Author Chris and Carol

Taking an old friend out and about… Canon EOS Rebel 2000

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I know – what a goofy name! Rebel 2000? WTFO! (a nautical term often heard aboard U.S. Navy ships at sea).

Silly names aside, it’s been a good little Canon and has done pretty much everything I’ve asked it to do over the years. No outstanding features – just  sharp images and as close to a point and shoot analog SLR as there was in the late 1990s. I believe Carol gave me this one for Christmas 2003.

Since we’ve decided to pare down our collection of cameras, this one will be listed for sale soon. We like to test our cameras with film first so that we can state that the camera and lens works as advertised -plus we get to shoot some film with an old friend one last time.

It takes two CR2 batteries which we found for under $10 (with shipping) on eBay. We’ve loaded a fresh roll of Fujifilm Fujicolor Superia X-TRA 400 and now all we need is a sunny day. The Acros 100 is for another day and another camera.

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The camera and lens weigh next to nothing – a breeze to carry around places like Walt Disney World and it did well when we used it on our trip to Disneyland and Yosemite back in 2004. After years of carrying around a heavy Canon F-1 with equally heavy lenses, this camera and lens set me free to concentrate on composition and not the gear (and the pain in my neck). It’s a camera that’s had enough versions made over the years and in enough quantities that finding additional lenses for it would not be a problem if we were keeping it. The next owner will get a very well taken care of SLR that should be trouble free for years to come.

Standard issue EOS Rebel 2000 with the 28-80mm zoom lens.  ⇓

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Super clear and easy to understand LCD with just the right amount of info. ⇓

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It takes 58mm screw-in filters. ⇓

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It’s a good looking camera with an easy to keep clean surface. ⇑ ⇓

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Nice fill-in flash when needed. ⇓

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So there you have it. A simple Canon that’s very capable of delivering sharp, well exposed images. Lightweight – easy to pack. It makes it easy to concentrate on composition and not the camera. Just what you want when venturing out with an old friend.

Thanks for stopping by!

Chris

 

Super Yashinon-R 400mm Lens

Chris and Carol 4 Comments

One of Yashica’s big boys – 1961 model. Super Yashinon-R 40cm f6.3 telephoto lens with the M42 mount. A very early M42 mount from Yashica-Tomioka.

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Front view of this interesting lens…

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One of the first long focal length lenses for Yashica’s M42 screw mount 35mm SLR camera bodies. I would guess from the extremely low serial number that this lens was made in late 1961 or very early 1962. I have never seen a lens from Yashica “in the wild” with such a low number. 400 = focal length and the next 4 numbers are the production number 0009 meaning the 9th one made after the prototype.

Thanks for your visit! Comments are always welcome.

Chris & Carol ^.^

Cirrocumulus

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Not a common sight to see across Florida skies. Cirrocumulus (Cc) clouds are normally found above 25,000 feet (Florida). These were actually higher than nearby condensation trails left by high flying jets. Seen in early October.

Flying high above Walt Disney World…

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Camera: Sony Cyber-shot DSC-W170

Thanks for your visit.

C&C

Sea Oats & Sea Fog

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Almost sunset… sea oats along the dunes – sea fog obscures, the sun leaves its mark. Florida’s Atlantic coast. Winter’s days are numbered – Spring will be gone in a flash. Summer, well summer sticks around – and stays and stays.

Enjoying the brief cool days before the sun reminds us where we live.

Camera: Samsung Galaxy S4

All the best,

Chris & Carol

Yashica L AF – Field Test v2.0 – Can this Yashica hold its own against the T* Series?

Chris and Carol 11 Comments

A fun little point and shoot camera from Yashica-Kyocera (1986). This lovely camera was kindly donated to us from a blogger friend and photographer who lives in Japan. She tests cameras that strike her fancy and often processes her film at home. We think her test shots are extremely interesting – and always well composed too. You can find her at https://cameragocamera.wordpress.com/

Field test v1.0 was done in Japan.

She typically hunts around in second hand shops and picks up cameras for well under $10 (I think this one was only $3).

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The Yashica gets a fresh roll of Fujicolor Superia X-TRA 400 and a new finger strap (in almost matching red).

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This Yashica uses a 32mm f3.5 lens. The camera features a simple drop and go (well almost) film loading. It is a DX coded camera so it sets the ASA (sorry, old school). It produced 26 exposures from a 24 exposure roll.

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Pull the film leader to mid point on the orange line and between the white marks.

