Yashica TL-Electro

The TL-Electro was one of Yashica’s longest-running models in the very successful TL Series of 35mm single-lens reflex (SLR) cameras. Don’t confuse this model with the better known TL Electro X or TL Electro X ITS. It’s a totally different camera but equally important to Yashica’s success during the 1970s.

By analyzing serial numbers my good friend Paul Sokk ( YashicaTlr.com ) and I have determined that the TL-Electro was in production from April 1972 to February 1978. There’s still a chance of finding a few cameras outside of these dates but at this time they look pretty accurate.

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Original undated sales brochure for the TL-Electro.

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Essentially the TL-Electro is an updated version of the Yashica TL which was first produced in November 1967. The TL used a meter needle centering system vice the lighted arrows in the TL-Electro (same side and location in the viewfinder display).

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Cover of the instruction booklet dated 1974.

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From the instruction booklet. These exact batteries are no longer made (due to mercury) but there are replacements available that may do the job. The alkaline replacement is APX-640 or PX-640A (at 1.5v). The batteries only power the exposure meter system and not the shutter.

Yashica TL-Electro Box Logo

Original box that was with a camera that was produced in July 1973.

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Below is the Yashica TL from late 1967. The TL was the second camera in the TL Series right after the TL-Super (1966).

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The very basic but highly functional Yashica TL from an undated sales brochure.

The Yashica TL and TL-Electro are almost exact matches with the exception of a few placements of the dials and levers. Of course, the TL uses a mechanical meter display system where the TL-Electro gains the IC Brain and lighted arrows for metering. I haven’t had the opportunity to weigh each body to compare them yet but I would guess that they are pretty close.

When shopping for the TL-Electro or TL obviously choose the best looking and most functional cameras that your budget will allow. The TL, Electro AX and the FFT are the hardest to find in good condition even though plenty were made over the years. All of Yashicas cameras during this period used M42 screw-in lenses so it’s easy to mix and match.

Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

In the Shop – A Beautiful Canon 35mm A-1 Camera and Lens Set

New in the shop today at http://www.ccstudio2380.com I have a beautiful Canon A-1 with its original Canon FD 50mm f1.8 lens from 1982. As with everything I feature in my shop, this classic Canon has been cleaned, inspected and tested and it’s ready to go.

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This Canon A-1 set comes complete as pictured. I’ve installed a new battery and checked all of the functions of the camera and lens.

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The A-1 was is still is one of the best auto exposure cameras that Canon made during this period. I addition to its automated features it also shoots in full manual mode. It’s perfect for the experienced pro as well as for the beginner.

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Additional pictures of the camera and a complete description can be found at http://www.ccstudio2380.com

In the shop, I also have a wonderful Canon A-1 sales brochure filled with additional info about the cameras advanced features and functions.

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If you’re looking to complete the look I also have a couple of vintage and super cool Hippie camera straps that would look awesome with this camera or any camera in your collection.

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I’ll mail pretty much worldwide. The shop is hosted by Etsy so I accept all types of payments. http://www.ccstudio2380.com

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Have a great day and thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

 

In the Shop – Mamiya / Sekor 1000 DTL

In the shop today I’ve listed a classic from around 1970. The groundbreaking and somewhat historic Mamiya 1000 DTL 35mm SLR camera.

This one is the perfect camera for those who like (and are capable) of repairing early film cameras. I purchased this camera locally from the original owner last week and gave it a good cleaning and of course an inspection.

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What’s great about this camera –

  • The body is pretty nice and free of corrosion. It does have a dent on the top of the pentaprism, however.
  • All levers, knobs, and dials work.
  • It’s survived to the present day with all of its parts attached.
  • The meter appears to work (it is active with a new A76 battery) but not tested for accuracy.
  • The shutter fires and the film advance works and cocks the shutter. It has not been tested for accuracy.
  • It has the original “D” rings for the neck strap.

What’s not so great –

  • The mirror is in the “stay up” position. It does move freely by hand and may be an easy fix.

I’ve listed it as a camera that needs repair to fully function, or use it for parts to repair another, or for display in your vintage SLR collection. There’s lots of good parts here.

No etchings or engravings from the previous owner and no other damage or dents. I’d love to pass this nice camera to someone who has the time to repair it or is a Mamiya collector. It takes the “universal” M42 screw-in lenses so there’s no shortage of available quality lenses out there.

If you’re interested, further details and pictures can be found in my shop at http://www.ccstudio2380.com (Etsy Pattern shop).

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Thanks for stopping by! – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Not what I expected…

Sometimes cameras that I purchase from online auction sites simply blow me away with the overall quality of the item. Sellers that tend to understate the condition of their gear and then deliver something unexpected (“looks good” is really “like new”). Occasionally cameras arrive and my reaction is just the opposite. But I have a wide range of acceptance because I look closely at the pictures of the item in the listing and ask questions when I’m not sure of something. No one likes bad surprises.

