Hinomaruya ひのまるや and Nicca Camera

Nicca camera made one of the better 35 mm rangefinder cameras in the 1950s. The style of camera is typically referred to as a Leica copy or Leica clone which is an unfair label to attach to the cameras of this design. One could argue that all cameras are copies of some previous camera – someone had to be first.

Here’s one of my favorite cameras in my collection – the Nicca 3-S rangefinder from about 1955.

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Seldom seen outside of Japan, here’s a nice lens hood with Nicca branding. It was distributed by Hinomaruya Co., Ltd. of Tokyo, Japan. The hood (or lens shade) was designed to be used with the Nikkor 50 mm f/2 lens and had a mount size of 40.5 mm.

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The attention to even the smallest details is what makes collecting these vintage bits of photo gear interesting and fun. The Yashica branded lens shades from this period look exactly the same so I will assume that the same manufacturer made them all. Could it have been Hinomaruya? No proof that they actually “made” things.

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The back of the leather case carries the Hinomaruya (in Japanese it’s ひのまるや) logo in a similar font as the Nicca logo (or at least close to it).

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Side view of the box – the translation is “Nicca Lens Hood”.

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There’s very little about the company Hinomaruya available on the web. It’s last known address was Tokyo-to, Chuo-ku, Nihonbashi Muromachi 4-3 (which was just around the corner from Yashica). The company was the exclusive distributor of Nicca up until 1958 when Yashica acquired Nicca. They also distributed the rather cool Melcon 35 mm rangefinder camera and the Nikkor lenses used on both the Melcon and Nicca.

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Here’s a bag that has Nicca and Hinomaruya on it. Another direct link between the two of them.

I’m not sure if they made this slide projector or if they distributed it but this item is from about 1959 – interesting because it’s a year after the Yashica acquisition of Nicca.

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There are a few (very few) advertisements floating around on the web from Hinomaruya and I haven’t seen that name anywhere on paperwork from Nicca associated with the camera. It’s unknown if they handled warranty registrations and related paperwork for Nicca or Nikkor.

Thanks for stopping by and BTW, if you have additional information about Hinomaruya or Nicca please feel free to share it with me! Thanks – Chris

Studio Camera: Fujifilm X-A10

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Single Shot Focus on the Canon AV-1

Introduced in 1979 into an already crowded family of super slick Canon 35mm SLRs, the AV-1 has always been kicked around in the world of auto exposure cameras. Most question the need for such a camera that only features aperture priority AE. Whereas its much more famous siblings like the AE-1 and A-1 have gone down in history as two of the best 35mm AE cameras of all time (my opinion), almost no one has seen an AV-1 let alone use one. Probably the only other lesser known Canon is the AT-1.

Why aperture priority? Simple, you select the aperture (f-stop) on your Canon FD lens based on the lighting available and the depth-of-field that you want in your image. The camera selects the proper shutter speed based on the film’s speed (ASA, ISO, DIN) and the f-stop that you selected. If there’s not enough light to hand hold the camera it’s up to you to know your limitations. If you’re a steady shooter then you may be able to squeeze off a shot at let’s say 1/30th of a second with a wide-angle or normal lens. If you’re like most people you’ll more than likely be much more successful staying north of 1/60th of a second. The AV-1 will auto expose accurately down to (or up to) 2 seconds! You’d better be on a tripod for that shot or have your camera perched on a flat, stable surface.

The other reason for the AV-1’s existence is that it cost significantly less than the other A series cameras – much lower but with no real drop-off in build quality IMO.

Here’s my AV-1 in the pro-black finish. It’s a beautiful camera and it accepts all of Canon’s FD lenses (which is a major plus) plus it was designed to operate with the Canon Power Winder A and the A2 and it provides full auto flash with the Canon family of Speedlites like the 133A, 155A, 177A and the 199A (all are dedicated electronic flash units for the AV-1). One final plus, it uses the still very easy to find and afford No. 544A silver oxide 6v battery.

