Yashica Penta J and the J-P

Yashica’s first 35mm single-lens reflex camera with the Praktica-thread (M42) mount lenses was the Yashica Penta J… at least here in the United States and in Japan. Elsewhere (most of the world) the camera was known as either the Yashica Reflex 35 or Reflex J (Australia and possibly the U.K.). As best we can tell, they were all the same cameras with different top plates to accommodate the different names (logos).

Part of the demise (lack of sales success) of the well-built Pentamatic series of cameras that preceded the Penta J, was that Yashica decided to go with a Pentamatic exclusive bayonet mount lens system. Sturdy and well designed to be sure, but being unique limited the available lenses that could be swapped between cameras. The Praktica design M42 screw thread mounting system was in widespread use at the time and Yashica’s bayonet design just went against the flow.

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Now fast forward to 1965 ish… Yashica introduces the new J-5 AND the J-P! In between those years Yashica had introduced the J-3 and J-4. Why would Yashica go back in time and bring out another 35mm SLR in 1965 that was the cousin to the 1961 Penta J? Notice we say cousins… not brothers. They shared the same platform with one another but as you can see in the image below the top plates were of a different design.

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Yashica J-P 6-27-15 Papers

Stay tuned… more to come on these Yashica classics.

Many thanks, Chris and Carol

Yashica Penta J – the Pentamatic that wasn’t!

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Clean design and simple controls. A stunning camera.

Released in 1962, the Penta J (Reflex 35 J in other markets) was Yashica’s first 35mm SLR designed to accept the popular M42 screw mount lenses vice Yashica’s exclusive Pentamatic bayonet mount that preceded it. The Penta J shared more body parts and took its design cues from the Pentamatic S (1961-62). Interestingly the Penta J lost the self-timer lever that the Pentamatic S fought so hard to get.

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The Penta J was designed to accept a clip-on exposure meter that coupled to the shutter speed dial. No TTL metering – that was a long way off!

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The ASA/DIN dial was not coupled to anything. It was a reminder to the photographer as to what the speed was of the film that was loaded in the camera.

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The standard lens for the Penta J was the semi-automatic Yashinon 5cm f2 lens.

The Yashica Pentamatic S (below)… the Penta J’s cousin.

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The Pentamatic S pictured with the standard lens for the Pentamatic II.

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So there you have it. The Yashica Penta J and the Pentamatic S. Cousins in the Yashica family.

Comments? Please feel free to share what you know and what we may have missed. Thanks

Studio Camera: Fujifilm FinePix S9900W

Chris

Yashinon Lenses – 1962*

That date* might be a bit misleading as the sales brochure this was scanned from is undated (as is most Yashica marketing stuff). Our only clue as to the date is that it (the brochure) features the newly released J-3 and doesn’t include any other Yashica SLR. No Penta J or Reflex 35 (same camera different markets) and no J-5.

We like it because it features the Yashinon lenses available at that time. If you look closely at the mounts of the lenses, you’ll see the M42 screw-in mount. Yashica does state in the brochure that all of these lenses are available in both the Yashica Pentamatic bayonet mount and the M42 mount. My friend Paul, see An Interview with Paul Sokk – Site Author of the popular YashicaTLR.com , has proposed that Yashica may have distributed these lenses to dealers (market dependent) with both mounts – meaning that they were shipped with the “new to Yashica” M42 mounts but could be converted easily at the dealer level to bayonet mounts for the Pentamatic. Sounds very possible. At this time, Yashica also sold adapter rings for mounting their M42 lenses to Exakta mount bodies and for mounting Praktica mount (M42) lenses to their Pentamatics. Confusing? Yes. Yashica guessed incorrectly when they choose to design their own bayonet mount for the Pentamatic back in 1959. Was it Yashica or was it Tomioka’s designers? How about the ex Nicca and Zunow designers? We may never know but it doomed the Pentamatic right out of the gate.

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Excellent snapshot of the lenses that were available at the time. The dual mounts (bayonet and M42) reflects Yashica’s indecision as to which mount to embrace.

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Cover of the sales brochure that was included with our Yashica J-3 when new.

It is generally believed that all of these lenses were made by Tomioka Optical of Tokyo.

While some early Pentamatic bayonet mount lenses bear the Tomioka and sometimes Tominon names, most only carry Yashica and Yashinon. The same applies to the M42 mount lenses. Some can be found with Tominon but most simply have Yashinon. We don’t have positive proof that some lenses (both types) may have been made by another lens manufacturer. But whom? Taiho Optical (which was the former Nicca Camera hidden away in Suwa) but was really Yashica, or or or. We just don’t know. Pure speculation to think that another company did, but then again, no proof that there wasn’t another maker.

