Minolta SR-T 102 (Super)

I have a very nice (super clean) and fully working Minolta SR-T 102 35mm film camera set available for purchase in my shop at http://www.ccstudio2380.com

A little bit about this set. I believe the camera is from 1974 (I purchased it from the original owner) and it was her dream camera back in the day. It’s been around the world a few times as she is now a professional photographer. I’ve thoroughly inspected it, tested it and detailed every square millimeter of it and it’s ready to begin its next life.

The lens that is attached is an Access branded (made by Kobori Optical of Japan) 28-70mm f2.8 zoom lens which of course has the Minolta MD and MC mount. The lens is also super clean, the zoom is silky smooth and the focus is bright and spot on. The optics are totally free of any distracting marks – no fungus, no mold, no cleaning marks and except for a few stray specs of dust looks mint. The aperture blades are oil free and snappy and the lens mounts to the body securely.

The Access polarizing filter is in mint condition and the UV filter is nice as well and has been on this lens since new. The camera does have a small dent on the left side of the top plate and as was common in the 1970s she etched her Colorado DL number in the base plate. The camera takes the very easy to find (and affordable) 625 3v battery which powers the TTL meter (accurate).

Pop on over to the shop if you’re interested – I’ll ship it pretty much worldwide.

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Have a great day and thanks for stopping by! BTW, there’s plenty to see in my shop at http://www.ccstudio2380.com

Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

New Arrivals in the Shop – 1.21.2019

Some unique items hit the shop over the past few days – more items from our collection and more to post soon. Stop by the shop and browse around as you might see something that strikes your fancy! See everything at http://www.ccstudio2380.com

Is there a particular camera, lens or photo accessory that you’re looking for? I may have it! Send me a message and I’ll see if I have it or if I can find it for you – I have many contacts.

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Slik U-212 Deluxe Tripod, Sigma XQ 500mm Mirror Lens & Case (Canon FD Mount), Tokina 2X Doubler (Tele-converter), Canon A-1 1984 Olympics Box, Enna Werk Leather Lens Case, Canon A-1 Instruction Books, Polaroid Spectra Instruction Book, Super Nice Tamron-Canon EF Mount 28-300mm f3.5 Aspherical AF Lens for 35mm SLR or Digital, Asahi Pentax IQZoom 160 – super clean and super nice!

Coming shortly……. Canon New F-1N 1984 LA Olympics 35mm camera set with the original box, AE finder, AE motor drive FN – all in mint condition! Minolta X-700 35mm SLR and Minolta lenses, Minolta SRT 102, and more! Much more!

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

The Yashica Pentamatic – Our 8 Year Search – Some Conclusions & Wild Speculations

We’ve been hot on the elusive trail of the Pentamatic family of cameras from Yashica now for well over 8 years. We’ve looked under every rock (auction sites), nook (web searches) and crannies (well, just crannies) for anything related to the Pentamatic. Our search has led us to some interesting conclusions – and wild speculations!

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Some Conclusions

The first Pentamatic was “born” in December 1959 but wasn’t available for sale in the U.S. until April 1960. The Pentamatic was Yashica’s first 35mm single-lens reflex camera and was designed with the help of technology obtained from Yashica’s acquisition of Nicca Camera in 1958 and with some involvement with designers from Zunow Optical in 1959. Of course, Yashica designers were involved too as well as collaboration with Tomioka Optical for the first lenses.

Below is a scan of what appears to be the first sales brochure for the Pentamatic found in Japanese. A machine translation of it proves that Yashica and Nicca designers worked together to jointly develop the camera over a 3-year period. The exact date of this brochure has not been established but it appears to be at least issued in the Spring of 1960. Many thanks to my good friend Paul Sokk for his efforts in researching the Pentamatic with me over the years. His fabulous site can be found at www.yashicatlr.com

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Scan courtesy of Paul Sokk at http://www.yashicatlr.com

Below is a scan of the cover of that first sales brochure that features the new Pentamatic.

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Scan courtesy of Paul Sokk at http://www.yashicatlr.com

The original Pentamatic was a failure. A beautiful, sleek and modern camera at a great price, but still a failure. A replacement for it (Pentamatic II) was released by September 1960 – just a few short months after the original Pentamatic debuted.

The Pentamatic and the Pentamatic II were both out of production by January 1961. The Pentamatic S didn’t appear until around April 1961. Little was significantly changed over the course of these 3 models during this short timeframe. The Pentamatic II and its one-off lens improved on its semi-automatic capabilities. The body stayed the same with the exception of adding the engraved “II” after the name. No logic to this as Yashica could have simply made the new lens available as an option to the original Pentamatic. There had to be another reason to call it the model II and it appears that there were some internal changes made to accommodate the new lens.

