Forgotten and faded Florida…

U.S. Highway 17 was the way to enter Northeast coastal Florida in days past – long before I-95 was even imagined. If you came down from the North in the late 1940s, you entered Florida over a way too narrow bridge over the St. Marys River – the official boundary between Georgia and Florida. The two lane road was well traveled and one of the last cities you would pass through before the bridge was Kingsland, Georgia… just a few miles north of the river. The next city wasn’t until you reached Jacksonville, Florida – a long way south. You can’t really count the in-between hamlets of Yulee and Oceanway – they were home to flashing lights just to make you slow down a bit.

To be the first attraction – or motel – or restaurant – or bar – or whatever along this busy corridor meant something I imagine. Where would the tourists stop to take a picture or pause to, you know, rest? Highway 17 was the bomb – it was the way south. Then I-95 came and it was over in a hurry.

What’s left of the Florida firsts?

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U.S. Highway 17 bridge over the St. Marys River. Looking north into Georgia – this would have been your first step on dry land that was Florida.

After your safe passage over this way too narrow bridge, you would be treated with your first photo op…

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Everybody stops to get their picture taken in Florida! What better place then this sign… and with palm trees too! This is the sign along U.S. 17 a little south of the border.

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Gotta have a plaque to dedicate the sign.

All that’s left of some of the ‘firsts‘…

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‘Souvenirs’ and ‘Whiskey’.

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Nothing left to buy here except more time I suppose.

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More than a few tourists walked through this door… come in please.

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Faded Florida.

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Last one out.

A wonderful place to explore… that first half mile of faded Florida along Highway 17. Many more opportunities to be sure. It was the first motel in now forgotten Florida. The people are elsewhere but the photo ops remain.

Thanks for your visit. As always your comments are appreciated.

You can also visit me at https://www.flickr.com/photos/127540935@N08/

Chris

One last shot – a modern I-95 Florida welcome.

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Yashica-Mat EM… on assignment… update 12.9.2016

This month’s assignment (actually from September) is to load some Fujifilm into our Yashica-Mat EM and enjoy the benefits that only medium format film photography can fulfill.

Oh the joys of composing 6 x 6 cm images through a pop-up viewing hood in bright sunlight. What I do find nice is that the focusing dial is on the camera’s left side… a natural place for it to me. The EM has a built-in exposure meter and a ‘computer’, slide rule actually, to adjust the aperture and shutter speeds which you then set by using the two thumb wheels. I’ve learned over the years to use the guess method of focusing – I’ve learned how to judge distances by eye and then I set the focus on the marked dial. If you’re shooting in bright light and use the smallest apertures then the dept of field will cover most inaccuracies in your focus guess. Saves time and frustration. This month the Yashica-Mat EM (this one is from 1964) I will be using is in perfect condition… all shutter speeds sound correct and the aperture blades behave as they should. The meter does not require batteries and I’m sure most of my bright and sunny shots will be f/ 11 and 16 and f/ 22 for the Fujifilm 400. Below is my favorite one camera-one day bag. It’s made from vintage washed canvas material and is super soft inside and out. I trust it not to scratch my cameras going in and out and once inside, they’re safely cushioned.

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My day bag – one camera only. The bag is super soft vintage cotton canvas and has a cushioned liner to protect its precious cargo.

The bag is 100% cotton and made by ‘Rothco’. It was stitched in India which makes me feel a bit better about it. It was purchased at the National Navy UDT-SEAL Museum in Ft. Pierce, Florida which helps support this awesome museum. The desert toned U.S. Flag was also purchased there and was added to the bag by me. No worries when I travel with it. No matter what I wear, I’ll always look like an American. I mention this only because when I was a Sailor in the U.S. Navy (a long time ago) we were often told to not look American while travelling overseas – which is a hard thing to do when an aircraft carrier is in a foreign port and 5,000 Sailors were out on liberty.

