Yashica-A: Collecting 101*

*Or how to run out of space for it all real quick!

As much as Carol and I would love to go on collecting camera sets, the cameras will eventually win out! Even when we narrow our collecting to let’s say only twin-lens reflex cameras made in the mid 1950s, and only made by Yashima-Yashica, we’d still run out of space and money. There were just too many made (obviously) to be able to collect all the different models and all the different variations. Yashima-Yashica was, by far, the most prolific TLR maker – ever! I believe they finally stopped by 1986 which was long after TLRs fell from favor!

So we’ve reached the point they sing about in that Disney movie – “Let it Go”! 

Collecting Yashima-Yashica cameras is a very satisfying endeavor. We’ve been at it for decades, we know. There’s enough of them around so the choices are plenty – but since Yashicas were built well but built for the masses, they weren’t collected when they were new. Most that are available are well used. They’re still very functional, but well used nonetheless. So if you’re trying to collect complete sets just as they came from the factory, and you want them to work and be in mint (or near mint) condition, good luck! It’s not like collecting Leicas, Nikons, Canons or Rolleis where when you google “nikon mint box” you end up with hundreds to pick from from all across the web. Google “mint yashica box” and you’ll see maybe a dozen of Yashica’s last TLR – the Mat 124G. A great camera but it’s common. The early stuff from Yashima-Yashica, well that’s a whole different ballgame, and that ballgame is fun!

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This one is from 1957,  made by Yashima Optical – the Yashica-A

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Solidly built and well maintained.

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All the factory goodies.

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“Fall out of bed” easy to operate – shoot 6x6cm negatives or color slide film soon after loading it. Great optics, accurate shutter and bright viewing screen.

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Yashimar f/ 3.5, 80mm lenses made by Tomioka Optical.

The Yashica-A is a great medium format camera. Simple to use and produces super sharp, large images that you’ll be amazed came from your hands. Why is the A the best? This one is 6 decades old and works perfectly. Why? Virtually nothing on it to break or jam. Simple winding knob, no self-timer and black yarn light seals that never fail. No built-in light meter (use a phone app) or use a vintage hand held meter or guess at the exposure or learn the “Sunny-16” rule. You almost have to try to make a bad image with a camera like this. Worried about the reversed image in the viewing hood? You’ll get over it quickly and you’ll soon love composing and shooting in the square format (6 x 6).

This model A (remember, “Let it Go”) is available for purchase. If you have an interest, contact us at chriscarol@ccstudio2380.com or visit us at http://www.ccstudio2380.com

If there’s something that you’re looking for maybe we have it or can find one for you. You never know!

Thanks for stopping by!

Studio Camera: Fujifilm FinePix S9900W

Chris

 

 

Fujica GW690 from 1978

We acquired this beast early this year and fell in love with its capabilities. The only problem with it is that you only get 8 6x9cm images on a roll of 120 film. Talk about planning your shot!

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Last camera to carry the Fujica name.

One of our favorite images from the first roll – far from perfect – the focus is a tad off but we love the shallow depth of field and the amazing tonal range of the Neopan Acros.

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The 6x9cm format is, in our opinion, nearly perfect for big time enlargements. This image by the way, is not cropped and hasn’t received post production.

If you want to go big in medium format, the Fujica GW690 and the Fuji GW690II and III are worth a look.

Chris

 

Yashica Flex AS-II by Yashima Optical

One of the original group of 6 cameras that Yashica (Yashima Optical Industries Company, Ltd.) made in the early to mid 1950s. This AS-II was introduced in 1954 and featured a built-in (well, attached) light meter. They’re solid cameras these early Yashica TLRs, and in our opinion, had some underrated features as well as great lenses. The light meter was made by Sekonic by the way.

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Yashica Flex AS-II with built-in light meter (just visible on the camera’s left side). The light meter’s cells were located under the nameplate and were exposed by lifting up the nameplate flap.

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The AS-II featured Yashimar lenses that were made by Tomioka Optical for Yashica. A Copal shutter with a blazing fast 1/200 top speed!

If you’re in the market for a vintage Yashica TLR then the AS-II should be on your list. Be advised that most will not have a working light meter – if you get one with one it’s a bonus. They are a bit hard to find – 63 year old cameras don’t often look this good or work perfectly. We were lucky as we were able to purchase this one from a collector in the US for a reasonable price.

Taken on the US Post Office steps in downtown Fernandina Beach, Florida. The post office dates to 1911.

Camera: Samsung Galaxy S4

Chris

Yashica EM TLR test roll – 2011

Some recently found images from a roll of Kodak E100VS Ektachrome Professional color slide film taken with my Yashica EM. Shot and processed around 2011 or so. Scanned (today) with my Canon CanoScan 9000F Mark II scanner.

I normally shoot Fujicolor PRO400H color negative film and Acros 100 black & white… I can see why. I wasn’t happy with these images when I first saw them and that’s why I probably just chucked them in a drawer.

My post production (no PS or LR) after the scans helped some but the color was way off. In fairness, it could have been the processing as I used a basic online company vice ‘The Darkroom’.

The transparencies weren’t cut properly by the lab so some of the square images are not square. I don’t crop my 6x6cm images after scanning as they’re meant to be square (adds to the composition challenge in the viewing hood).

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Amelia Island’s courthouse.

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Clock Tower

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My father-in-laws motor home.

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Front yard river birch planted from a 1 gallon pot 15 years ago.

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Backyard dry streambed with maidenhair ferns.

All of the images were exposed using the Yashica’s exposure meter. Since slide film has a narrow exposure latitude, it was a good test of the Yashica’s nearly 50 year old built-in meter.