So here’s the “Single Shot Focus” of my AV-1

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This one was made in June 1982 (date code is W628K)

Studio Camera: Fujifilm X-A10 set on aperture priority AE

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Hi! Mickey Mouse – Fuji Fun

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Fujifilm Hi! Mickey Mouse MD – released March 1995 for sale in Japan.

The camera set sold for ¥6,300 and this one was purchased at Mitsukoshi department store in Tokyo in December 1995.

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Fixed focus Fujinon f8 33mm lens with a shutter speed of 1/100

This was one of the early officially licensed Mickey cameras from Fuji Photo Film Company. It sold for ¥5,800

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Fuji Hi! Mickey Mouse – released in December 1989 for sale in the home market. This simple point and shoot 35mm camera is based on the Fuji Bene camera that was also only available in Japan.

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Not autofocus but fixed focus – Fujinon f9.5 35mm lens with a shutter speed of 1/100

They are both as simple as simple can be – load film, compose, click. As with most all of the basic Fuji cameras, it produces an acceptable image especially under full sun with fast film or with the flash.

Thanks for stopping by and be sure to stop by my camera shop at http://www.ccstudio2380.com for a nice assortment of classic cameras and vintage photo gear. – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

 

Pentamatic Microscope Adapter – 1960

I have yet to use a microscope adapter in nearly 50 years of 35mm photography – but that doesn’t mean that I haven’t collected them and enjoyed the thought of someday using one. I’ve had a few Canon adapters over the years too.

The first step would be actively looking for a microscope to purchase on one of the many online auction sites. Something I will do.

Here’s a nice adapter from Yashica with the Pentamatic bayonet mount. It’s one of the first accessories to appear in the early Pentamatic instruction booklets from 1960. List price was ¥2,500 which was fairly expensive back in the day.

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The adapter mounts directly to the body of the camera – no lens needed.

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A scan from an early Pentamatic sales brochure.

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These instructions are from a later booklet featuring the adapter for the M42 screw mount.

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I believe that the microscope depicted here is a Yashima microscope but it’s not made by Yashica. Yashima was the first name that Yashica went by in the early 1950s.

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Not made by Yashica but still a super cool vintage microscope.

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Typically you’d use a right angle finder such as this one to make it a bit easier to use the adapter on a microscope.

What’s always amazed me is just how many different camera manufacturers made microscope adapters – Canon, Olympus, Nikon just to name a few and how many are still available for purchase online from various auction sites that are unused, still new in their boxes.

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Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Yashica TL Electro-X

Another look at a recent post about my all-time favorite Yashica. This one was sold to another collector hours after listing it in my shop.

Chris and Carol's avatarChasing Classic Cameras with Chris

One of the best cameras that Yashica made – in 1968 Yashica produced an exciting 35 mm SLR with a built-in computer! Well, integrated circuits and an electronic “brain”.

It was my first SLR and I fell in love with its looks and the feel of it in my hands. This one is from my rather silly large collection of Yashica cameras and I’ve decided to make it available in my online shop at http://www.ccstudio2380.com

This one is from around 1970 and besides being in stunning mint condition it works like new!

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Gotta love the gothic “Y” on the pentaprism – pure Yashica!

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The battery for this camera is still readily available today and isn’t very expensive.

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I’ve always felt that the satin silver finish on this model was the best – it holds up well and it’s easy to keep clean.

The camera will come with a fresh (new)…

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Pigeon 35 by Shinano Camera Co., Ltd.

A reblog of an earlier post about this amazing and seldom seen 35mm rangefinder camera made in Japan in the early 1950s.

Chris and Carol's avatarChasing Classic Cameras with Chris

Why show a 35mm viewfinder camera on a blog about the Yashica Pentamatic? Well, Shinano and Yashima-Yashica share a common history. The first camera that carried the Yashima name was the Pigeonflex… a twin-lens reflex (TLR) camera!

Anyway here’s a nice example of a gorgeous 35 mm viewfinder camera that we acquired recently. The lens is made by Tomioka… a sharp (we hope) Tri-Lausar f/ 3.5 4.5 cm lens. NKS shutter B – 1/200.