I plan on shooting two rolls of Fujifilm – gorgeous Neopan 100 Acros and a roll of PRO 400H color negative film. The Yashica has Tomioka Optical made Yashinon 80mm lenses with a fairly bright f/ 3.5 taking lens. The glass is crystal clear and always produces sharp details. The image is nice and bright on the focusing screen and the red grid marks help to keep things straight. I’ll tote along the lens hood just in case. No tripods needed but I may bring along my monopod.

We hope to post our images soon. Now that the fall weather has given us a brake from the oppressive heat and humidity of summer it will be fun to roam about our little town and the adjacent countryside.

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Fresh roll of Fujicolor PRO 400H color negative film.

And some of the results…

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Purposely pointed into the low angled sun – great way to test how the lens is going to look. The stars from the highlights on the water was a nice plus. Also a great test for the EM’s exposure meter. I metered off the water well left of the bridge. About 1/250 at f/ 11 maybe f/ 16.

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The Fujicolor did well here. Big contrast in this image between the stark beige of the building and the deep blue sky. Shot at 1/500 around f/ 16-22. No post production of this image. As framed in the focusing hood on the EM.

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Dat two of the photoshoot. I lost the bright sunshine and the sky turned rather blah. Small town America at its best. 1/250 at f/ 11-16. No post production. As developed.

The EM performed beautifully – the built-in exposure meter was spot on and the shutter was accurate. These images were focused at infinity so no real chance to test the accuracy of mid-range focusing. Another time.

Thanks for your visit!

Chris & Carol

‘Found Film’… are there ghosts in my camera?

In all my years of collecting vintage (well they weren’t always considered vintage) cameras, I’ve come across my fair share of ‘found film’. I enjoy finding a roll of film left behind by the previous owner of the camera – from a collectors viewpoint it’s a great way to add some vintage film cartridges or 120 rolls to your collection of film. It’s fun to see if you can guess (from the brand and design) the what and when the roll was purchased and then the why didn’t they finish it… and of course, the who took the pictures? The who took the pictures really didn’t interest me. Sounds strange to write that being a photographer, but I’m more about the subject and not the picture taker.

I’ve never been tempted to have the film developed – why spend good money to look at things and people I don’t know? But there’s always been a slight twinge of curiosity inside me… very slight. Until recently. Money be damned! I’m lookin’!

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The ‘Found Film’ from the 1960s? Maybe late 1960s.

The camera is a Yashica model A twin-lens reflex (TLR) from 1961. The film could be from the late 1960s or early 1970s but the camera is in mint “new” condition and doesn’t look like it had any previous use. So in reality, it could be from 1962 or so. Just guesses here on my part. So I spent the nearly $20 to send the film off and waited to see what developed (sorry about that). But then Carol (my wife) and I discussed if it was right to look at other people’s pictures. You know, privacy and all that. I reminded her that the pictures could be nearly 50 years old – no privacy issues there. But what about… ghosts? You know if there’s pictures of people they may be dead now and you know, they’d be ghosts. Not everyone becomes a ghost I reasoned. Just looking at them doesn’t mean they’re even dead. If they’re young people they might still be around and they might even want to see the pictures. It would be hard to find them I thought. All we knew is where the camera was from… not a small place by the way. Maybe a landmark or two would help.

Panic! Wrong time to panic. What if there were, “bad” pictures in the camera? Oh crap! Wrong time to think of that after the film was sent off! I’d call them. Call the company that was about to develop the film and explain that it wasn’t really my film and if there was something “bad” on them not to accuse me! We didn’t call – we took a deep breath and decided to wait and see what happens. We promised not to send other people’s film off ever again.

Since it was Kodacolor II negative film and was nearly 50 or 60 years old we didn’t expect much. The lab did the best they could. We did tell them ahead of time that the film was really old. Everything had a strong blueish tone so I’ve converted them to black and white using a red filter. Check it out!

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Image 1… ghosts? I hope not! Mom and daughter?

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Image 2… nice garden. Nice couple. Hmmm. Mom and husband?

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Image 3… a Wisconsin garden. Nice.

