(almost) wordless wednesday

yashica a cam and box

From 1964 – Yashica model A twin-lens reflex film camera still new in its original factory wrapper (and box).

*I know, pretty wordy for a Wordless Wednesday.

It’s available for purchase in my camera shop at http://www.ccstudio2380.com – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

The Fujicaflex Automat- a monster TLR from Fuji Photo Film Company, Tokyo

Here’s another look at this wonderful camera. I’ve recently found the time to shoot a roll of film with it and the film will be developed soon. I’ll be sure to post the scans when I can.

Yashica Pentamatic Fanatic

Fuji’s only attempt at a twin-lens reflex camera – 1954

DSCF8012 logoThe Fuji Photo Film Company of Tokyo has a long history of making some very desirable cameras – from simple point and shoot models to high-quality professional medium format film cameras covering most types of film formats (Fuji Photo, after all, is in the business of selling film). Along the way, there have been a few cameras that have stood out for their technical achievements and innovations and one of them is the Fujicaflex Automat (for much more about this model please check out Mr. Koyasu’s wonderful site).

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We’ve wanted to add this camera to our collection for many years and the right combination of events led us to this one. It was for sale in Japan a short while back and we missed it – it became available again from a collector in Thailand so we went for it.

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New camera in the house!

Yep – another new to me camera has arrived. A Yashima Flex twin-lens reflex (TLR) 120 roll film camera. It takes images that are square at 6×6 cm (2.25 x 2.25 inches). That’s a really big negative that lends itself to high-quality scans and awesome prints.

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From May 1954 (originally sold at Camera Onuki in Yokohama).

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Tomioka made lenses produce super sharp images.

I’ll do some gentle cleaning and restorative repairs internally. I’ll remove the focusing hood and do some cleaning of the reflex mirror and the rear elements of the glass lenses.

The shutter on this does fire at all speeds but they don’t sound accurate. Often with these older cameras, they start to improve with regular use. I would like to shoot a roll of film or two as it would be a blast to see the final images.

Thanks for stopping by and I’ll be providing updates as I go along. – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Restoring a vintage camera box – carefully.

Collectors are a strange lot – for many it’s the thrill of the chase and the found item quickly fades into the background. For me, since I collect vintage cameras and photo gear, the items I purchase are often fifty or more years old and some like this box are as old as I am. In this case, this Yashima Flex box is sixty-five years old – vintage just like me.

When I collect items such as this, I enjoy not only the thrill of the chase but the history behind the item – where was it sold originally and if I can, when was it sold. In this case, Yokohama, Japan and 1954. I also enjoy restoring my cameras and associated bits as not only a way to preserve them but also to increase their value for when it’s time to pass them along to the next collector.

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“Fresh” from Japan – my 65-year-old Yashima Flex TLR presentation box complete with six decades of dirt, soot, DNA and grime. Although someone taped the box together years ago (I’m not a fan of doing that) it at least kept the box in one piece.

Step one (for me) is to clean the surfaces of all that grime. Often with these paperboard boxes, mold will grow in the layers of dirt and the mold spores will eventually break down the paper. In many cases, the mold (and mildew) will permanently stain and discolor the paper (not good). This box does have permanent staining but at least it should stop spreading.

***Please Note: I’ve cleaned about a dozen or so boxes like this one over the years, mostly boxes from the 1950s and mostly boxes made for Yashima-Yashica cameras. Your box may differ in its construction and the paper may respond to cleaning in a less than desirable way. One of the first things you should do is test this cleaning method on an inconspicuous part of the box.

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Mr. Clean is all you need (and a steady hand). The secret to cleaning the box with a Magic Eraser is to use a very lightly moistened pad (rinsed regularly) and to apply steady gentle pressure.  No scrubbing! It will take several passes with the pad to remove all of the grime. Do not let the paper get too wet and always give the surface a chance to dry before recleaning.

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Before cleaning. Pretty dirty – pretty nasty.

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After only a few gentle passes with the Magic Eraser (top part), things are looking much better. It’s not going to clean everything off the paper on your first attempt and you’ll likely need to repeat the process. Slow and steady wins the race – you’re only trying to remove the soil and not damage the delicate paper.

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Sixty-five years of grime – removed.

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Steps two, three and more I’ll cover in another post. For now, I’ll need to finish cleaning the remainder of the box. My future plans call for stabilizing the structure of the box (a bead of clear glue along the inner seams) and a go at removing the exterior tape.

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.