Tag Classic Cameras

Cocoa Beach Firefighters – 1972

Chris and Carol 1 Comment

Cocoa Beach, Florida firefighters, May 1972

As part of my college ‘Photographic Documentation’ classes at Hydrospace Technical Institute (a mouthful), I decided to join the Cocoa Beach Fire Department as a volunteer firefighter trainee in the Spring of 1972. The highly trained professionals at the station agreed to train me and allowed me to document their activities for my class. Since Cocoa Beach is so close to the Kennedy Space Center at Cape Canaveral, the firefighters at Cocoa Beach had access to better personal gear (Lexan helmets and other high tech safety equipment) than other departments that were not expected to respond to a rocket related mishap. I hope to post a series of images over the next few weeks as more will be discovered in my archives. I’m sorry to say that I do not have the names of the brave firefighters I have pictured. I will be sharing my images with the current personnel of the Cocoa Beach Fire Department via their Chief.

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My favorite truck. 1970 Chevrolet 4×4 Suburban Rescue Unit. Way cool!

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Me and my favorite truck!

Camera:  Yashica TL Electro-X

Lens:  Auto Yashinon 50mm f1.7

Film:  Kodak Plus X Pan

Processing:  Self processing

Scanner:  Canon CanoScan 9000F Mark II

From a collection of recently ‘found’ negatives from 1972.

Many thanks to the personnel of the Cocoa Beach Fire Department for their expert training and friendly advice. They took the more than a few of us college kids in and it was a great experience for all. When I went on to join the U.S. Navy in 1975, I put my background in firefighting to good use aboard the three aircraft carriers that I served aboard.

 

Earliest Pentamatic Lenses Found… Yeah!

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Nerd heaven! After years of speculation and almost constant searching, we’ve been able to confirm that Tomioka Optical began making lenses for Yashica’s new Pentamatic 35mm SLR camera in the latter part of 1959. The two lenses pictured below confirm (via serial numbers) of an October 1959 start of production. Yashica had filed for a trademark of the name ‘Pentamatic’ in September 1959 (in Japan). Since their new camera used an exclusive mount for its lenses, Yashica designers had to have shared their design with Tomioka as early as the summer (August ?) of 1959.

Using the rule of twos, these lenses are the earliest in our collection.

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By serial number the left lens was built in October 1959 and it was the 92nd lens made. The right lens was built in December 1959 and by then Tomioka had built 1,630 lenses for Yashica.

No.  59 = 1959   10 = October  0092 = 92nd made

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No.  59 = 1959  12 = December  1630 = 1,630th made  

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Here’s our lens matched up to an advertisement in ‘Popular Photography’ magazine from the June 1960 issue. The lens in the ad is No. 59100581 which decodes to – October 1959, lens number 581 in the sequential production run. So in October, Tomioka had made nearly 600 lenses and by December they were up to 1,630 made. Certainly possible that they were averaging nearly 600 lenses per month in late 1959.

It’s a good find for us as the early serial numbers were just a guess on our part as to how they decoded. Having two lenses made before 1960 helped firm up our speculation. Lenses made in 1960 drop the month code in favor of a model number or code. A typical 1960 lens would have a serial number of:  No. 605xxxxx which would be 60 = 1960  5 = model code  xxxxx = production sequence number.

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Serial number No. 60515001 decodes to 60 = 1960  5 = model code  15001 = 15,001 made since production began in October 1959.

If you’re a collector of Pentamatics or are just interested in Yashica cameras in general, this is important info. We know, total nerd stuff!

Thanks for your visit.

Chris

Serious Photography!

Chris and Carol 5 Comments

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If you’re a regular reader (or curious visitor) you’ve hopefully picked up that we (Chris & Carol) enjoy sharing images of cameras that have crossed our paths over these many years. You may have also noticed that while we post countless images of cameras, lenses and what not, we’re not overly technical when it comes to photo gear. We’re not going to “beat you over the head” with needless specs of the gear we share – just (hopefully) good imagery of the wide-world of  photography.

