Fujifilm Klasse

Fujifilm Klasse Sales Brochure

Beautiful all original sales brochure from Fujifilm (dated April 2012). This large brochure (about 21 x 30cm) is in full color and opens to a large centerfold. Packed with tons of information and features the specs direct from Fujifilm. It’s in mint new condition. Perfect for your reference collection. Mails worldwide. Ask for a shipping quote. Mails to the USA for $6.75 via USPS Priority Mail.

$20.00

 

A beautiful “wish we had” camera from Fujifilm. 

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Thanks for looking!

Chris

Newest Pentamatic – another fine Yashica joins the family.

A recently acquired Yashica Pentamatic for our collection. This one came to us from a fellow collector here in the southeast US.

This one includes the Auto Yashinon 5.5c f/1.8 lens that puts the lens as a very late production model (maybe mid 1961). Here’s a chance to check out our Pentamatic from many angles.

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The angled shutter release button is in a perfect position for maintaining a solid grip on this heavy body while releasing the shutter.

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The lens serial number, No. 60521000 is unique in the fact that it’s a whole number (21000).

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The cold shoe is mounted on the camera’s left side top plate. Actually a very good spot for it.

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This unique lever controls the rewind knob which pops up from under the cold shoe (it moves from the “A” position).

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The body serial number, NO. 126013189 decodes to: 12 = December, 60 = 1960, 13189 = 13,189th made since December of 1959.

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The lever is now in the “O” position which allows the back to be unlocked.

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Pulling up the rewind knob completes the opening.

Our love affair with this fine camera continues. We just can’t get over the clean lines and excellent design.

If you want to acquire a nice Pentamatic for your own collection, they come up occasionally on US online auction sites and infrequently on auction sites in Japan. Nice examples can be had for under $50. Super nice examples will go closer to $100 with some guarantee of functionality from the seller.

Yashica Half 17 – Classic mid 1960s design

Many thanks to our friend and fellow blogger Peggy at Camera Go Camera for sending us this wonderful classic Yashica. It needs a little work on the slower shutter speeds but it’s super clean and a fun sized camera to boot. We look forward to running a roll through it soon.

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Being a half frame 35mm camera means that you can get up to 72 exposures from a standard 36 exposure film cartridge!

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One of the more unique and modern looking Yashica logos. We like it better than the western style font that Yashica used for years.

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Certainly a nice camera to add any collection of 1960s 35mm cameras. It has such smooth lines and an exceptionally nice finish to the satin chrome.

Studio Camera: Fujifilm FinePix S9900W

Chris

Nicca 3-S… Quality Rangefinder from 1955

A beautiful example of a mid 1950s 35mm rangefinder camera – made by Nicca Camera Company, Ltd.DSCF5405

Mated with a sharp Nippon Kogaku Nikkor f/ 2, 5cm lens.

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Main shutter speeds of 1/25 to 1/500th of a second.

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Added bonus on this Nicca – marked <E.P> for exempt purchase. Normally marked for purchases made at military facilities and duty free shops.

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Nicca cameras were considered to be well made cameras during the 1950s. This example is at least 62 years old and the fit and finish is almost flawless. Nicca was acquired by Yashica in 1958 and the merger of the two companies helped Yashica to design and release their first 35mm single lens reflex camera in 1960 – the Yashica Pentamatic.

Studio Camera: Fujifilm FinePix S9900W

Chris

Yashica Pentamatic II at a recent auction.

If you’ve been following our blog about the Yashica Pentamatic II, then you know that it had one of the shorter production runs of any 35mm Yashica SLR camera. Released in September of 1960 – only a few months after the original Pentamatic went on sale in May of 1960, the model II was replaced by the Pentamatic S by January 1961.

So few of these come up at auction that’s it difficult for a collector to find a good example of one to bid on. This Pentamatic II (pictured below), just sold on an online auction for ¥8,500 with fairly robust bidding activity. While that’s not an extremely high final sales figure, it was rather high in our opinion for a camera that may not be functional with a lens that may have some issues (fungus, mold). Having said that, given just how rare the Pentamatic II is, it is certainly undervalued by some collectors. The camera set looks to be in good condition overall – no major issues seen with the body and it looks complete.

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The serial number (NO. 96001891) would indicate that this body was made in September 1960, and that it was number 1,891 in the production run. For one month that is actually a high amount produced compared to the monthly totals of the original Pentamatic. We will point out that the only change that we’ve been able to find between the two models is that the model II uses a different standard lens – 5.8cm, f/ 1.7 Auto-Yashinon vice the original’s 5.5cm, f/ 1.8 A-Y lens.

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So there you have it – a Pentamatic II with the correct lens, strap and a genuine Yashica filter sold for around $80. You should expect to pay in the vicinity of $100 for a clean version with certified working shutter.

Thanks for your visit and as always, happy hunting!

Chris

Pentamatic vs. Pentamatic S – Yashica’s Heavyweights

The Pentamatic was Yashica’s first single-lens reflex (SLR) and was released in 1960 (May-June) timeframe. The Pentamatic S was released about mid to late 1961. Not much changed between the two – the S model added a built-in self-timer and most notably, a provision for mounting an exposure meter to the top right of the camera that coupled with the shutter speed dial. Other small changes were to add lugs for holding the neck strap (moving them from the extreme right and left sides of the body on the Pentamatic to a more typical front mounting on the S). Unseen from the exterior is a change to the focusing screen inside the pentaprism. The original fresnel screen in the Pentamatic was replaced with a split image screen in the model S. For me, that change makes the Pentamatic S much easier to focus and improves the brightness inside the viewfinder.

A look at both models shows these changes and the tiny bit of extra weight that the S carries over the original Pentamatic.

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At 978 grams, the original Pentamatic is anything but a lightweight. (2.16 lbs)

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At 1,004 grams, the S shows the slight weight increase from the changes made between the two models. (2.21 lbs)

Both cameras are photographed with the same lens attached – Auto Yashinon 5.5cm f1.8 lens which was the standard lens that came with both models. Only the Pentamatic II (released in September 1960) came with a different lens. (5.8cm f1.7)

Compared to other SLRs from the same time period, the Pentamatic was a bit of a beast to tote around. The buying public never embraced these wonderful cameras and they ended their production run in less than 2 years.

Finding good looking (and still working) Pentamatics is a challenge for any collector with the Pentamatic II being especially difficult to find in any condition.

Of note, if you have an Asahi Pentax, Nikon F or Canoflex camera with the standard lenses from the late 1950s or early 1960s, we would love for you to let us know what their combined weight is. We could be way off in our assumption that the Pentamatic was significantly heavier than the other cameras of that era. Thanks!

Studio Camera: Fujifilm FinePix S9900W

Chris

FIFA World Cup 1986 Canon T50

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Probably not many of these floating around in the U.S. – this was in our collection of ‘all things Canon’ for awhile but has since moved on to another collector. We thought it deserved a spot on the blog if only because few people know of its existence.

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The Canon T50 is one of the simplest cameras (35mm SLR) that Canon ever produced. It accepted all Canon FD lenses, took 2 AA batteries, had a power winder built-in and had programmed automation!

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Cool logo!

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Simple Simon! Shutter button, function dial, hot shoe and rewind lever.

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Nice bright graphics!

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Bold hand grip and clean design.

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If you want a simple, and we mean simple, 35mm SLR film camera to play around with, then the T50 and its cousin the T70 are just the ticket. Both take all of Canon’s FD lenses – and that’s worth the price of admission any day!

Camera: Sony Cyber-shot W170

Chris