Fujifilm GF670 Professional

Fujifilm GF670 Sales Brochure

Super hard to find sales brochure from Fujifilm for the popular and desirable GF670 Professional 6x6 / 6x7 medium format film camera. Full color large format about 21x30 cm. All specs, features and accessories. In mint new condition with only the slightest bend on the lower right cover. Add this beautiful brochure to your photographic collection. Mails to the USA for free! International buyers please request a quote for shipping.

$25.00

One of Fujifilm’s most popular (and expensive) modern film cameras. This rare brochure will enhance any photographic library and make a nice addition to your Fujifilm GF670 collection.

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We have a rather large collection of photographic sales brochures. Let us know if there’s one we can find for you.

Thanks,

Chris

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Yashica-A: Collecting 101*

*Or how to run out of space for it all real quick!

As much as Carol and I would love to go on collecting camera sets, the cameras will eventually win out! Even when we narrow our collecting to let’s say only twin-lens reflex cameras made in the mid 1950s, and only made by Yashima-Yashica, we’d still run out of space and money. There were just too many made (obviously) to be able to collect all the different models and all the different variations. Yashima-Yashica was, by far, the most prolific TLR maker – ever! I believe they finally stopped by 1986 which was long after TLRs fell from favor!

So we’ve reached the point they sing about in that Disney movie – “Let it Go”! 

Collecting Yashima-Yashica cameras is a very satisfying endeavor. We’ve been at it for decades, we know. There’s enough of them around so the choices are plenty – but since Yashicas were built well but built for the masses, they weren’t collected when they were new. Most that are available are well used. They’re still very functional, but well used nonetheless. So if you’re trying to collect complete sets just as they came from the factory, and you want them to work and be in mint (or near mint) condition, good luck! It’s not like collecting Leicas, Nikons, Canons or Rolleis where when you google “nikon mint box” you end up with hundreds to pick from from all across the web. Google “mint yashica box” and you’ll see maybe a dozen of Yashica’s last TLR – the Mat 124G. A great camera but it’s common. The early stuff from Yashima-Yashica, well that’s a whole different ballgame, and that ballgame is fun!

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This one is from 1957,  made by Yashima Optical – the Yashica-A

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Solidly built and well maintained.

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All the factory goodies.

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“Fall out of bed” easy to operate – shoot 6x6cm negatives or color slide film soon after loading it. Great optics, accurate shutter and bright viewing screen.

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Yashimar f/ 3.5, 80mm lenses made by Tomioka Optical.

The Yashica-A is a great medium format camera. Simple to use and produces super sharp, large images that you’ll be amazed came from your hands. Why is the A the best? This one is 6 decades old and works perfectly. Why? Virtually nothing on it to break or jam. Simple winding knob, no self-timer and black yarn light seals that never fail. No built-in light meter (use a phone app) or use a vintage hand held meter or guess at the exposure or learn the “Sunny-16” rule. You almost have to try to make a bad image with a camera like this. Worried about the reversed image in the viewing hood? You’ll get over it quickly and you’ll soon love composing and shooting in the square format (6 x 6).

This model A (remember, “Let it Go”) is available for purchase. If you have an interest, contact us at chriscarol@ccstudio2380.com or visit us at http://www.ccstudio2380.com

If there’s something that you’re looking for maybe we have it or can find one for you. You never know!

Thanks for stopping by!

Studio Camera: Fujifilm FinePix S9900W

Chris

 

 

Yashica Flex AS-II by Yashima Optical

One of the original group of 6 cameras that Yashica (Yashima Optical Industries Company, Ltd.) made in the early to mid 1950s. This AS-II was introduced in 1954 and featured a built-in (well, attached) light meter. They’re solid cameras these early Yashica TLRs, and in our opinion, had some underrated features as well as great lenses. The light meter was made by Sekonic by the way.

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Yashica Flex AS-II with built-in light meter (just visible on the camera’s left side). The light meter’s cells were located under the nameplate and were exposed by lifting up the nameplate flap.

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The AS-II featured Yashimar lenses that were made by Tomioka Optical for Yashica. A Copal shutter with a blazing fast 1/200 top speed!

If you’re in the market for a vintage Yashica TLR then the AS-II should be on your list. Be advised that most will not have a working light meter – if you get one with one it’s a bonus. They are a bit hard to find – 63 year old cameras don’t often look this good or work perfectly. We were lucky as we were able to purchase this one from a collector in the US for a reasonable price.

Taken on the US Post Office steps in downtown Fernandina Beach, Florida. The post office dates to 1911.

Camera: Samsung Galaxy S4

Chris

Yashica EM TLR test roll – 2011

Some recently found images from a roll of Kodak E100VS Ektachrome Professional color slide film taken with my Yashica EM. Shot and processed around 2011 or so. Scanned (today) with my Canon CanoScan 9000F Mark II scanner.

I normally shoot Fujicolor PRO400H color negative film and Acros 100 black & white… I can see why. I wasn’t happy with these images when I first saw them and that’s why I probably just chucked them in a drawer.

My post production (no PS or LR) after the scans helped some but the color was way off. In fairness, it could have been the processing as I used a basic online company vice ‘The Darkroom’.