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Image 4… ghost?   

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Image 5… awesome double exposure!

Well no known ghosts were found real or imagined. The remainder of the exposures didn’t come out. Was it worth the $20? No – but it was still fun!

Comments? Have you ever developed found film?

Thanks for your visit! Chris and Carol

Pentamatic S and friends…

We’ve recently found a nice looking friend for our collection… well, friends. Like almost all collections, ours doesn’t need more friends – more space maybe, but no new friends. This flash came as an accessory to a recent purchase of a Yashica twin-lens reflex camera (from 1956). After a quick cleaning we attached it to our S to see how they would look together – smashing we think! The Kodak Kodachrome is from 1959 and adds a nice touch to the set up. We’ve always loved the bright yellow and red metal film cans from Kodak.

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We put our Pentamatic S, from early 1961 or so, and the Zeiss Ikon Ikoblitz 4 (late 1950s?) together. Sadly the flash takes a now defunct battery and has a capacitor so not much we can do except enjoy the view.

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They make for a handsome display. All are age appropriate too.

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With the flash tucked away in its hard plastic shell it takes on an interesting look.

Hope you enjoyed your visit and if you care to, please leave a comment or suggestion for us. Of course if you know more about the Zeiss Ikon flash or want to contribute something about the Pentamatic, please do so!

Many thanks again… Chris and Carol

You can find us on flickr at https://www.flickr.com/photos/127540935@N08/

Yashica’s Little Gems

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Pentamatic’35’ and J-3.

They couldn’t be more different – the Yashica Pentamatic was Yashica’s first 35mm single-lens reflex (SLR) camera and the J-3 was Yashica’s first SLR with a built-in exposure meter. In this example, the black J-3 was Yashica’s first SLR in what we call ‘Pro-Black’ finish – all black body with matching black lens.

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Lovely little gem from Yashica – the J-3 in Pro-Black. Made in limited quantities and came with the matching black Auto Yashinon lens.

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The Pentamatic’s clean simple lines makes it one of the most attractive cameras of the early 1960s in our opinion.

As was the case during the early 1960s, both cameras would be quickly replaced with upgraded models with more advanced features and a wider array of available lenses. Not all of these changes were for the better… in the case of the Pentamatic, the model II and the model S, the changes did little to attract more buyers as their upgrades were too few and too late.

In the case of the J-3, it was the building block to Yashica’s success throught the mid 1960s and beyond. The ‘J’ series of SLRs, which included the J-5, J-4 and finally the J-7, were respected cameras with excellent optics at a great price which sold in the ten’s of thousands. Quantity meant that Yashica could afford to advance its technology and deliver some groundbreaking SLRs by 1968 and beyond.

As always, thanks for your visit and your comments are appreciated. To see more about Yashica, stop by our flickr page at https://www.flickr.com/photos/127540935@N08/

 

Chris and Carol Photography

Yashica Super Yashinon-R f/3.5 13.5cm Telephoto Lens

Nice little addition to our Pentamatic family of lenses. Purchased in Japan and was with an early model Pentamatic’35’ set in “well used” but stable working condition. It came with the original Yashica brown leather case, unbranded plastic rear lens cap, Yashica front metal 52mm push-on lens cap, unbranded lens hood, and a very nice looking Walz chrome metal and glass Skylight C. (cloudy) 52mm filter.

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Pentamatic bayonet mount 13.5cm short telephoto lens… f/3.5 with rather low serial number. Early Yashica lenses were often given a serial number that starts with the focal length of the lens. In this example, ‘135 0722’ shows it to be a 135mm lens with a sequential production number of 722. Best guess is that this lens was made in early to mid-1960. We have another Super Yashinon-R 13.5cm lens with a serial number of ‘135 0927’.

The above image shows the lens partially disassembled for cleaning and inspection. No fungus or mold, but I’ve found some funky streaks on the face of the first removable lens element (large lens element to the right).

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The chrome nose removed.

