Studio Sunday – Fujifilm X-Series

We recently found a slightly used Fujifilm X-A10 mirrorless camera with the APS-C sensor (without lens) on eBay for a very good price. Our goal was to use it, with an adapter, with some of our vintage Canon FD lenses in the studio. 

We couldn’t be happier with the results – the adapter (FotodioX PRO) is solidly built and fits both the Canon lenses and the Fuji body nicely.


Our favorite lens in the studio at the moment is our Canon FD 24mm f2.8 SSC lens that we purchased in Japan in 1978. It is our “go-to” lens for film photography and it stands to reason that it would work out in the studio as well. With the APS-C sensor on the Fujifilm X-A10, the 24mm focal length is a 36mm equivalent so we get the nice wide view close-up we love.





In the two images above, the difference in the depth-of-field between f16 and f2.8 is dramatic – in the lower image the DOF is about 2 inches! The front of the lens is in sharp focus while the camera body is out of focus. Focussing is critical.




The Yashica is the rather rare (outside of Japan) model A-III in gray on gray from 1959.

If you can find the X-A10 (body only) it makes the perfect poor man’s mirrorless set-up. 16.3 MP and the APS-C sensor is well suited for general photography and works extremely well in the studio.

Thanks for your visit and Happy SUNday y’all.


Yashica FR II by Camera Go Camera!

I have been exchanging emails with the owner of a great website about Yashicas. As I live in Japan I sometimes see hard to find models and have sent him a few. He wanted to do something in return, so I suggested he send me a camera in return. He did, and this is the […]

via Yashica FR II — Camera Go Camera

A must visit blog with great camera reviews and excellent photography! Check out her wonderful posts! Chris ^.^

Canon FD 24mm f2.8 and the Fujifilm X-A10


Canon A-1 from 1980

The Fujifilm X-A10 with the FotodioX Pro adapter mated with our Canon FD 24mm f2.8 wide angle lens. Makes a nice 36mm on the APS-C sensor.


Yashica A-III from 1959

The Fujifilm X-A10 mirrorless camera body is performing well under studio conditions. The Canon FD 24mm (36mm) handled these two classics very well. Just the right amount of view and fantastic depth-of-field.


Seen here with the Canon FD 50mm f3.5 macro lens.

We highly recommend this set-up if you’re wanting to experience the Fujifilm X-series cameras and their APS-C sensors and Fujicolor film simulation modes.

Chris & Carol

Studio Fun – Fujifilm X-A10 and Canon FD 50mm Macro Lens (75mm APS-C Sensor)

Still playing with our new addition. Our slightly used Fujifilm X-A10 (16.3MP) mirrorless camera mated with one of our favorite Canon lenses – Canon FD 50mm f3.5 macro lens.

It was the most inexpensive way to get one of Fujifilm’s X series bodies and to make use of our collection of Canon FD lenses from the late 1970s and early 1980s.


f8 ISO 1000


f5.6 ISO 800

Shallow depth-of-field at f5.6 (above). At f32 almost the entire spool is in focus (greater depth-of-field) below.


f32 ISO 1000

The Canon FD 50mm lens 35mm equivalent is 75mm on the APS-C sensor.


The camera… $189, adapter… $59.95, lens $75


f8 ISO 800

Shot with Fujifilm film simulation mode Velvia Vivid. Little to no post production. We’re happy campers (and photogs)!

Chris and Carol ^.^


Fujifilm X-A10 and Canon

We’ve been wanting to get our hands on one of the Fuji X series mirrorless cameras for some time now. We enjoy our Fuji S9900W bridge camera very much – we use it almost exclusively as our studio camera.

We have so many classic film lenses in our collection that we never get a chance to use them. The first adapter we decided on was the Canon FD to Fujifilm X mount.

We choose the Fujifilm X-A10 body. It’s simple (inexpensive) and has the APS-C CMOS sensor and since we’ll be shooting with an adapter with manual focus lenses, we’ll shoot in aperture priority mode anyway. No need for all the other bells and whistles.

The Fuji X-A10 has 6 film simulation modes – PROVIA, Velvia, ASTIA, Classic Chrome, monochrome and sepia. My only wish was that it had ACROS.


The adapter we choose is the Fotodiox Pro (B&H $59.50 free S&H). It has a removable tripod mount which we like. Well built and it feels solid – mounts easily and securely.


This Canon Macro Lens FD 50mm is one of our favorite lenses for macro work. Below are a few sample shots.




16.3MP, APS-C CMOS sensor and under $200 lightly used. Great way to experience Fujifilm X Series cameras.


Studio Camera: Fujifilm FinePix S9900W


Yashica Penta J and the J-P

Yashica’s first 35mm single-lens reflex camera with the Praktica-thread (M42) mount lenses was the Yashica Penta J… at least here in the United States and in Japan. Elsewhere (most of the world) the camera was known as either the Yashica Reflex 35 or Reflex J (Australia and possibly the U.K.). As best we can tell, they were all the same cameras with different top plates to accommodate the different names (logos).

Part of the demise (lack of sales success) of the well-built Pentamatic series of cameras that preceded the Penta J, was that Yashica decided to go with a Pentamatic exclusive bayonet mount lens system. Sturdy and well designed to be sure, but being unique limited the available lenses that could be swapped between cameras. The Praktica design M42 screw thread mounting system was in widespread use at the time and Yashica’s bayonet design just went against the flow.





Now fast forward to 1965 ish… Yashica introduces the new J-5 AND the J-P! In between those years Yashica had introduced the J-3 and J-4. Why would Yashica go back in time and bring out another 35mm SLR in 1965 that was the cousin to the 1961 Penta J? Notice we say cousins… not brothers. They shared the same platform with one another but as you can see in the image below the top plates were of a different design.





Yashica J-P 6-27-15 Papers

Stay tuned… more to come on these Yashica classics.

Many thanks, Chris and Carol