Thanks so much for your visit! If you made it this far you just may be a “Yashicaphile” or just Yashica junkies like us. Do you have something to contribute??? We’d love to hear from you and would love to include your info in our blog. Thanks! ^.^

Chris & Carol

E.P Marked Photo Gear. Is it really worth more?

Photo gear made in Japan will sometimes carry a strange marking  <E.P>

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In the above example, the <E.P> mark is engraved on the rewind knob of this Nicca camera. This camera is from the 1955 to 1957 period.

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In the example above, this Nikkor 13.5cm lens has the <E.P> mark engraved on a small lever near the base of the lens. On the lens case below, the <E.P> mark is stamped into the leather just below the JAPAN stamp. The case belongs with the lens pictured above.

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First time we’ve seen the mark on a lens case. To us that implies that the case was mated with that lens from the factory (or wherever the mark was applied).

So what’s up with the <E.P> mark anyway?

As we understand it, the Japanese government needed a way to identify which pieces of photo gear were sold through military facilities and duty free shops in Japan. We feel that the mark means “Exempt Product” – cameras or electronic gear purchased without paying taxes to the government of Japan and purchased by authorized personnel (military members and their families, tourists and by diplomatic members and their families). We’ve seen alternate meanings as “Post Exchange” (military base stores) but U.S. Navy stores are called “Navy Exchange – NEX” and U.S. Army/Air Force stores are “BX/PX or Base Exchange/Post Exchange”. It’s hard to make “NEX or BX” into “EP”.  Other explanations of <E.P> include: Export Permitted (or Export Permit), Exchange Program and Export Production.

The “Black Market”.

The majority of the photo gear we have in our collection that bears the <E.P> mark, was in fact purchased through military facilities and not at duty free shops. Another cause for concern after the War, and we know this first hand from having lived in Japan in the late 1970s, was the so called black market that may have existed (it did) in Japan. The difference between what a service member could buy a camera for at the Navy Exchange (reduced cost and no taxes) and what that same item sold for at a Japanese camera store was just too great not to tempt some selling on the black market. The military stores kept tabs on the amount of tobacco and liquor that a family could purchase and big ticket items (cameras and stereo equipment) included a statement on the receipt that the service member would check and then sign that the item was for their personal use. A direct reminder that you were not to resell the item to unauthorized individuals. Our guess would be that if a Japanese citizen had a camera in their possession with the <E.P> mark it would be easy to question where it was purchased. However, the <E.P> marks were normally on parts of the camera that could be removed and replaced with non marked parts. No system is perfect so if there’s a will they’ll be a way.

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The <EP> mark on a Yashica-Mat from 1960.

So, does the mark make my photo gear more valuable? Yes. Collectible? Yes. Desirable? Yes. But to whom?

Like anything that’s collected, if someone wants it just because of the mark (in this case), then the <E.P> mark makes your item more desirable. In the real world, the gear is no different except for the mark. But – and it’s a big but – there are fewer of them out there. In the case of the nice Yashica-Mat pictured above, let’s say that Yashica sold 1,000 of them in 1960 throughout Japan. Maybe 5% were marked <E.P> (and that may be way high). So if you want to collect a mint condition Yashica-Mat made in 1960, there may be, let’s say only 10 available worldwide at any one time, and if one of those has the mark, well that adds a nice bonus of rarity to the mix. Another way to look at the mark is that the gear was less likely purchased by a professional photographer and therefore may have been better taken care of by its owner. Lots of exceptions to that line of thinking but it does have some merits.

So there you have it. Something of an explanation. If you have photo gear from the 1950s, 1960s and sometimes from as late as the early 1970s and you have the mark, well now you know a bit more about it. If you’d like us to appraise it for you we will be more than happy to. Just contact us here on the blog and we can get something going for you.

Studio Camera: Fujifilm FinePix S9900W

Chris

Yashica Half 17 – by Camera Go Camera

Always interesting camera and equipment reviews with excellent photography to boot!

Peggy's avatarCamera Go Camera

When I saw this camera, I thought…REALLY??? A Yashica half frame? I hate half-frames, but I love Yashicas. Should I buy it? It isn’t cheap for a junk bin chance, but it is clean and a Yashica…OK, I will do it.