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The main lens group removed. If you look closely, you may see the funky streaks across the face of the lens.

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Aperture blades set at f/ 22. No oil and no problems (looking into the lens barrel from the front of the lens). Note the 12 aperture blades.

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Here is a similar lens with the 12 blades that was for sale recently. The seller identified the lens as having been made by Kyoei Optical Co., Ltd.  using the brand name “Acall” Kyoei was also abbreviated as “KOC” which may be the reason for the red “K.C.”

New info as of Feb 5, 2020 – At first, I guessed that my lens was made by Tomioka Optical as they were responsible for most of Yashica’s lenses. A reader has pointed out the similarities between my lens and the design of the Acall lenses with both  Pentamatic and M42 mounts. I must say that I agree with them upon further review. Thank you for your input!

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Partially assembled body. Nice clear markings and solid-looking bayonet mount.

These first Pentamatic lenses were pre-set and not automatic and were the kings of the heavyweight division. Lots of metal and glass here! When properly stored they were not prone to fungus… but almost all classic lenses will have some sort of mold, dust or fungal issues when left in the dark and in their leather cases.

Thanks for the visit!

Chris and Carol

You’re invited to visit our online store at https://www.ccstudio2380.com for some great vintage and collectible cameras, lenses, and accessories.

Pentamatic S – 1961 to 1962

The Pentamatic S… the last true Pentamatic in the short lived series of SLRs from Yashica. The Pentamatic II is the hardest to find from a collector’s standpoint as they were only available for sale in Japan with the S close behind.

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The Pentamatic S. The last camera in the short lived Pentamatic series.

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Pentamatic cameras tend to have very well designed film paths and film chambers. We rarely find corrosion and the chambers are large and easy to keep clean. The Nicca inspired cloth focal-plane shutter in this example is super clean and shows no white mold spots.

The Pentamatic S pictured above, the serial number is NO. 140572. Our other S is NO. 140294. These numbers decode to… 1=1961, 4=April, and the last four digits equal the sequential production numbers. The S models were not produced in great numbers so it is possible that both of these cameras were made during the same month as they are within 300 units of one another. Another serial number in our database is… NO. 141796 which suggests that it was the 1,796 th unit made in April of 1961. Interestingly the serial number of the model S in Yashica’s instruction booklet is NO. 140893. It is odd that the camera in the booklet has a higher production number than two cameras we own.

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The only difference between the S and the original Pentamatic ’35’ is the notch in the shutter speed dial on the S. It is used to couple the clip-on exposure meter to the dial.

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The biggest changes in the S from the original… the shutter release button is no longer at a 45 degree angle but its position on the body is the same. The S adds a self-timer and the light meter (exposure meter) lug on the face just below the shutter speed dial.

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The lug for the neck strap has been relocated to the front from its previous position (on the side). It’s interesting to note that this lug is super corroded while the lug on the other side is not.

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As we mentioned in the previous post on our blog, the Pentamatic series of cameras are prone to mirror lock-up. This S is currently in the locked-up position and has resisted my attempts at freeing it. It had been working at the higher shutter speeds (1/125 and higher) but now it sticks at all speeds. Ugh!

In summary… the Pentamatic S is a very worthy camera and is built like a tank. The S went back to using the Auto Yashinon f/1.8 5.5cm lens which was the standard lens on the original Pentamatic ’35’. The Tomioka Optical built lens is sharp and smooth. The S allows for the attachment of a separate exposure meter on the front lug (where the “S” is) and can couple with the shutter speed dial. Still a long way from TTL metering but at least headed that way.

Thanks for your visit!

Chris and Carol

Please visit our online store at https://www.ccstudio2380.com for a nice selection of classic film cameras and vintage photo accessories.

Pentamatic ’35’… 11.3.2016

The tank that is the Pentamatic ’35’.

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A nice example of an everyday shooter. This one was made in May of 1960 and looks like it saw some regular use. The Auto Yashinon lens is spotless inside and shows a nice patina on the barrel.