One area that I’m completely inflexible on is previous owner’s initials etched, carved, or engraved into the camera body or lens. If I’m told about it and shown a picture of it that’s fine – I can decide if I still want that piece of gear before I bid on it. Often an etching will be on a part of the camera that’s replaceable like the baseplate or even the film door.

Here’s an example of undisclosed damage from an engraving. I received this camera yesterday and it was described as looking like it was unused in the listing. I guess in fairness to the seller a camera can have an engraving and still technically be “unused”. Not in this instance, however.

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This engraving is on the camera’s right side near where the strap would go. That side was not shown in the listing photos. Go figure. If you look closely you’ll also see a hairline crack in the plastic just to the left of the “J”. The camera it turns out was very well used (or very well abused).

No worries, the camera is on its way back to the seller and they’ve promised a full refund. If the seller simply didn’t catch that there was an etched name or social security number, or driver’s license number (I’ve received all three on one camera before!) then I understand. But when it’s this obvious and you don’t mention it why bother going through the motions of sending it? Oh well.

Thanks for stopping by! Oh by the way, if you’re looking for accurately described and well taken care of cameras and photo gear, then a visit to my camera shop just might be the place to start. You can find my shop at http://www.ccstudio2380.com (Etsy Pattern site). Everything I sell is from either my personal collection of gear or locally sourced cameras. Carol and I are always on the lookout for interesting gear so if you’ve got something you’re interested in selling please drop us a line and tell us what you have. We may be looking for that exact item to add to our collection.

Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

 

In the Shop – Fuji Smart Shot 35mm Camera Kit – Light Blue

In the shop today I’ve added a rather hard to find light blue version of this popular and fun Fuji camera. The Fuji Smart Shot was released in April 1994 for a selling price in Japan of ¥3,800

You can purchase this still new in its original box camera directly from here on this post by clicking on the PayPal button or over in my shop at http://www.ccstudio2380.com

Fuji Light Blue Smart Shot 35mm Compact Film Camera Kit with Fujinon f/8 35mm Lens, Film, Battery, Strap, Instructions

Super hard to find still new in its box, this Fuji light blue version of this popular and fun to use Fuji is unused and in mint condition. It comes complete with its original box (with packaging materials), an unused nylon strap, the instruction sheet, a roll of expired (07/2010) Fujicolor 100 film, and a new Fujifilm AA battery. The camera has been tested and works perfectly. I’ll ship this in the USA for FREE via USPS First Class Mail and worldwide with some exceptions – please ask for a quote first. Thanks, Chris

$68.75

Pentamatic vs. Pentamatic S – Yashica’s Heavyweights

It’s time to revisit this post as it introduces new readers to the “wonders” of the Pentamatic series of SLRs from Yashica. Chris

Chasing Classic Cameras with Chris

The Pentamatic was Yashica’s first single-lens reflex (SLR) and was released in 1960 (May-June) timeframe. The Pentamatic S was released about mid to late 1961. Not much changed between the two – the S model added a built-in self-timer and most notably, a provision for mounting an exposure meter to the top right of the camera that coupled with the shutter speed dial. Other small changes were to add lugs for holding the neck strap (moving them from the extreme right and left sides of the body on the Pentamatic to a more typical front mounting on the S). Unseen from the exterior is a change to the focusing screen inside the pentaprism. The original fresnel screen in the Pentamatic was replaced with a split image screen in the model S. For me, that change makes the Pentamatic S much easier to focus and improves the brightness inside the viewfinder.

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Time Capsule – 1960

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The original Pentamatic.

A nice example of Yashica’s first 35mm SLR – the Pentamatic. Also known as the Pentamatic ’35’ in its earliest advertisements and sales brochures. This particular camera is from August 1960 – the same month that Yashica started production of the Pentamatic II – a model that was destined for the Japanese home market and not for world export. The Pentamatic II stayed in production only until January 1961 when it was replaced a few months later with the Pentamatic S. The original Pentamatic was first produced in December 1959 but widescale production didn’t begin until January 1960. As of this update (Oct 11, 2018), I still haven’t found evidence of an instruction booklet printed in Japanese – only English booklets so far. I would think that there must be booklets in Japanese and at least 2 or 3 other languages but none found. The Pentamatic II booklet is in Japanese and no English editions have been found.

As always, thanks for stopping by and please check out my camera shop at http://www.ccstudio2380.com – Chris

Please respect that all content, including photos and text, are the property of this blog and its owner, Yashica Pentamatic Fanatic, Yashica Sailor Boy, Yashica Chris.

Copyright © 2015-2019 Yashica Pentamatic Fanatic, Chris Whelan
All rights reserved.