The transparencies weren’t cut properly by the lab so some of the square images are not square. I don’t crop my 6x6cm images after scanning as they’re meant to be square (adds to the composition challenge in the viewing hood).

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Amelia Island’s courthouse.

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Clock Tower

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My father-in-laws motor home.

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Front yard river birch planted from a 1 gallon pot 15 years ago.

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Backyard dry streambed with maidenhair ferns.

All of the images were exposed using the Yashica’s exposure meter. Since slide film has a narrow exposure latitude, it was a good test of the Yashica’s nearly 50 year old built-in meter.

Yashica-Mat 120 Film Camera Set – 1960

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Pretty close to the way it looked when it was unboxed back in 1960. This one was part of a short production run of only a handful of cameras. It was for sale at US Military Exchanges (stores) in Japan as it is marked *EP* which meant an exempt purchase. No taxes paid but it could not be purchased or sold on the Japanese domestic market.

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It was Yashica’s first crank film advance TLR and it also featured auto cocking of the shutter. First released in April 1957.

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The quality of the images taken with a Yashica-Mat are outstanding – Yashica used high-quality Yashinon f/ 3.5 80mm lenses made for them by Tomioka Optical of Tokyo.

They are a joy to use and it’s a great camera to get into medium format photography with. It produces large 6 x 6 cm negatives or slides.

Thanks for your visit! Please visit our camera shop for some interesting vintage photo gear at http://www.ccstudio2380.com

Chris and Carol  ^.^

1957 Yashica-C

The Yashica-C made by Yashima, was part of the new wave of Yashicas that were released in late 1956 for sale in the world markets (focus scale is only in feet). It was listed at $46.50 plus $8.00 for the “De Luxe Leather Eveready Case”. The other models released at the same time were the Yashica-A ($29.95) and the Yashica LM ($59.95) which featured a built-in exposure meter!

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This handsome camera came to us recently with all features fully working – even after six decades of use, no issues. Our guess would be this camera saw maybe 1 or 2 rolls of film in its life. It is in factory new condition.

Features: Semi-automatic film wind, 80mm Yashikor f: 3.5 taking and viewing lenses (hard coated and color corrected), Copal shutter with speeds at 1, 1/2, 1/5, 1/10, 1/25, 1/50, 1/100, 1/300 second and Bulb, self-timer, flash sync (M-x) built-in, bayonet lens mount and flash gun shoe with standard PC flash terminal.

If you’re looking to try medium format photography, the Yashica-C is a great camera and a great value. It can often be had for significantly less money then a Yashica-D.

A word of caution about 6 decade old TLRs. Corrosion of the black metal parts is common as is fungus and mold in and on the lenses. If the camera you’re interested in shows some exterior rust (and other forms of corrosion), then ask the seller a bunch of questions. Cameras like these that come from humid environments are often left in their organic leather cases (and in the dark) – fertile grounds for growing mold and fungus. Fungus filaments can completely destroy a lens or at the very least, etch parts of the coating for good.

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All the goodies!

On a more happy note – this beauty has no mold or fungus and was purchased from a seller in Michigan. Probably a one owner camera – it came with a roll of Kodak Tri-X film loaded inside (at least from the mid 1960s).

Studio Camera: Fujifilm FinePix S9900W

Thanks for your visit and comments are always welcome. C&C ^.^

New Arrival – Fuji Photo Film Fujipet!

Another new (to us) Fujipet has arrived! This one is in gray and came with its original gray leather Pet case. It’s hard to tell exactly when this one was made – guessing it’s a 1959 or 1960 version.

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We just love all the quirky knobs and numbered levers – sweeping curves and that crazy viewfinder.

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A true medium format 6x6cm film camera – as simple to use as falling out of bed. Takes 12 exposures on 120 roll film.

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Simple and then simple some more.

The Fabulous Fuji Foto Photo Film Fujipet!

Thanks for your visit!

C&C ^.^

Yashima Yashicaflex A-II

Our Yashicaflex A-II is headed for the finish line – soon! These images were from day one and day 100 (just kidding about the 100). There have been so many issues to deal with restoring this 63 year old camera that it’s been a slow go. While this restoration has been an ongoing process for us, we’ve used some of our time to address some of the other cameras in our collection that needed only small repairs and a good cleaning.

Day one is pictured below. After prying the camera from its leather case (literally), the rust and corrosion were widespread and had eaten deep into the metal. Dirt everywhere! But the camera functioned! Glass was mold and fungus free but dirty and the shutter was accurate.

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The die cast aluminum body and back door were corroded big time. The thin metal parts were rusty and pitted. The leatherette was dry and brittle with many missing pieces.

Below the same area after 3 coats of etching primer and filler putty to “replace” the missing aluminum due to the depth of the corrosion.

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By this point some of the final finish coats of primer and filler could be applied. Lots of sanding between coats. At least the corrosion was gone and something of a finish could be imagined.

The camera will be re-imagined and restored. Since it’s not a rare Yashica model, Carol and I feel free to express some creativity in the re-build. Stay with us as I believe we’ll be able to have the finished product ready to show by early spring. The Yashima Yashicaflex A-II ‘Sakura’.

Thanks for your visit!

Chris and Carol