It’s a nice heavyweight camera that has a good feel to it. In our opinion, it’s far from being a cheaply built camera as some would say. In fact, it still functions as intended after 6 decades of use. Most leather cases would be a complete mess after this amount of time but the leather is nice and the stitching is intact.

20160801_183736 1952 Pigeon 35 by Shinano.

20160801_183800 Nice view of the Tomioka lens.

20160801_184255 Beautiful logo on…

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Just Arrived! New items in the shop.

Some new items have just been listed in my camera shop at http://www.ccstudio2380.com

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Canon EOS nylon camera strap from the 1980s. New, never used. Super nice.

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A must have original (not a copy) Canon Booster T Finder instruction book. Near mint condition.

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Hyper rare Minolta Six 6×6 cm medium format 120 roll film camera from 1936. This was the first camera to carry the Minolta name and was the first 6×6 cm camera made in Japan.

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Classic early 1970s Mamiya/Sekor 35mm SLR – the 1000 DTL was a landmark camera from Mamiya.

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Super cool camera case (camera not included). Made by Marsand. I still have the key and the lock still locks!

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Not often seen outside of Japan, this SLR slayer from Fuji Photo Film Company is like new in its original package – with all the goodies included it’s ready to be a street photog’s dream.

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Brand new Canon Olympics fanny pack. Step back to the future with this HTF collectible from Canon.

There you have it – a small sample of some of the neat items I’ve added to my shop recently all at 10% off in my big Spring sale! Check it out at http://www.ccstudio2380.com

Thanks – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Happy SUNday! – Yashica Cousins

Yashica’s advertising figurine (doll?) from the early 1960s. Officially nameless but I’ve tagged him with “Sailor Boy” for obvious reasons.

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My camera shop display sized (20 cm) Yashica “Sailor Boy”. This one was still in its sealed plastic bag and original box from Modern Plastics of Japan.

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Another dealer display model (not mine) of Yashica’s “Sailor Boy” – this one looks as though he’s been in a bar fight in Tokyo!

I’m not sure which one was first but my guess is that the “tough guy” version may have been a prototype as I’ve never seen another one for sale in all my years of collecting Yashica branded items.

Have a great day y’all! – Chris

I’ve listed some neat items in my camera shop at http://www.ccstudio2380.com – pop on over and check it out!

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Are TLRs a good way to discover medium-format photography?

I guess another way to pose the question would be “are TLRs still relevant”?

Film photography appears to be holding its own in this digital world but have twin-lens reflex cameras lost their appeal? Obviously, not all vintage and classic camera sales go to just collectors – many of these 40 and 50-year-old cameras are being purchased and used by today’s crop of film photographers looking for a way to explore medium-format images without breaking the bank.

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Typical twin-lens reflex (TLR) film camera.

I decided to take a snapshot of just completed sales of cameras that were listed as “TLR – Film Cameras – Sold” on eBay.

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The top six are –

  • Mamiya
  • Yashica
  • Rolleiflex
  • Lubitel
  • Rollei
  • Konica Minolta

This list goes back to the last few days of January 2019 and does include some accessories (lenses, lens caps, cases) that are not cameras. So the total numbers will be a bit skewed.

Here’s the list searching for “TLR Camera – Film Cameras – Sold” on eBay which removed accessories like lenses, cases and other minor parts.

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The top six are –

  • Yashica
  • Mamiya
  • Rolleiflex
  • Rollei
  • Konica Minolta
  • Minolta

This represents an unscientific look at the popularity of TLRs as a viable tool for enjoying medium-format (6×6 cm) photography. 120 roll film is still widely available and it’s easy to find online companies that develop the film.

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6×6 cm image taken with my Yashica-Mat EM TLR. Learning to compose and shoot this square format takes a bit of practice but the quality of the finished picture is worth it.

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Thanks for stopping by! – Chris

My camera shop is always open and it can be found at http://www.ccstudio2380.com – I’ve got a big sale in progress with some super savings… check it out!

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Nicca Pentamatic!?

Stay with us and we’ll try to make our case. Recently discovered information has filled-in some of the missing links in the development of our favorite obsession camera. The mysterious and seldom seen Pentamatic ’35’… Yashica’s first SLR.

