Our beautiful daughter is 30! A very Happy Birthday, Lindsay!

A University of Florida (UF), College of Fine Arts graduate – May 2012 – Gator Girl!!!

Self-portrait – 2009

Youth soccer – 2003
LOVE her!
Mom and Dad
Our beautiful daughter is 30! A very Happy Birthday, Lindsay!

A University of Florida (UF), College of Fine Arts graduate – May 2012 – Gator Girl!!!

Self-portrait – 2009

Youth soccer – 2003
LOVE her!
Mom and Dad
Ah yes, I bet almost everyone has seen one or both of these classics at some point in their lives. These were part of an earlier collection we had of vintage Polaroid and Kodak cameras.




Have a beautiful day y’all!
Thanks for stopping by and be sure to visit our camera store at http://www.ccstudio2380.com
Chris
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.
Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.
The azaleas in my backyard have bloomed and although I don’t recall exactly what color these are, they sure are colorful!



Camera: Samsung Galaxy S8+ / with and without fill-in flash / overcast day / no post production (well just a smidge)
Thanks for stopping by! – Chris
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.
Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.
Just a quick post to share with you what Yashica’s last TLR box design looked like. After a long run that lasted from 1953 to 1986, this was the end of the road for Yashica (thanks to new owners the Kyocera Corporation).




Here is the earliest box in my collection – from 1954

Back when Yashica was Yashima Kogaku Seiki Co., Ltd.
Kyocera purchased Yashica on a dark day in 1983. This box obviously is from very near the end of the run for the Mat 124G and puts it post-takeover. By serial number, I estimate that my 124G (SN224XXX) puts my camera at being made in 1985.
This is likely the last version of the instruction booklet for the 124G.

This one is dated 8506 (Jun 1985) 3rd printing. Notice that Yashica is now just a division of Kyocera and they were forced from their longtime head office in Shibuya-ku, Tokyo.
OK, enough Yashica trivia for one day! Thanks for sticking around! – Chris
BTW, I’ve listed a few more new items in my camera shop at http://www.ccstudio2380.com – see you there!
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.
Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Dressed to the nines!
Unknown people to me but they were friends of my mom. I’m guessing around 1937, 1938 or 1939. Somewhere in New York City probably Manhattan.
Camera: Kodak Senior Six-20
Photographer: Mary Kusnier
Thanks for stopping by! – Chris
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.
Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.
I’ve owned more than a few of these over the years – some worked flawlessly and more than a few had shutter lock-up problems. They accept M42 screw-in lenses (just like my Yashicas) and I certainly have plenty of lenses to choose from but there’s something about the Asahi Pentax SLRs that keeps me moving on from them.
I think they look great, they generally feel good in my hand, and people swear by them. So why do I keep hunting for them only to sell them off after a short while? I usually sell them for just about what I paid for them so it’s certainly not the profit angle.

I think I know deep down what the reason is… I don’t need to start an Asahi Pentax collection and add to my already bursting at the seems camera collection. I’m not getting any younger so I should be selling, not buying!
Here are a few others that I no longer own –



This one was still mint in its original box but I still let it go.

A great camera that took giant negatives – I shot one roll and put it away. I sold this one about four years ago (it was so nice I was afraid to ding it).

So when I’m bored I peek and poke around the Asahi Pentax aisles of my favorite auction sites – maybe I’ll stumble on a keeper one of these days, or maybe not.

Thanks for stopping by! – Chris
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.
Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.
Back in May of 2012 – one of my favorite pics with Tim.

Hard to believe he’s 24 now – how time flies!
Chris

On display at the Fernandina Beach Municipal Airport courtesy of the American Military Historical Society.

And then there’s this –

And this –

For more from this event check out my post here.
Pretty cool stuff! Thanks for stopping by! Be sure to stop by my camera shop at http://www.ccstudio2380.com
Chris
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.
Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.
Think about the cameras that were being marketed in the 1980s – the Canon New F-1N, the Canon T90 and EOS 650, a gem from Nikon like the F3, autofocus and autoexposure 35s from Fujifilm, Canon, Olympus and a host of others. TLRs were dinosaurs in a George Jetson world but there was Yashica plodding away building 124Gs for a world that didn’t need or want them.
To be fair, Yashica was also making some modern cameras too during this period that were very well received building on the successes of their pioneering electronic cameras from the late 1960s and the 1970s. But all was not well for Yashica. 1983 saw the takeover by Kyocera and except for a few surprising winners now and then, Kyocera was not committed to advancing the Yashica brand.
I believe that the Yashica-Mat 124G during this period did not suffer from its association with Kyocera. Early 1980, 1981 and 1982 124s look and feel just as good as the later 124Gs that were made during the later Kyocera years.
The “G” in the 124G indicates that Yashica used gold plated contacts in their electronic CdS light meter connections implying that it was a better way to make a more reliable connection.

With the viewfinder hood closed power to the light meter was shut off conserving battery power. Here the shutter speed is set at 1/250 and the aperture at f16. The red meter needle is deflected to the left.

With the hood opened, the meter is now powered and with the shutter set at 1/30th and the aperture opened up to f3.5 the red meter needle is deflected to the right. The ASA is set a 400.

In my opinion, there’s nothing cheap about the Yashica-Mat 124G. I think it’s actually quite modern looking given that a TLR is far from advanced design and technology. Yes, Yashica switched from using chrome metal trim items in favor of black plastic pieces but have you ever looked closely at Canon’s T90 and EOS 650? Even the F3 uses plastic – done well there’s nothing wrong with it. The weight difference between my venerable mid-1960s Yashica-Mat EM and my 124G is about one ounce.
In summary, if you want to experience medium format photography at its best you can’t go wrong with either a classic from Yashica like the Yashica D, EM or Mat or this modern classic the Yashica-Mat 124G. The Tomioka made optics are sharp, the Copal shutters are accurate and the build quality from Yashica was second to none (millions made).
Thanks for stopping by and be sure to visit my shop at http://www.ccstudio2380.com
Chris
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.
Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.
In 1962 the Yashica marketing guys and gals came up with a cute little fellow to act as a marketing mascot of sorts to promote Yashica’s extensive new line of SLRs and the next generation of 35mm rangefinder cameras. Yashica’s ‘Sailor Boy’ (never officially named) was born courtesy of a design executed by Modern Plastics of Japan.
The ‘Sailor Boy’ appeared in Yashica’s sales brochures and occasionally in a few instruction booklets. Here he’s pictured in an early flyer for the Minimatic-S (1963).

This is the larger dealer display ‘Sailor Boy’ – about 20cm tall.

Here’s the dealer display ‘Sailor Boy’ helping to promote the new (1962) J-3.
Anyway, here’s where the real silliness comes in. When you start to discover all of the different ways that Yashica employed their little mascot it’s a fun challenge to find him on some pretty unlikely things. Here he’s promoting the release of the Electro 35 – the world’s first electronic 35mm camera (1966).

Of course he’d be on a couple of beach bags – he’s Yashica’s ‘Sailor Boy’.

Whether riding a smiling dolphin or dancing in a grass skirt on a remote island, the ‘Sailor Boy’ was always there to remind you to take your non-waterproof Yashica Electro 35 along for the fun!
Thanks for stopping by! – Chris
BTW, there’s some neat new stuff (cameras and gear) over in our shop at http://www.ccstudio2380.com – there’s always a few classic cameras to pick from as well as a nice collection of lenses.
Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.
Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.