The standard lens that was available for the Pentamatic II was designed and built (quickly?) by Zunow vice Tomioka. Our best guess at this point.

The Pentamatic II was only available for sale in Japan.

The Pentamatic S essentially was the replacement for the original Pentamatic – not the Pentamatic II. The model S added a lug for attaching an accessory exposure meter that coupled to the shutter speed dial. The S also added a self-timer and the body got a redesign (the strap lugs were moved to the front and the shutter release button was no longer at a 45-degree angle).

The Instruction Booklets

The booklets have been an additional source of fun separate from the camera searches. The booklet for the original Pentamatic was relatively easy to find. The first Pentamatic saw about 16,000 units made so the booklet is much more available. The Pentamatic II booklet was the hardest to locate since only around 5,000 cameras were made. The Pentamatic S booklet is even rarer – only around 3,000 cameras produced.

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The 3 Pentamatic instruction booklets. Notice that the Pentamatic and Pentamatic II booklets have the same design while the model S differs dramatically. More “clues”.

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The back cover of the Pentamatic II booklet – the only one to carry a date (lower right corner). This one is dated September 1960. Showa date is 35.

Inside the booklets…

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The original Pentamatic.

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The Pentamatic II.

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The Pentamatic S.

Wild Speculations

Wild Spec 1 – The first Pentamatic was not initially released in Japan. Yashica had a slow go with its early production so only a limited number were available for the April to June debut in the U.S. There were only about 4,000 cameras made by then and that just didn’t support a wide release of it in their home market. However, with the discovery of the as yet undated sales brochure found by my friend Paul Sokk it does appear that some of the first Pentamatics were in fact distributed in Japan. We do feel that Yashica had a suspicion that the original model would not go over well at home. Why do we feel this way? During our quest of all things Pentamatic, we’ve yet to find an instruction booklet for the original Pentamatic in Japanese (or any other language besides English). We’ve seen no early 1960s advertisements either. Although we’ve yet to find these items that does not mean they don’t exist.

Wild Spec 2 – The Pentamatic II was only available in Japan and was never intended for widespread availability in the world marketplace. We further feel that the Pentamatic II was the camera Yashica intended to release in Japan vice the original Pentamatic. Why? Same thing… in over 8 years of searching we’ve never seen a Pentamatic II instruction booklet in English and the only sales brochures we have are in Japanese. No English ads or brochures anywhere (yet). Update: As of April 2019 still no English ads or books.

Wild Spec 3The Pentamatic S wasn’t available in Japan. Crazy right? The same thing applies here – no Japanese advertising or brochures and no instruction booklets in anything but English. Again, not finding them does not translate to not being produced but the likelihood looks slim.

Wild Spec 4 – As we stated in the conclusions section above, the standard lens for the Pentamatic II (5.8cm f/1.7) was made for Yashica by Zunow Optical vice Tomioka. This flies in the face of what’s known and we don’t have solid written proof (yet, if ever). Both the original Pentamatic and the Pentamatic II ended production in January 1961. By coincidence, that’s the reported date of Yashica’s acquisition of Zunow (or their bankruptcy). Once Zunow went bust they no longer make lenses for the Pentamatic II.

Wild Spec 5 – Once the Pentamatic II stopped production, Yashica started selling the original Pentamatic in Japan (or at least increased its availability in Japan). We would still like to find a Pentamatic instruction booklet in Japanese to validate this thought.

Wild Spec 6 – Since the Pentamatic S wasn’t sold in Japan, there was a rather large gap in Yashica’s SLR availability. The next camera to be sold widely in Japan (and the U.S.) was the Penta J but that didn’t come out until the Summer of 1961.

These marketing and production missteps led to a less than stellar debut for Yashica in the world of 35mm SLRs. The competition during this same period was “inventing” much more sophisticated (and mostly more expensive) cameras which had a wider range of interchangeable lenses and accessories. It took Yashica a long time to establish a “foot in the door” with their Penta J and their first internally coupled exposure metered SLR, the Yashica J-3 (Jaguar).

Things we would like to find…

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Original sales brochure for the Pentamatic II.

The first thing we would like to discover would be an ad, sales brochure or instruction booklet in English for the Pentamatic II. We don’t think we will as we feel that they don’t exist.

We would like to find a Pentamatic instruction booklet in Japanese. They must exist but we’ve yet to find one.

A Pentamatic S instruction booklet and a sales brochure in Japanese. Don’t think they exist but time will tell.