With that said, we’d like to share an image of a camera that never fails to make us smile –

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Our son Timothy’s first (and only) camera – a Pikachu 35mm with genuine Pokemons inside! Tim just loved this camera and it’s an important part of our collection still.

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As always, many thanks for your visit. We hope it made you smile – after all, that’s what photography is all about…

Chris & Carol and Pikachu and Ash too!

Yashica-Mat 120 Film Camera Set – 1960

Chris and Carol 9 Comments
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Pretty close to the way it looked when it was unboxed back in 1960. This one was part of a short production run of only a handful of cameras. It was for sale at US Military Exchanges (stores) in Japan as it is marked *EP* which meant an exempt purchase. No taxes paid but it could not be purchased or sold on the Japanese domestic market.

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It was Yashica’s first crank film advance TLR and it also featured auto cocking of the shutter. First released in April 1957.

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The quality of the images taken with a Yashica-Mat are outstanding – Yashica used high-quality Yashinon f/ 3.5 80mm lenses made for them by Tomioka Optical of Tokyo.

They are a joy to use and it’s a great camera to get into medium format photography with. It produces large 6 x 6 cm negatives or slides.

Thanks for your visit! Please visit our camera shop for some interesting vintage photo gear at http://www.ccstudio2380.com

Chris and Carol  ^.^

Yashica J-7 …1966 / update 1

Chris and Carol 5 Comments

The last in Yashica’s “J” series of 35mm single-lens reflex cameras. These wonderful cameras carried Yashica through the dynamic changes in 35mm photography during that decade.

The J-7 is not a common camera. We don’t have a feel for the amount of sales for this model. The Yashica TL Electro-X was on the horizon – the J-7 was the last of the old technology bodies. Soon thru-the-lens (TTL) metering would turn things around for Yashica.

Here’s a photo essay of this classic and classy camera…

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Yashica J-7 35mm SLR film camera. The last of the ‘Penta J’ series of cameras from Yashica. The J-3, J-4, J-5 and then the J-7. All were well-designed heavyweights… lots of brass and glass. No TTL metering.

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Also of note is that this is the first time that Yashica lists “Yashica Trading Co., Ltd.” at its Jingumae, Shibuya-ku headquarters. The J-7 was the last of the “J” series and the TL-Super was Yashica’s first TTL exposure metered 35mm SLR.

There are two slight variations on the TL-Super. Version 1 is shown here. Look closely at the film advance lever… it is all silver very similar to the J-3. On the Version 2 of the TL-Super the lever is very similar to the later TL-Electro X with part of the lever silver and the rest black plastic.

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CdS light meter sensor “window”.

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Rare complete set with the original box.

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The J-7 is about as hard to find (in nice condition) as the J-4. The J-5 and J-3 being the most common. Each model makes a very fine camera to get into film photography with as most average (working) bodies going for well less than $50. Since the Yashica uses the universal M42 screw-in lens mount, there’s a whole world of outstanding lenses to choose from and not break the bank.

Good luck!

Chris and Carol ^.^

 

Yashica Pentamatic S & a “new” old school copy stand –

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Every now and then as a collector of all things Yashica, you get a little lucky. In this case my luck was finding an accessory that I wanted so badly back in the day (early 1970s). It’s not actually an accessory – more of what I’ll call ‘studio support equipment’.

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Pentamatic S on the copy stand.

I know. It’s just a simple copy stand. They’re for sale everywhere. But not a built in 1971 Yashica branded copy stand – and in its original box too! Collector heaven.

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The grids are about 20 x 20 so it’s actually quite large.

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It’s definitely from another time and place. No official name for it – just a copy stand. It’s built pretty well – lots of real steel parts and no plastic. I believe the plastic looking parts are Bakelite. I’ll need to modify the tripod screw bracket a bit for use by my digital Fuji.