The Pentamatic pictured above shows some signs of frequent past usage. Some bright marks on the silver finish, a few dings and dents here and there… some bits of surface corrosion but nothing broken or inop. Per the serial number on the body and on the lens, this camera and lens set were made in May of 1960. The body was the 4,410 th to roll out of the factory since production began in December 1959.

The Pentamatic and its standard lens – the Auto Yashinon f1.8 5.5cm is a beast! Lots of brass and glass went into making these beauties. We love the chrome nose on the lens… a quick swab with some 91% isopropyl alcohol and it shines like new.

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As is typical with these 56 year old cameras, the mirror tends to show some grime and “soot”. A very very gentle swab with water and some dish soap does a good job with the dirt and some of the soot but the mirrors never really come fully back to their original shine.

The metal lens cap (52mm) is quite solid and is backed with black felt like material. Occasionally you’ll find some pretty dented up caps but since they were so well built you’ll more than likely find a good example out there.

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The Nicca Camera Company (Taiho Optical Company) inspired cloth focal-plane shutter. Simple and pretty rugged. This one has some white spots on it as most do… we tend to leave them be rather than trying to clean the them off.

This one (above) has a nice clean film path and film chambers. They’re easy to keep clean with a cotton swab and some canned air. Don’t blow directly on the shutter curtain with the high pressure air!

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Since the Pentamatic with lens weighs nearly 2.5 pounds, the base plates usually take a beating. This one is rather good and has held up well!

If you’re interested in adding a nice Pentamatic’35’ to your vintage camera collection, hopefully we’ve shown what a super clean but well used camera looks like. Be careful when you’re shopping around – the mirrors often get stuck in the up position. A few little adjustments (and some lube) usually get them working again but they’ll remain “tricky”. Obviously look for evidence of severe damage – a major dent that prevents something from operating properly would be one to definitely stay away from. The lenses often freeze up do to lack of use… a short time with a hair dryer can often get them moving again.

Best of luck on your search! Any questions please feel free to contact us.

Many thanks, C&C

Nicca Pentamatic!?

We know… doesn’t make sense, does it? Doesn’t even sound right… “Nicca Pentamatic”.

Stay with us and we’ll try to make our case. Recently discovered information has filled-in some of the missing links in the development of our favorite obsession camera. The mysterious and seldom seen Pentamatic ’35’… Yashica’s first SLR.

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Nicca 3-F 35 mm rangefinder (left) and Yashica Pentamatic 35 mm single-lens reflex SLR (right).

A few interesting bits of info have come to our attention recently. We were alerted to an auction by our friend Paul Sokk (http://www.yashicatlr.com) that listed a 13.5 cm f/ 2.8 lens made by Taiho Optical Company –  Nicca Lens. Having never heard of the company, Taiho Optical, and knowing about Nicca’s history, we couldn’t figure out where and how there could be a Nicca connection.

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Let’s backtrack a bit with a quick history lesson. Yashima-Yashica was a very successful maker of high quality, low-cost twin-lens reflex cameras but hadn’t moved into the 35 mm market as of early 1957. It appears that the president and founder of Yashima-Yashica, Mr. Yoshimasa Ushiyama could see that although Yashica was successful building TLRs, the market for them would slowly diminish as new, smaller and easier to use 35 mm cameras would grab the marketplace. He wanted in but how? Yashica had no experience in 35 mm cameras, especially rangefinder cameras with cloth focal-plane shutters. There were dozens of Leica copy cameras in Japan (and the world for that matter) but possible patents protected specific manufacturer’s shutter designs. If he could buy into an established company then he could use their shutter design and incorporate it with early Yashima-Yashica designs. In May of 1958, an opportunity presented itself. Nicca Camera Company was apparently experiencing financial difficulties and may have been on the brink of bankruptcy. Nicca cameras were well known and well respected – they made high quality 35 mm rangefinder cameras with focal-plane shutters. They used Nikkor lenses with the L39 screw mount. Mr. Ushiyama was in a rush to purchase Nicca before they went belly up. Advisers cautioned to wait until Nicca went bankrupt arguing that they would be able to acquire it for a better price. Mr. Ushiyama knew that that outcome of a bankruptcy could take longer than he was willing to wait and there would certainly be more suitors to compete with. So the deal went through… sort of. As best as we can glean from our research, a “religionist” “admonished” Mr. Ushiyama for rushing into the deal and cautioned that Yashica itself would suffer a “decline” if all of the transfer were made immediately.

