Tag 35mm SLR

Yashica Pentamatic S – Phase 1

Chris and Carol 2 Comments

A long neglected (not by us) Yashica Pentamatic S is getting a much needed restoration and some re-imagineering  by us as a top-level professional SLR.

A few peeks before the color coats get applied. Stripped of its hardware and sanded to slickness – 2000 grit sandpaper – she’s ready to shine again!

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We love the hints of brass that are showing through the factory silver finish after the wet sanding. The Pentamatic family of SLRs have one of the sharpest looking pentaprisms around. Without a clunky accessory shoe on the top of the finder, the Pentamatics have a clean, modern design. This one is from early in the production run in 1961. It’s number 237 off the assembly line at the Yashica campus in Suwa, Nagano Prefecture.

Stay with us as we will post updates along the way!

Camera: Fujifilm FinePix S9900W

Thanks, Chris and Carol Photography

 

Yashica ‘Sailor Boy’ & Friends

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Yashica’s three finest cameras in black. The J-3 was the first truly modern 35mm SLR from Yashica and it was their first SLR to be made in pro-black with matching black lens. Only a small amount of the J-3s were black – most were the traditional silver top and black leatherette body. On the far right is the most successful SLR Yashica ever made. Fully loaded with electronic everything, all commanded by its ‘IC’ brain. The next step on the evolutionary ladder is the TL Electro X ‘ITS’ (center). A mostly marketing idea, the ITS was essentially the same camera as the TL Electro X with the added gold ‘Electron’ symbol on the front of the pentaprism and the stylized ITS emblazoned  on the camera’s left front (not seen here but can be seen below). The marketing folks at Yashica never said what the ‘ITS’ stood for (if anything). Our best guess is ‘Integrated Technology System’. Some say ‘Interval Timed Shutter’ as the shutter was electronically controlled and could fire at any speed. Later the Contax-Yashica ‘RTS’ was introduced and it was advertised as ‘Real Time System’ whatever the heck that meant.

We’ve used all three, and the TL Electro X with the white stylized ‘Y’ on the pentaprism is our favorite. It just feels perfect in your hand and the electronic over and under (exposure) arrows in red are easily visible in the viewfinder.

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By the way, the advertising icon (Yashica Sailor Boy) was never given a proper name by Yashica. He made his debut in 1962 and still could be found kicking around in sales brochures and ads into the late 1960s. This guy is the 20cm (10 inch) dealer display model and he was in his sealed bag and box from Modern Plastics of Japan when we acquired him. He comes in about 3 other sizes and different styles and colors.

Thanks for stopping by!

Chris ^.^

Pentamatic in ‘Explore’

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This simple studio shot made it to Flickr’s ‘Explore’ group recently. It may be the first and only Pentamatic in ‘Explore’.

Natural window light on an overcast Florida afternoon. Camera used? Samsung Galaxy 4S. No post production by me but the Galaxy may have been on HDR. Sometimes simple is better.

Yashica Pentamatic 35mm single-lens reflex from early 1960.

Chris

Florence… 1986

Chris and Carol 7 Comments
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Nothing says Florence like the Cathedral of Florence. Canon F-1 with FD 24mm f/2.8 lens on Kodak Kodachrome 25.

In presenting a short series of images of Florence (one of the most beautiful of all cities in Italy), it’s a tough call on which images to include. In Pisa, it has to be the most famous bell tower in the world. I imagine for Rome I would choose the Coliseum – Colosseum or the Vatican. Since there’s so much beauty, history, art and architecture at every turn in Florence it’s nearly impossible to choose the one to use first. My visit to the Tuscony Region was in late October 1986 – the weather was perfect and the visibility was awesome!

My camera was the Canon F-1 (1978 version) with three lenses to use: FD 24mm f/2.8, FD 80-200mm f/4 zoom and the normal FD 55mm f/1.4. Since sunlight would be in abundance, Kodak’s Kodachrome 25 fit perfectly with the days shooting plan (no interiors in the plans).

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Vista view to the north… FD 24mm while hanging the camera over the side of the railing (wobbly pieces of metal) loosely attached to 600 year old stone.

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The Duomo with its instantly identifiable tiled dome. FD 80-200mm at about 150mm

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FD 200mm braced on the railing.

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Back to earth… Canon FD 24mm wide angle lens at f/22

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More FD 24mm… my go to lens in the tight quarters of a city. It’s not easy to get all three in the same image.

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The Canon’s light meter (spot) handled this tricky exposure well. Yep, FD 24mm lens.

Of course what would a visit to any city be without the required “People and Pigeon” shot.

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Happy people and happy pigeons.

This of course is only a very small sample of what’s available in and around Florence and the Tuscany Region. I had only one short afternoon to visit so I was lucky to see as much as I did. The old “someday” I hope to travel back and do it right.

Thanks for your visit!

Chris

 

 

Fujica ST701 Part 2… getting closer!

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Definitely on our “to shoot with” list – and in the very near future we will! Now that the atmosphere in Florida has transitioned from nuclear hot to just a pleasant warmth, time to dust off the collection and put them to work.