According to this reviewer it was produced in 1964. As you can see it has a selenium cell light meter and a f1.7 lens. It has zone focusing with an image scale inside the viewfinder that has the regular mountain, people, person symbols. On the right side of the view finder is a needle scale that tells you the speed. So you can choose the aperture and check what speed will be selected by the camera. Or everything can be automatic. When you press the shutter button half way, the needle moves…and this one did, which let me know the selenium cell was working 🙂 A good sign. Here…

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Tomioka 55mm, f/ 1.2 Lens – Lowest Serial Number Found

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Made by Tomioka Optical of Tokyo, Japan for Yashica. Yashica “allowed” a few of their Auto Yashinon 55mm, f/ 1.2 lenses to also carry Tomioka’s name. This is a M42 mount lens.

The serial number (lowest found so far) decodes to – No. 5520128 which is ‘552’ is the lens model number (55mm f/ 1.2) and the ‘0128’ is the production sequence number. 128 being the 128th lens made.

These super lenses in excellent condition bring around $800 to $1200 depending on the goodies that might be included (front and rear caps, case) and what not.

Chris

Nicca 3-S… Quality Rangefinder from 1955

A beautiful example of a mid 1950s 35mm rangefinder camera – made by Nicca Camera Company, Ltd.DSCF5405

Mated with a sharp Nippon Kogaku Nikkor f/ 2, 5cm lens.

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Main shutter speeds of 1/25 to 1/500th of a second.

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Added bonus on this Nicca – marked <E.P> for exempt purchase. Normally marked for purchases made at military facilities and duty free shops.

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Nicca cameras were considered to be well made cameras during the 1950s. This example is at least 62 years old and the fit and finish is almost flawless. Nicca was acquired by Yashica in 1958 and the merger of the two companies helped Yashica to design and release their first 35mm single lens reflex camera in 1960 – the Yashica Pentamatic.

Studio Camera: Fujifilm FinePix S9900W

Chris

Yashica Pentamatic ’35’ vs. Pentamatic II

Why did Yashica bring out the Pentamatic II less than a year after releasing the original model?

The only difference we can tell between the original Yashica Pentamatic ’35’ and the Pentamatic II (which came out around September 1960), is the standard lens that was mated with the camera body. The original Pentamatic came with the Auto-Yashinon, f/ 1.8, 5.5cm fully automatic 6 element lens. Of course it has the unique Pentamatic bayonet mount and not the M42 screw mount. The Pentamatic II came with the Auto-Yashinon, f/ 1.7, 5.8cm lens (pictured below). Both lenses were made for Yashica by Tomioka Optical of Tokyo. We imagine the 58mm, f/ 1.7 lens was a bit faster than the f/ 1.8… but we don’t see why Yashica changed from the model I to the model II and why they changed the lens… we may never discover the reason either.

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The standard lens for the Pentamatic II – 5.8cm, f/ 1.7

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Gorgeous lens for the Pentamatic II.

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The first sighting of the Pentamatic II in a sales brochure for the Japanese home market.

We’ve yet to find an advertisement for the Pentamatic II in English and along those same lines, have yet to find the Pentamatic II in a sales brochure in English. The Pentamatic S replaced the model II less than a year after its release. The model S went back to using the original 5.5cm, f/ 1.8 lens that was on the original Pentamatic.

That makes the Auto-Yashinon 5.8cm, f/ 1.7 lenses one of the rarest of the early Pentamatic bayonet mount lenses.

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Happy hunting!

Chris

Yashica “J” Series of 35mm SLRs – 1960s

The Yashica ‘J’ series of 35mm SLR film cameras. Top body is the J-7, next is the J-4, then the J-5 and finally the first one in the series the J-3. These were heavyweight cameras in their day…the best (for the most part) that Yashica produced from their factory in Nagano Prefecture (Shimosuwa).

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Produced in 1962 to around 1967 to early 1968. The black body J-3 was Yashica’s first 35mm SLR ‘Pro Black’ camera. They were released in the following order… J-3, J-5, J-4 and J-7. These cameras feature lots of brass and glass. They also represent Yashica’s first SLRs with built-in exposure meters. TTL exposure metering was just around the corner for Yashica after the release of the J-7 in the form of the TL Super.

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The J-5 was super popular in the mid 1960s.

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Another tough one in the series to find complete and in mint condition.

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One of the harder ones in the series to find in mint condition.

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A J-3 all set for just about anything.

Thanks for your visit.

Chris