Yashima Yashicaflex A-II

Our Yashicaflex A-II is headed for the finish line – soon! These images were from day one and day 100 (just kidding about the 100). There have been so many issues to deal with restoring this 63 year old camera that it’s been a slow go. While this restoration has been an ongoing process for us, we’ve used some of our time to address some of the other cameras in our collection that needed only small repairs and a good cleaning.

Day one is pictured below. After prying the camera from its leather case (literally), the rust and corrosion were widespread and had eaten deep into the metal. Dirt everywhere! But the camera functioned! Glass was mold and fungus free but dirty and the shutter was accurate.

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The die cast aluminum body and back door were corroded big time. The thin metal parts were rusty and pitted. The leatherette was dry and brittle with many missing pieces.

Below the same area after 3 coats of etching primer and filler putty to “replace” the missing aluminum due to the depth of the corrosion.

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By this point some of the final finish coats of primer and filler could be applied. Lots of sanding between coats. At least the corrosion was gone and something of a finish could be imagined.

The camera will be re-imagined and restored. Since it’s not a rare Yashica model, Carol and I feel free to express some creativity in the re-build. Stay with us as I believe we’ll be able to have the finished product ready to show by early spring. The Yashima Yashicaflex A-II ‘Sakura’.

Thanks for your visit!

Chris and Carol

Yashica MF-2 Super… 1986

We don’t often collect modern Yashica cameras – especially during Yashica’s last days after Kyocera (Kill-a-Yashica) took over.

This one was sent to us by a Flickr friend and as you can see, it’s new in the original box. The MF-2 Super is a DX camera which sensed the DX code on the 35mm film canister and set the appropriate ASA / ISO / DIN.

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Yashica MF-2 Super 35mm film camera set from 1986.

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We haven’t found the time to load a roll of film and check out this little beauty… soon we hope. We like the black, red and gold details on the body and lens and the auto everything (almost) features. As a comparison, we also have the Fujica DL-20 as pictured below in the sales brochure.

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DL-20 in black and red.

The DL-20 is a mid-1990s camera from Fujica. We have the red body model and it would be fun to take the two (Yashica MF-2 Super and the Fujica) out for a side by side photo shoot. Sounds like we’re going to be busy in 2018 shooting a bit more film.

Thanks for your visit!

Chris & Carol

Amboseli N.P., Kenya 1979

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Mount Kilimanjaro as seen from Amboseli N.P., Kenya.

After endless weeks and months at sea (Indian Ocean), my U.S. Navy ship arrived in the port city of Mombasa, Kenya for a bit of ‘liberty’. As a Sailor on government pay (1979) there would have been no way I would have been able to go on a photographic safari in Africa – I might have had a better chance at going to the moon. But along with a few of my shipmates we were able to afford (with the Navy’s help), to get out of Mombasa (a good thing) and see sights we might never had the chance to see otherwise. It was November 1979 – just a few days before the attack on the U.S. Embassy in Tehran and more endless days, weeks and months at sea for me and about 25,000 other U.S. Navy Sailors.

I traded one distant horizon at sea for another on land – no contest. I can say that my two days touring Amboseli made up for two months at sea (well almost).

These images are but a few from the dozens that I have still need to scan. The film used was Kodak Kodachrome 25 and 64 shot with my trusty Canon F-1 (1978 version) and Canon’s FD lenses.

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Kilimanjaro from our VW safari bus. Canon FD 80-200mm f/ 4 lens at 200mm and a bit of cropping.

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This image was taken from outside the ‘safety’ of our VW bus. Billions of mosquitoes kept me from wandering too close to this beautiful elephant. 

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Amazing animals… not much more to say.

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The exposure was off a tad but elephants and Kilimanjaro are not an easy capture!

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Maasai tribesmen giving me his ‘best’ hunters pose. He was a pretty funny guy and we hung out for a bit until an elder butted in and wanted in on the action (cigarettes for poses).

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I know I say this almost every time I post travel pics from the ancient days – if you ever get the chance to travel to Kenya and Tanzania on a photo safari then jump on it!

Thanks for your visit!

Chris

Canon F-1

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First version Canon F-1 with its gorgeous chrome nosed FD 50mm f/ 1.4 lens.