Here’s a nice ST701 from the Fuji Photo Film Company of Tokyo – no battery for the meter but on a nice sunny day who needs one! Seals are a bit of a mess so we’ll keep the bottom half of the case on for a little extra light tight security.

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Our ST701 from 1971. About to get some field testing.

We’ve heard good things about the Fujinon 55mm – of course the fact that it’s a M42 mount helps too. Since we’re such big fans of everything Yashica, we naturally collect Fujifilm too because of the M42 connection. My very humble digital camera is a Fujifilm FinePix S9900W – it’s not going to blow the socks off the big boys but with 16 mp and a killer long-ass zoom it does pretty well.

Another Fuji friend is our Instax Wide 300 instant camera. We occasionally enjoy a instant picture or two and we choose the Wide 300 for the extra image size over the credit card sized mini format. We’re waiting to see if Fujifilm will bring out some black and white Instax film for the Wide 300 especially since the B&W Instax mini format has been so well received.

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Fujifilm Instax Wide 300. Lots of plastic but it gets the job done.

I’m (Chris) still spinning my wheels a bit with close-ups with the Wide 300 – so far the Fuji is 0 for 4 in that department. I’ll have to start using the close-up attachment and see what happens. The autofocus for close-ups needs full sun otherwise it defaults to what looks like infinity. I’ll get it.

Off to use some film…  ^.^

Thanks for your visit! C&C

Pentamatic S and friends…

Chris and Carol 4 Comments

We’ve recently found a nice looking friend for our collection… well, friends. Like almost all collections, ours doesn’t need more friends – more space maybe, but no new friends. This flash came as an accessory to a recent purchase of a Yashica twin-lens reflex camera (from 1956). After a quick cleaning we attached it to our S to see how they would look together – smashing we think! The Kodak Kodachrome is from 1959 and adds a nice touch to the set up. We’ve always loved the bright yellow and red metal film cans from Kodak.

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We put our Pentamatic S, from early 1961 or so, and the Zeiss Ikon Ikoblitz 4 (late 1950s?) together. Sadly the flash takes a now defunct battery and has a capacitor so not much we can do except enjoy the view.

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They make for a handsome display. All are age appropriate too.

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With the flash tucked away in its hard plastic shell it takes on an interesting look.

Hope you enjoyed your visit and if you care to, please leave a comment or suggestion for us. Of course if you know more about the Zeiss Ikon flash or want to contribute something about the Pentamatic, please do so!

Many thanks again… Chris and Carol

You can find us on flickr at https://www.flickr.com/photos/127540935@N08/

Yashica’s Little Gems

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Pentamatic’35’ and J-3.

They couldn’t be more different – the Yashica Pentamatic was Yashica’s first 35mm single-lens reflex (SLR) camera and the J-3 was Yashica’s first SLR with a built-in exposure meter. In this example, the black J-3 was Yashica’s first SLR in what we call ‘Pro-Black’ finish – all black body with matching black lens.

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Lovely little gem from Yashica – the J-3 in Pro-Black. Made in limited quantities and came with the matching black Auto Yashinon lens.

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The Pentamatic’s clean simple lines makes it one of the most attractive cameras of the early 1960s in our opinion.

As was the case during the early 1960s, both cameras would be quickly replaced with upgraded models with more advanced features and a wider array of available lenses. Not all of these changes were for the better… in the case of the Pentamatic, the model II and the model S, the changes did little to attract more buyers as their upgrades were too few and too late.

In the case of the J-3, it was the building block to Yashica’s success throught the mid 1960s and beyond. The ‘J’ series of SLRs, which included the J-5, J-4 and finally the J-7, were respected cameras with excellent optics at a great price which sold in the ten’s of thousands. Quantity meant that Yashica could afford to advance its technology and deliver some groundbreaking SLRs by 1968 and beyond.

As always, thanks for your visit and your comments are appreciated. To see more about Yashica, stop by our flickr page at https://www.flickr.com/photos/127540935@N08/

 

Chris and Carol Photography

Our ヤシカ Pentamatic Family…

Chris and Carol 1 Comment

We were finally able to get the Pentamatics together for a photoshoot. These cameras range from a March 1960 build date to January of 1961. The lenses are made by Tomioka Optical of Tokyo for Yashica. The lower left camera has both the Super Yashinon-R name and Yashica Tominon (kinda rare). The other three are Auto Yashinons, f/ 1.8, 5.5cm normal lenses that were supplied with the first Pentamatics.

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Yashica’s first single-lens reflex (SLR) cameras.

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No changes were made to the original Pentamatic ’35’ through its production run. Small (slight) changes were made with the introduction of the Pentamatic II which made its way to dealer’s shelves in the Fall of 1960. The Pentamatic II was never strongly advertised – as late as 1962, large camera dealers were still advertising the original Pentamatic.

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1958 Kodak Kodachrome film in our 1961 Pentamatic.

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The January 1961 Pentamatic from Arizona is getting (already completed) a ‘new’ baseplate to replace the engraved one (with Arizona driver’s license number). The first owner purchased it in June of 1962 and promptly engraved his DL number. Oh well… that was the norm back then. We’ve seen  cameras with Social Security numbers  engraved!

Please check out our more detailed posts about this uncommon camera from Yashica.

Thanks so much for the visit! C & C