Fujifilm Neopan Acros 100 & Fujica GW690

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Testing our Fujica GW690 medium format camera and Fujifilm Neopan Acros 100 film. Captures the details, grays, shadows and textures nicely on this 130 year old brick wall on Centre Street.

Processing:  The Darkroom

Scanner:  Canon CanoScan 9000F Mark II

Film:  Fujifilm Neopan Acros 100

Camera:  Fuji Photo Film Fujica GW690 ca.1978

Yashica-Mat 120 Film Camera Set – 1960

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Pretty close to the way it looked when it was unboxed back in 1960. This one was part of a short production run of only a handful of cameras. It was for sale at US Military Exchanges (stores) in Japan as it is marked *EP* which meant an exempt purchase. No taxes paid but it could not be purchased or sold on the Japanese domestic market.

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It was Yashica’s first crank film advance TLR and it also featured auto cocking of the shutter. First released in April 1957.

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The quality of the images taken with a Yashica-Mat are outstanding – Yashica used high-quality Yashinon f/ 3.5 80mm lenses made for them by Tomioka Optical of Tokyo.

They are a joy to use and it’s a great camera to get into medium format photography with. It produces large 6 x 6 cm negatives or slides.

Thanks for your visit! Please visit our camera shop for some interesting vintage photo gear at http://www.ccstudio2380.com

Chris and Carol  ^.^

Yashica AIII – Rare Gray on Gray 1959

Very uncommon Yashica twin-lens reflex (TLR) camera – made in October 1959. This one is in beautiful dove gray leatherette and machinery gray metal. Designed for and sold in the Japanese domestic market and for export to Europe. Focusing scale is in meters only on this version. Others have dual scales.

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The serial numbers on the camera match the guarantee card. 

⇑ Complete set as it would have appeared for sale in Japan. This amazing 57 year old beauty still functions perfectly! The shutter speeds are spot on, the focus is sharp and the Tomioka lenses are crystal clear. It does have a few spots of corrosion and discoloration on the aluminum and steel body parts – Japan has a warm and moist climate that wasn’t always friendly to old cameras.

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Rare no hood logo.

⇑ The dove gray leatherette is tight and complete (a few minor stains) and the darker gray metalwork retains its factory sheen. The camera inside is clean as well with only minor dust seen when looking through the viewing hood.

The gray (and other colored cameras) from Yashica are always super collectible. We were very lucky to acquire this complete set. We have the original box but it has seen much better days. Perhaps a small restoration is in order.

Thanks for stopping by! Comments are always welcome.

Chris and Carol

 

New Arrival – Fuji Photo Film Fujipet!

Another new (to us) Fujipet has arrived! This one is in gray and came with its original gray leather Pet case. It’s hard to tell exactly when this one was made – guessing it’s a 1959 or 1960 version.

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We just love all the quirky knobs and numbered levers – sweeping curves and that crazy viewfinder.

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A true medium format 6x6cm film camera – as simple to use as falling out of bed. Takes 12 exposures on 120 roll film.

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Simple and then simple some more.

The Fabulous Fuji Foto Photo Film Fujipet!

Thanks for your visit!

C&C ^.^

Brand New (NOS) Fujifilm GF670s!

Fujifilm GF670 Professional 6×7 Camera

At a Glance

The Fujifilm GF670 Professional 6×7/6×6 dual-format folding camera is another shining example of Fujifilm’s unwavering commitment to preserving and nurturing the culture of photography. Designed with the traveling professional in mind, the GF670 is lightweight and sports a Gauss-type EBC Fujinon lens allowing the photographer to not compromise quality for ease of travel.

It’s amazing to think that Fujifilm USA recently found an undisclosed amount of these beautiful cameras in their warehouse. They were then sold (as best as I can tell) to B&H in New York for sale to the public. It looks like the first guess pricing was around $1899 then quickly up to $1999 and now on B&H’s site they’re at $2199 or so. They’re taking pre-orders now with availability in February. Released in early 2009? and discontinued in 2014. I would love to be able to put one of these in our collection – but it’s not gonna happen!

Maybe for you? Check out B&H’s site for more.

Chris

Fujica GW690 part 2

Just back from the Fujica’s first photo assignment in the US. What a simple and fun camera to use! The viewfinder (rangefinder) is super bright and big! It made it easy to compose my images and focus.

Yeah the leaf shutter going off isn’t going to get a bunch of oohs and ahhs from the crowd – it works and that’s what matters. The shutter sounds just like our Fujipet from 1958. Stay with what you know Fuji Photo!

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It took up the entire camera bag! I only had room for some lens wipes and the lens cap. Just back from its test shots.

The camera did draw some attention from the tourists that were downtown. It’s fun to answer their questions about film vs. digital (we love both) and the most common question – why would you take pictures with such an old camera? The weather was gorgeous too today – bright blue sky and and plenty of strong Florida sunshine. It took no time for me to burn through the 8 exposures!

When I advanced the film after exposure number 8, it took only 5 strokes (maybe only 4) of the film advance lever to free the film fully from the supply roll. Thinking that I’d better be cautious, I decided to remove the film in my dark bag at home.

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All went well in the dark bag. The roll had properly wound itself.

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We wish Fujifilm still made Neopan 400.

Now that the first part of the test is done, time to send off the roll to ‘The Darkroom’ for processing and digital scans. We should see something online from them by late Friday afternoon (it’s Tuesday now). Time to head to the post office!

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Check back soon to see the finished results. Thanks for your visit!

C&C ^.^