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A few interesting bits of info have come to our attention recently. We were alerted to an auction by our friend Paul Sokk (http://www.yashicatlr.com) that listed a 13.5 cm f/ 2.8 lens made by Taiho Optical Company –  Nicca Lens. Having never heard of the company, Taiho Optical, and knowing about Nicca’s history, we couldn’t figure out where and how there could be a Nicca connection.

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Let’s backtrack a bit with a quick history lesson. Yashima-Yashica was a very successful maker of high quality, low-cost twin-lens reflex cameras but hadn’t moved into the 35 mm market as of early 1957. It appears that the president and founder of Yashima-Yashica, Mr. Yoshimasa Ushiyama could see that although Yashica was successful building TLRs, the market for them would slowly diminish as new, smaller and easier to use 35 mm cameras would grab the marketplace. He wanted in but how?

Yashica had no experience with 35 mm cameras, especially rangefinder cameras with cloth focal-plane shutters. There were dozens of Leica copy cameras in Japan (and the world for that matter) but possible patents protected specific manufacturer’s shutter designs. If he could buy into an established company then he could use their shutter design and incorporate it with early Yashima-Yashica designs. In May of 1958, an opportunity presented itself. Nicca Camera Company was apparently experiencing financial difficulties and may have been on the brink of bankruptcy. Nicca cameras were well known and well respected – they made high quality 35 mm rangefinder cameras with focal-plane shutters. They used Nikkor lenses with the L39 screw mount. Mr. Ushiyama was in a rush to purchase Nicca before they went belly up. Advisers cautioned to wait until Nicca went bankrupt arguing that they would be able to acquire it for a better price. Mr. Ushiyama knew that that outcome of a bankruptcy could take longer than he was willing to wait and there would certainly be more suitors to compete with. So the deal went through… sort of. As best as we can glean from our research, a “religionist” “admonished” Mr. Ushiyama for rushing into the deal and cautioned that Yashica itself would suffer a “decline” if all of the transfer were made immediately.

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OK, OK! We give!!! We share your feelings dear reader –  what’s the connection between Nicca and the Pentamatic? Taking the advice of the religionist, Mr. Ushiyama created a new company. Nicca would become Taiho Optical Company. Say what? Nicca wasn’t absorbed into Yashica in May of 1958, instead, they became another company that could continue to operate with Yashica but without becoming Yashica. Simple. Confused? Mr. Ushiyama listened to his adviser so nothing bad happened. It appears that the former Nicca employees were now free to develop new processes and designs with the financial and technical support of the much larger Yashica. What did Yashica get for its money? Plenty it would seem. Access to years of 35 mm rangefinder manufacturing experience and access to a proven focal-plane shutter. Important steps in building a 35 mm single-lens reflex camera. We don’t know (yet) which one of the two companies came up with the design of what would become the Pentamatic. Was it mostly a Yashica design that had been kicking around for a while lacking a focal-plane shutter, or was it mostly a Nicca design that lacked the financial means to bring it to market? We feel that it was more than likely a 60 – 40 split with Nicca as the 60%. Just a hunch, no facts at the moment.

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Earliest known sales brochure for the Pentamatic ’35’. The best guess is that it was printed in the Spring of 1960.

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A machine translation of this page from inside of the brochure states clearly that Nicca and Yashica developed the Pentamatic.

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But what did the Taiho Optical Company make? Yashica didn’t make their own lenses, Tomioka Optical of Tokyo did. Was the former Nicca, now that it had become Taiho Optical, going to suddenly start making lenses? At the start of this blog, we mentioned that we were alerted to the existence of a 13.5 cm lens for sale with the Taiho Optical Company-Nicca Japan markings. Other than that, nothing.

So when did Mr. Ushiyama merge the two companies? He apparently listed to his adviser and waited eight long years before merging the two. From 1960 (when the Pentamatic was released) until 1968, when he not only made Yashica whole, but he also acquired long time lens supplier Tomioka Optical.

Now we know how the Pentamatic came to be and why it could be called the Nicca Pentamatic.

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Thanks for sticking with us. – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.