Canon F-1 from April 1972. This was the first version of the F-1 and it sports a rather low serial number. We’ve held this one back all these years with just occasional use (mainly in the studio). Our field tested F-1 (not pictured) was acquired new in 1978 (2nd version F-1) and it’s the one that’s traveled the world – getting seriously wet in Hong Kong, Japan and the US- dropped in a photographic safari bus in Kenya – slid off a train seat in Tokyo – and was briefly “lost” in Diego Garcia!

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All original stuff from 1972.

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Note that this super early FD lens does not have the SC or SSC markings on the lens ring.

I started 35mm SLR photography with a Nikonos II and then purchased my first Yashica (TL Electro-X) and then into Canon we went. We need to find some time to take this one out and put that classic glass to good use! Nothing like holding an old friend again.

Thanks for stopping by!

Chris

Fuji Petting with our Fujipet! New Pet Pics Posted…

The goal is to take our 1958 medium format camera from Fuji Photo for a little picture taking. We’ve loaded some fresh Fujifilm Neopan 100 Acros (in days past it was Neopan SS) into the Fujipet and see how it does after 58 years of non use. We’re very curious about the “look” of the images. If you don’t know much about the Fujipet, please take a stroll through our archives for a little catch-up.

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1958 Fuji Photo Fujipet with its new strap. A simple modification to the Canon strap made it perfect for this lightweight Fuji. We have the original vinyl (leather?) strap for the Fuji but it’s still sealed in its original package. No reason to ruin it by using it LOL.

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The Pet as seen on a local legend (Mr. David Yulee).

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Hoping the bright Florida sunshine was just right for our first test of the Pet.

And just how did the Pet perform?

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The entire roll of 12 exposures came out just great! Here’s a sample of some of them. The Pet gave a special look to the images. We had ‘The Darkroom’ print up these four images in their true square format (here they are 5 x 5 inches).

Well as you can see the pictures came back from the outing with the Fujipet. We couldn’t be more thrilled with how they came out! The lens was actually super sharp (all things considered) and the almost 60 year old plastic lens had some nice contrast to it too. We can’t say enough about Neopan 100 Acros – exceptional film!

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If you can get your hands on a Fujipet then do so. There’s almost always one or two listed on the Japanese online auction sites. Be careful though! Japan (like my Florida) is a very humid climate and that can wreck havoc on old metal cameras and plastic lenses. Ask questions of the sellers and look very closely at the images of it. By the way, in 1958 when the Pet’s were selling wildly in Japan, they went for 1950 yen or about just under $6. You’ll pay a little more than that today but a good one can still be found for under $100 and questionable ones for $10 to $20.

Thanks for your visit! Comments are always welcome.

C&C ^.^

Totally Off Track… フジペット

Occasionally we can get off track here on the ‘Fanatic’… well more often than not. Here’s a quick post about a rather rare camera on this side of the world.

The Fujipet!!! フジペット By Fuji Photo Film Co., Ltd.

Some have classified it as a toy camera as it is made very simply with lightweight materials and a plastic lens. In Japan (we believe the only market where it was sold) it was designed for use by children, “adult” women and beginners. At only ¥1950 it was inexpensive even by today’s standards. In our opinion here on the ‘Fanatic’, the Fujipet was no more a toy camera then the extremely simple and very popular Kodak Instamatic series of cameras.

The Fujipet is a true 6 x 6 cm medium format camera using 120 roll film.

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Rare Fujipet set from 1958.

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Shizue is confused! One of these cameras is considered by many to be a toy camera while the other was thought to be a serious camera. Each sold over a million plus units. Each has a plastic lens. The Kodak is mostly a plastic body with some internal metal parts and the Fujipet is plastic and aluminum and actually has a rather substantial feel to it. Of course the Kodak used 126 film in plastic cartridges and the Fuji? Professional 120 roll film producing 6 x 6 cm negatives. Toy?

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Original users manual. Cool Fuji logo.

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The coolest name around!

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Space age viewfinder! Straight from the 1950s!

We will be running a roll of 120 film through soon… stay tuned!

Many thanks, Chris and Carol

Pentamatic II Brochure

We finally have our proof that the original Pentamatic ’35’ and the Pentamatic II were advertised and sold in the Japanese domestic market. This brochure is dated February 1961 which validates the general release date of the model II. We have proof (via advertisements and brochures) that the Pentamatic S was also available for sale in Japan towards late 1961 (September?). By the way, included is this photo stream is a nice aerial view of Yashica’s factory complex in Suwa, Nagano Prefecture.

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