time to time (actually a lot). While we would love to own every camera, lens and photo thingy that strikes our fancy, we, like most people, have a budget. Well not really a budget per se as a budget requires planning and thought – something we rarely do. What we have in reality is limited space (and funds) just like most people. Compromises must be made – negotiations entered into and decisions rendered.

So our collection is a dynamic thing – a living, breathing thing that must be fed and then purged. Buy – play with – cherish and then sell. Here (in no particular order) is some of the gear that we wish we still owned…

Canon FD 17mm f4 super wide angle lens ⇓

Why? It was in mint new condition with no issues. The glass was pristine and we had the proper Canon lens hood and both Canon lens caps (and case). It just didn’t wow us! I had always wanted it since day one (1978) and had to settle on a Canon Fd 24mm wide angle instead due to the silly cost of the thing. I LOVE the 24mm – it is one of my most widely used Canon lenses. When we finally got this 17mm in 2014 and shot with it, well, nothing special. The images weren’t dramatic enough to justify owning it so it was sold. Why the regret now? We didn’t give it a fair shot. Maybe we shot a roll and a half with it. Not enough time really. The other reason – when it’s mint you freak out all the time about messing it up and messing with the resale value. Stupid reason but it happens.

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Asahi Pentax Spotmatic with the Takumar f1.4 lens ⇓

Why? Beautiful camera in nearly perfect condition. We’ve always appreciated the early Asahi Pentax 35mm SLRs and this one fell into our hands. We would have rather had a working H2 or something along those lines but none were available at that time. Why the regret now? See above. Another case of a mint camera (for the collection) and unlikely that we’d ever shoot with it. Now we wish we had kept it to at least shoot some film with it. Oh well, it’s gone and unlikely to be replaced.

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Nikonos II ⇓

Why? It was my first ever 35mm camera! Purchased new by me in 1971. I took it everywhere and used it both above and below the surface of the water constantly. She was in great shape when I sold it in 2011- my SCUBA diving days were over and no reason to keep it. Right? Wrong! My regret is purely nostalgic. My first 35mm camera! What was I thinking!!! It’s still the only Nikon I’ve ever bought!

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Canon T70 35mm SLR ⇓

Why? Built-in motor drive, multiple auto exposure modes and drop dead simple to use. Uses the complete family of Canon FD lenses and exposures were as accurate as our A-1. Why the regret? We’ve owned about 10 of them over the years and have used them extensively. We’re just used to the little beasts and this happens after each acquisition and sale. We begin to miss that goofy style and its other quirks. (This one was sold to a collector in Australia).

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Fujifilm XP100 FinePix go anywhere digital camera ⇓

Why? Fun little Fuji that we often took to the beach for some awesome surf shots – plus it’s a cool green! We made some neat videos with it too – great images and sound. I decided to sell it as we didn’t need a closet full of seldom used digital cameras. They become relics quickly in the fast paced world of pixel capturing. We regret it now whenever we’re at the beach and the waves are killer!

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Asahi Pentax 6×7 medium format camera ⇓

Why? A gem of a camera! Mint condition and it took some stunning pics! Eye-level finder with meter and we had the big wooden hand grip and at least 2 new lenses for it too. Weighs like 2 kilotons or close to it! The 6×7 format can enlarge very nicely and the Super Takumar lenses were sharp. Why the regret? We can’t find one as nice to replace it without spending crazy money and we let ours go for too little. We have a Fujica GW-690 now so the need for the 6×7 format is lessened. Besides, the Fujica is as beat to hell as anything we own and that’s a good thing. No worries about scratching it up so we actually use it.

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Canon FD 300mm f4 telephoto lens ⇓

Why, why, why? We bought it because we’ve always wanted that focal length and couldn’t afford what we really wanted – the FD 300mm f2.8 L white lens. Another case of a mint condition lens that looked like it was made yesterday. In reality it was a dark lens (f4) and a bit clumsy to use. We used it mostly on a tripod and our little town is not a telephoto town. What we mean by that is that our town is made for wide angle shots (old buildings with lots of details) and not tripod mounted lenses. Plus I’m just too old to hand hold 300mm lenses anymore and don’t want to be bothered straining my neck with it. The regret? I wish I could still hand hold a 300mm lens damn it!!! Actually I still want the f2.8!