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Yashima-Yashica founder Mr. Yoshimasa Ushiyama.

OK, OK! We give!!! We share your feelings dear reader –  what’s the connection between Nicca and the Pentamatic? Taking the advice of the religionist, Mr. Ushiyama created a new company. Nicca would become Taiho Optical Company. Say what? Nicca wasn’t absorbed into Yashica in May of 1958, instead, they became another company that could continue to operate with Yashica but without becoming Yashica. Simple. Confused? Mr. Ushiyama listened to his adviser so nothing bad happened. It appears that the former Nicca employees were now free to develop new processes and designs with the financial and technical support of the much larger Yashica. What did Yashica get for its money? Plenty it would seem. Access to years of 35 mm rangefinder manufacturing experience and access to a proven focal-plane shutter. Important steps in building a 35 mm single-lens reflex camera. We don’t know (yet) which one of the two companies came up with the design of what would become the Pentamatic. Was it mostly a Yashica design that had been kicking around for a while lacking a focal-plane shutter, or was it mostly a Nicca design that lacked the financial means to bring it to market? We feel that it was more than likely a 60 – 40 split with Nicca as the 60%. Just a hunch, no facts at the moment.

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Pentamatic’s focal-plane shutter. Thanks to Nicca.

But what did the Taiho Optical Company make? Yashica didn’t make their own lenses, Tomioka Optical of Tokyo did. Was the former Nicca, now that it had become Taiho Optical, going to suddenly start making lenses? At the start of this blog, we mentioned that we were alerted to the existence of a 13.5 cm lens for sale with the Taiho Optical Company-Nicca Japan markings. Other than that, nothing.

So when did Mr. Ushiyama merge the two companies? He apparently listed to his adviser and waited eight long years before merging the two. From 1960 (when the Pentamatic was released) until 1968, when he not only made Yashica whole, but he also acquired long time lens supplier Tomioka Optical.

Now we know how the Pentamatic came to be and why it could be called the Nicca Pentamatic.

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Thanks for sticking with us. Comments? Likes?

Chris and Carol

New Pentamatic Brochure

Recently we’ve come across a nice Yashica Pentamatic sales brochure from Germany. It looks to have been printed around early 1961 as another brochure that was with it (same style) is for the Yashica Rapide camera and it was introduced in 1961.

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Yashica sales brochure for the Pentamatic. Nothing new about the Pentamatic is noted… probably came out in early 1961.

What is surprising to me is that only two other lenses are shown in this brochure besides the standard 5.5 cm f/1.8 normal lens. Surprising because by early 1961 Yashica had at least three other lenses for the Pentamatic that we are aware of. The 35 mm f/2.8 and the 100 mm f/2.8 pictured are fantastic lenses designed and built for Yashica by Tomioka Optical of Tokyo. It is possible that in Germany the other lenses were not available in 1961. Just a guess.

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Full front and back cover scan of the brochure. The back cover shows various accessories available for the Pentamatic.

The Yashica Rapide brochure pictures two different flashes for the Rapide. The one on the right of the camera is identified as the Yashica Quick Lite 11 (or is it II)? Not sure on these as we’ve yet to find them in another brochure.

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Scan of the back cover of the Rapide brochure showing two flash units for the Yashica Rapide camera. One identified as the Yashica Quick Lite 11 (???).

Prior to seeing this brochure, we were not aware of Yashica branded flashbulbs. We would love to find those and add them to our collection. Hint hint!

Thanks for the visit!

C&C