Canon AE-1 Program

 

Canon AE-1 Program 35mm SLR Film Camera

Canon AE-1 Program in super clean and fully working condition - a one owner camera (mine) since 1981. It will include a battery and a roll of Fujifilm Fujicolor 100 film (ex 07/2010). The AE-1 P is one of Canon's easiest to use compact 35mm film cameras. This SLR features full manual mode, shutter and aperture priority modes and full program (automatic) mode. Simply compose, focus and shoot! It accepts all Canon FD lenses (which is a bunch!) I'll mail this most anywhere in the world - please contact me for a quote. In the USA a flat $10.00 gets you USPS Priority Mail with insurance and a tracking number.

$69.00

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Thanks for stopping by! You can buy this outstanding Canon here or visit my store at http://www.ccstudio2380.com

Thanks, Chris

Minolta SR-T 101 from 1969

We’ve got a wonderful vintage classic from Minolta – the venerable SR-T 101. Actually, quite a groundbreaking camera back in its day with many never before seen features and functions. This one was purchased by a young man serving in the U.S. Army in South Vietnam in 1969.

It was a combat camera having flown with him on several missions aboard a helicopter over the Mekong Delta region. He told me that he purchased it almost as soon as he arrived in country at a Post Exchange in Saigon. Despite its exciting beginnings, it’s made it to today with no dents and only a few bright spots in the satin chrome finish. It’s a fully mechanical camera – the shutter operates independently of a battery from Bulb to 1/1000 of a second. A battery is only needed to operate the TTL meter.

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This good-looking Minolta has received a complete inspection and has been meticulously cleaned inside and out by me. I tested it with a fresh 1.5v alkaline battery and the light meter works just fine. It will be off by about 1/2 to 1 full stop but when shooting with negative film the wide exposure latitude of film usually makes any exposure differences unnoticeable.

That’s a “fresh” roll of expired Fujicolor film (from 2010) and the original soft body cap from Minolta. For more details and to see additional pictures of it, visit our online store at https://www.ccstudio.com

Or you can purchase it directly from here – I’ll ship nearly worldwide. Please drop me a line for a shipping quote to your country. In the USA, I will ship it USPS Priority Mail for only $6.00  Just click on the “Pay with PayPal” button below.

Many thanks for stopping by! Chris

Minolta SR-T 101 35mm Film Camera

Vintage (100% fully working) 35mm SLR from Minolta - the SR-T 101

$49.00

Canon Sure Shot Zoom S – S AF (1989)

Part of the “Modern Classics” series of our collection. This one is from mid 1993. One of the more sophisticated AF point and shoot (click) plastic fantastic 35mm cameras of the 1990s. There were two versions of this camera – this one, the Sure Shot Zoom S and the Sure Shot Caption Zoom (with removable remote control).

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As released from the factory – still new in the box.

The zooming range covers 38-60mm. Other features include auto focus, auto film load, advance wind, auto flash and auto macro. Canon claims it has an improved autofocus control – ‘Evaluative Active System’  that looks at the entire frame and recognizes the main subject based on its distance to the camera (sounds pretty standard to me). Anyway they made a big deal about it in the owner’s manual.

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The Canon lens is Spectra-coated and is constructed with 6 elements in 6 groups. I assume it’s glass.

Canon recommends using DX-coded film. The camera automatically sets ISO 50-3200. Non DX-coded film will set to ISO 100.

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Well placed shutter release button and large LCD. The auto flash feature can be turned off. What I found surprising was that there was no “Red Eye” reduction system available. Probably too early for that.

The Canon Sure Shot Zoom S features a 3-zone metering, AE programmed system that focuses from about 60cm to infinity. It uses one 6V lithium battery (2CR5) which is still readily available (I just purchased one for $7 with free shipping).

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Nice centered viewfinder that is bright and well marked. Super simple back with easy to find and use on-off button.

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The TILT lever is pretty cool – it has two positions when you pull it out. When setting the camera down on a flat surface (like a table) for taking selfies, it tilts the camera slightly upward so as not to get the table or whatever in the pic.

The camera is large for a point and shoot – weighs in at 384 grams with the battery and compared to the 1980 model Canon A-1 35mm SLR, almost as large!

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The Sure Shot is a large camera – it fits very nicely in my hands and feels solid. The buttons are all recessed so it does take a bit of finger olympics to push them all the way in. By the way, the A-1 with my FD 24mm lens weighs in at 934 grams!

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As you hear us say all the time, if you want to collect modern film cameras from the 1980s and 1990s, the best way is if you can find a complete original set, new in the box. Why not if they’re still out there and available. They don’t make them anymore and some of these cameras are quite capable of outstanding images – some would spend crazy money on the more well known cameras for almost unnoticeable differences in the final image (especially since most people don’t enlarge and print images anymore) and scanned to a PC they’ll look just fine on a high quality monitor.

Pick up one of these Sure Shots and I’m sure you’ll be impressed with it.

Studio Camera: Fujifilm FinePix S9900W

Chris