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So there you have it. Certainly it’s not all the gear we miss – just a small sample. If we can round up the images of some of the others there may be a part two.

Do you have a favorite piece of gear that you regret selling (or heaven forbid, gave away)? Let us know. Thanks

Chris and Carol ^.^

I See Red – Fujica DL-20

Pretty little Fujica DL-20 from 1983.

The world’s first 35mm drop-in loading camera! Simply load your Fujifilm cartridge into the opening on the bottom, close the back – and your Fujica will do the rest!

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Features a Fujinon 38mm f/4 lens with built-in lens and viewfinder cover.

Released in March 1983 in Japan, it was also known as the ‘Auto Mate’. 

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Original list price in Japan was 30,000 JPY.

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Shutter fires from 1/100 to 1/300 of a second.

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Also released at the same time the more feature packed DL-100 (Auto Ace).

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Solid little thing! Thick plastic everywhere and a bright red finish too!

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Manually set ISO settings (100 & 400). 3 zone focusing. Auto exposure (EE).

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Built-in electronic flash.

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Push the film cartridge into the opening on the camera’s left side with about 5 cm of film extended – close the back and it auto loads the film.

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Cute centerfold art… love the image on the far right!

Weighs in at 300 g. Fits nicely in your hand (although a bit small for me) and fits in a coat pocket with ease. A simple, compact 35mm point and shoot camera from Fuji Photo Film.

We don’t know if we’re going to shoot the Acros first or load up some bright Fujicolor. Soon we hope!

Camera: Fujifilm FinePix S9900W

Thanks for stopping by!

Chris

 

Fuji Discovery 900 Zoom Plus – 1991

From the Fuji Photo Film Company, Limited, Tokyo.

Actually quite a sophisticated 35mm compact autofocus camera from the early 1990s – during the compact camera war period where each manufacturer was trying to cram as many features into as small a package as they could. In the case of this Fuji, it came pretty close to having everything except the compact part.

Which in the case of this camera, is a very good thing in our opinion. It has a wonderful feel to it – it has some heft (362 g without battery and film) and fits nicely into your grip. It’s plastic but with a host of motors and what not the weight goes up which helps to hold it steady when taking a picture.

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It was packaged in a descriptive and colorful box that included a roll of Fujicolor film, a lithium battery (which was still working after 24 years!), a padded strap and a series of 3 HG Creative Exposure cards for exposure compensation. The film expired in May 1994.

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We think it’s one of the better designed compact 35s of that era – beautiful lines and a quality fit and finishes. It was made in Japan – and it appears that it was also assembled there as well. The June issue of Popular Photography has it listed as $299.95 as the manufacturer’s suggested retail price! I believe that gives some clue as to the design that Fuji put into this nice update to their Discovery 900.

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The Discovery comes with a Fujinon 38-85mm power zoom lens (f/3.8 – 8.2) and uses a 3 zone multi-beam autofocus system. Focuses close-up to 29.5 inches and the AF focuses from .75 meter to infinity.

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The Fujinon lens consists of 7 components, 7 elements. The programmed electronic shutter operates from 1/8 to 1/250 second.

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The top view is simple and uncluttered. The HG card slot is in the center (where a hot shoe would be). It has a sequential self-timer and the power zoom buttons are on the far right. It also features drop-in film loading and uses DX coding with ISO 50, 100, 200, 400, 800, and 1600 DX-coded films.

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This camera was a presentation camera to the employees (?) of the plant – or maybe the plant only got one. It is in mint never used condition so I’m guessing it never took pictures of their cement pipes at the plant. Our first thought was to remove the plaque, but it is well designed and affixed properly so it’s best to leave it be. Besides, it helps to date the camera and that’s okay with us.

The little Pac Man looking symbol and slide lever opens and closes the lens cover and activates the camera. The landscape button on the left helps the AF system to fix a distant focus at infinity or at least takes an average focus from the scene. We love the centered viewfinder – it provides a nice bright view of the composition.

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The Fuji Discovery 900 Zoom Plus 35mm camera.

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The Fuji Discovery 90 Date – a smaller and less feature-packed cousin to the 900.

We think Fuji did well with this sophisticated camera and can’t wait for a field test! Soon!

Thanks for your visit.

Camera: Fujifilm FinePix S9900W

Chris

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