The real test – can this inexpensive Yashica L AF deliver the same image quality as its highly regarded cousins – the Yashica T3 Super with Zeiss T* 35mm f2.8 lens or the more closely related Yashica T AF?

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The T3 – often sells for over $200 on eBay. The L AF – well under $20!

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Yashica T AF. Yashica’s first in the T* Series of cameras (1985). Probably the most closely related to the L AF.

I won’t post all 26 images here. I will pick a broad representation of the photographic challenges that I threw at the Yashica L AF.

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First image overall – strong back lighting. A challenge for any simple AE camera. First sign of a red spot (far left).

These next two images were focused at infinity. Strong mid day lighting so deep shadows. The Fujicolor rocks some nice vivid colors and contrast!

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First real test of the auto-focus and AE in dim lighting below. It did well considering the strong sunlight in the background.

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I know right – crazy dark blue sky! No filters, just Superia X-TRA 400 and a contrasty lens.

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Nice detail. Sharp focus too on this sign below. The Yashica employs center weighted metering. Most AE cameras would be thrown off by the bright sky.

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Tough AE situation for a simple point and shoot (deep shade below). Post production would help but I like it as it is.

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Back in the bright Florida sun!

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Day 2 below at home. I was about 3 feet from the carp. Looks good.

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The attack of the red bar! Not sure the why of it.

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The AE handled this situation well – I blocked out the sun with the palm tree which allowed the Yashica to get a good reading on the building.

As I said at the top. All 26 images were excellent with about 4 experiencing the mystery red spots and bars.  I’m thinking that the red marks are from a processing error – it’s way too random to be a light leak. No post production on any of these images. They’re presented just as they were scanned by the processing lab. Maybe the CD will be even sharper.

We’re impressed! The camera has a solid feel – it has some weight and is actually as big as our Fujifilm FinePix S9900W.

So does this inexpensive Yashica L AF beat the Yashica T* Series? Don’t know yet – now all we need is someone to donate a T3 or T4 to test it!!! ^.^

For the money, if you can find a decent Yashica L AF and want a great point and shoot 35mm camera that produces better than expected images – the L AF more than delivers and at a price that won’t break the bank!

Camera(s): Yashica L AF Date, Fujifilm FinePix S9900W and Samsung Galaxy S4

Final shout out goes to the City of Fernandina Beach, Florida! Thanks for never messing with the Historic District – it looks the same (for the most part) as it did 120 years ago! 

Many thanks for your visit! Comments – please do. Donating a T3 or T4? – email us ASAP!

Chris & Carol

1957 Yashica-C

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The Yashica-C made by Yashima, was part of the new wave of Yashicas that were released in late 1956 for sale in the world markets (focus scale is only in feet). It was listed at $46.50 plus $8.00 for the “De Luxe Leather Eveready Case”. The other models released at the same time were the Yashica-A ($29.95) and the Yashica LM ($59.95) which featured a built-in exposure meter!

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This handsome camera came to us recently with all features fully working – even after six decades of use, no issues. Our guess would be this camera saw maybe 1 or 2 rolls of film in its life. It is in factory new condition.

Features: Semi-automatic film wind, 80mm Yashikor f: 3.5 taking and viewing lenses (hard coated and color corrected), Copal shutter with speeds at 1, 1/2, 1/5, 1/10, 1/25, 1/50, 1/100, 1/300 second and Bulb, self-timer, flash sync (M-x) built-in, bayonet lens mount and flash gun shoe with standard PC flash terminal.

If you’re looking to try medium format photography, the Yashica-C is a great camera and a great value. It can often be had for significantly less money then a Yashica-D.

A word of caution about 6 decade old TLRs. Corrosion of the black metal parts is common as is fungus and mold in and on the lenses. If the camera you’re interested in shows some exterior rust (and other forms of corrosion), then ask the seller a bunch of questions. Cameras like these that come from humid environments are often left in their organic leather cases (and in the dark) – fertile grounds for growing mold and fungus. Fungus filaments can completely destroy a lens or at the very least, etch parts of the coating for good.

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All the goodies!

On a more happy note – this beauty has no mold or fungus and was purchased from a seller in Michigan. Probably a one owner camera – it came with a roll of Kodak Tri-X film loaded inside (at least from the mid 1960s).

Studio Camera: Fujifilm FinePix S9900W

Thanks for your visit and comments are always welcome. C&C ^.^