A Pentamatic II box!!! They must exist – someone’s got to have one in their collection! Update: Finally found one but we missed acquiring it for our collection so we “borrowed” this image –

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Very similar to the original Pentamatic box but black vice silver.

A Pentamatic (any model) in its original boxes in factory fresh condition. WooHoo!

***Solid proof that the standard lens for the Pentamatic II was made by Zunow Optical.***

Other than these things, I think we’re good! ^.^

Thanks for your visit! If you’ve made it this far in the post give yourself a big pat on the back! You just may be on your way to becoming a ‘Yashica Pentamatic Fanatic’!

Please stop by our online shop at https://www.ccstudio2380.com and check out some of our classic cameras available for sale.

We are active buyers of quality cameras and equipment – especially anything Yashica, Nicca, Fujica or whatever! Contact us at chriscarol@ccstudio2380.com

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

The Pippi Longstocking House – Amelia Island, Florida

Located in what is known as Old Town (Fernandina Beach) overlooking the Amelia River on the northwest side of Amelia Island. Originally built around 1870 for a harbor pilot Captain Bell and the second owner was also a river captain in 1901. Located on a high bluff at 212 Estrada Street, it overlooks the former Spanish fort San Carlos (c1811).

It’s a lovely house that’s been restored and maintained throughout the decades. It stood in as Pippi Longstocking’s house in the late 1980s movie “The New Adventures of Pippi Longstocking”… “The house was altered and remodeled through the years. When movie producers came calling in 1987, it was its original weathered white with hunter green shutters. The house stood in for Villa Villekulla, the fictional home of Pippi, a character in a series of books written by Swedish author Astrid Lindgren. The young girl lives alone in a small Swedish village sharing the house with her monkey and horse. She befriends the two children living next door, Tommy and Annika Settergren, and they have many adventures together.”

Today it is a private residence and is not open for tours. It’s a very easy to photograph house because of the large open area in front of the house (actually Fernandina Plaza Historic State Park).

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The “Pippi Longstocking House” on Amelia Island. Built c1870

If you find yourself near Amelia Island it is well worth the visit (don’t miss the 40 block Historic District of Fernandina Beach while you’re at it).

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Pippi says “hi”! Actress Tami Erin

Thanks for stopping by and be sure to check out my camera and photography shop at http://www.ccstudio2380.com

Chris

Fujicaflex Automat – Fuji Photo Film’s 1st TLR – 1954

Vintage camera wish list item 101.

The Fuji Photo Film Co., Ltd., Fujicaflex 

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Designed to incorporate the best features that were available in the medium format twin-lens reflex camera market, the Fujicaflex debuted in 1954 – at a very premium price, we might add. While surfing today, we stumbled upon this wonderful site from Fujifilm Europe. You can check it out here

It’s nice to see a large corporation like Fujifilm blog about some of the really cool cameras that helped make their company great. In another blog, they go on to talk about the amazing Fujipet from 1957.

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For more about this wonderful camera, take a trip here too to see Mr. Yoshinobu Koyasu’s camera collection… it is not to be missed!

It’s certainly interesting to read (Fujifilm Europe’s blog) – the older posts that pay tribute to the cameras of their roots are so interesting.

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My Fujicaflex acquired in 2018 from a collector in Thailand. Finally!

Thanks for stopping by! – Chris

Please stop by my camera shop at http://www.ccstudio2380.com

 

Pigeon 35 by Shinano Camera Co., Ltd.

Why show a 35mm viewfinder camera on a blog about the Yashica Pentamatic? Well, Shinano and Yashima-Yashica share a common history. The first camera that carried the Yashima name was the Pigeonflex… a twin-lens reflex (TLR) camera!

Anyway here’s a nice example of a gorgeous 35 mm viewfinder camera that we acquired recently. The lens is made by Tomioka… a sharp (we hope) Tri-Lausar f/ 3.5 4.5 cm lens. NKS shutter B – 1/200.

It’s a nice heavyweight camera that has a good feel to it. In our opinion, it’s far from being a cheaply built camera as some would say. In fact, it still functions as intended after 6 decades of use. Most leather cases would be a complete mess after this amount of time but the leather is nice and the stitching is intact.

 

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1952 Pigeon 35 by Shinano.

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Nice view of the Tomioka lens.

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Beautiful logo on this metal cap.

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Classic style. The top plate of the Pigeon 35.

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After 6 decades of use, the case has held up nicely.

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Interesting bottom plate

More to come! By the way, everything works just fine! Can’t wait to run a roll of film through it. Images of the leather case to follow too!

Thanks for stopping by! – Chris

My camera shop is always open at http://www.ccstudio2380.com