Serious Photography!

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If you’re a regular reader (or curious visitor) you’ve hopefully picked up that we (Chris & Carol) enjoy sharing images of cameras that have crossed our paths over these many years. You may have also noticed that while we post countless images of cameras, lenses and what not, we’re not overly technical when it comes to photo gear. We’re not going to “beat you over the head” with needless specs of the gear we share – just (hopefully) good imagery of the wide-world of  photography.

With that said, we’d like to share an image of a camera that never fails to make us smile –

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Our son Timothy’s first (and only) camera – a Pikachu 35mm with genuine Pokemons inside! Tim just loved this camera and it’s an important part of our collection still.

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As always, many thanks for your visit. We hope it made you smile – after all, that’s what photography is all about…

Chris & Carol and Pikachu and Ash too!

Yashica J-7 …1966 / update 1

The last in Yashica’s “J” series of 35mm single-lens reflex cameras. These wonderful cameras carried Yashica through the dynamic changes in 35mm photography during that decade.

The J-7 is not a common camera. We don’t have a feel for the amount of sales for this model. The Yashica TL Electro-X was on the horizon – the J-7 was the last of the old technology bodies. Soon thru-the-lens (TTL) metering would turn things around for Yashica.

Here’s a photo essay of this classic and classy camera…

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Yashica J-7 35mm SLR film camera. The last of the ‘Penta J’ series of cameras from Yashica. The J-3, J-4, J-5 and then the J-7. All were well-designed heavyweights… lots of brass and glass. No TTL metering.

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Also of note is that this is the first time that Yashica lists “Yashica Trading Co., Ltd.” at its Jingumae, Shibuya-ku headquarters. The J-7 was the last of the “J” series and the TL-Super was Yashica’s first TTL exposure metered 35mm SLR.

There are two slight variations on the TL-Super. Version 1 is shown here. Look closely at the film advance lever… it is all silver very similar to the J-3. On the Version 2 of the TL-Super the lever is very similar to the later TL-Electro X with part of the lever silver and the rest black plastic.

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CdS light meter sensor “window”.

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Rare complete set with the original box.

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The J-7 is about as hard to find (in nice condition) as the J-4. The J-5 and J-3 being the most common. Each model makes a very fine camera to get into film photography with as most average (working) bodies going for well less than $50. Since the Yashica uses the universal M42 screw-in lens mount, there’s a whole world of outstanding lenses to choose from and not break the bank.

Good luck!

Chris and Carol ^.^

 

Yashica Pentamatic S & a “new” old school copy stand –

Every now and then as a collector of all things Yashica, you get a little lucky. In this case my luck was finding an accessory that I wanted so badly back in the day (early 1970s). It’s not actually an accessory – more of what I’ll call ‘studio support equipment’.

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Pentamatic S on the copy stand.

I know. It’s just a simple copy stand. They’re for sale everywhere. But not a built in 1971 Yashica branded copy stand – and in its original box too! Collector heaven.

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The grids are about 20 x 20 so it’s actually quite large.

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It’s definitely from another time and place. No official name for it – just a copy stand. It’s built pretty well – lots of real steel parts and no plastic. I believe the plastic looking parts are Bakelite. I’ll need to modify the tripod screw bracket a bit for use by my digital Fuji.

Excellent Post by Dan James

I’ve shot far more photographs with 50mm lenses than any other focal length. But switching 50s more often than underwear can become an exhausting and hollow experience. Here’s why my 50s philandering days are done, and how I’ve settled on my ideal. It took me a while to realise, but after something like seven or […]

via The Fall Of The 50s Philanderer (Or How I Found The Perfect 50mm Lens) — 35hunter

Tokyo store window – 1964

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Japan and the summer Olympic Games held in Tokyo.

Yashica’s latest in their popular line of SLRs. As it would have appeared in 1964.

The world was coming to Japan for the Olympics and Japan was ready to show the world its best technology and design. The Tokaido Shinkansen made its inaugural run from Tokyo on October 1st and Japan and its technology never looked back.

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Fantasy image of our 1964 Yashica J-5 as it would have looked in the camera dealer’s window.

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Wonderful souvenir of the Olympic Games.

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Yashica proudly shows off its new J-5

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If you’ve been to Tokyo chances are you visited Mitsukoshi (there’s one at EPCOT at WDW, Orlando).

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Who hasn’t owned or wanted a SONY!!!

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A trip back in time. A time when Japan showed the world what it was capable of.

Thanks for your visit!

Chris

 

Petri 35 Super 28 – 1956 – A little gem with a serious flaw.

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This Petri 35mm rangefinder was purchased in June 1956 at a U.S. military facility in Japan. It came with excellent documentation – sales receipt (not shown), instruction booklet, guarantee card (dated 4 June 1956), a JCII hang tag (May 1956), original metal lens cap, the leather case (not pictured) and the original box. It was nice to see that all of these items stayed with the camera after all these years.

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We don’t normally collect rangefinder cameras – this one was included with a Yashica TLR from the same year (and purchased by the original owner at the same time). After some initial cleaning and inspection it was discovered that the lens (last element inside) was ripe with fungus. I had a feeling it would (most of this era do) as it still had a roll of film inside with a light white haze on it. Not a good sign. Everything worked on the camera but there was no point in testing it with a fresh roll of film – way too much fungus. I don’t try to clean the lenses on these types of cameras. My one and only attempt resulted in a completely clouded lens.

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In our opinion, this mark identifies mostly cameras and camera equipment and sometimes electronics like stereos, that were sold in Japan for export. The <E.P> stands for ‘Exempt Product or Exempt Purchase’ to let customs officials know that fees (taxes and the like) were not paid. This allowed foreigners living in Japan to buy high quality products and not pay taxes as long as it was purchased for personal use. Mostly available at U.S. military facilities (Navy Exchange and the like). May have also been available for diplomats and their families and tourists that shopped in the duty free shops. Notice that the symbol is on the camera’s cold shoe (accessory shoe). The camera maker could easily change the shoe for a camera made for sale in the domestic market.

This lovely set is now proudly owned by a collector in Italy. He purchased it with full disclosure on our part that the lens had fungus. Some of our more collectible Yashima-Yashica twin-lens reflex (TLR) cameras have some fungus and mold spots. They have all been exposed to strong sunlight and are stored properly to prevent further fungus and mold growth.

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So there you have it – a short photo essay on a very attractive camera and set from Petri. We wish that it could have stayed in our collection since it was so complete – but our true focus is Yashica 35mm SLRs and Yashica TLRs with an occasional rangefinder thrown in for fun!

Camera(s): Sony DSC-W170 and Samsung Galaxy S4

Many thanks for your visit – comments are always welcome. Chris & Carol ^.^

Help solve another mystery… who is she?

Help! She’s been driving us crazy for years trying to identify what type of uniform she’s wearing.

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Is she a stewardess, cruise ship officer, tour bus guide, train hostess? The uniform is certainly not a military uniform (but could be). This instruction booklet is from the late 1950s. Her cap is keeping with the style of the airlines at the time but definitely not JAL. Take note, she has a gold stripe on her right sleeve which wasn’t consistent with airlines unless you were in the cockpit. There is a hint of what looks like a pin (wings ?) on the left side of her jacket and of course there’s the emblem (logo) on her cap.

We’ve tried to place her by her looks. She doesn’t appear to be Asian… we think she looks northern European or from the UK… just don’t know.

We’re open to any and all ideas… just for fun since this is the only time Yashica used an image with a model wearing a uniform on the cover of their booklets. It was replaced rather quickly with a plain cover on later booklets.

Many thanks! We’ll take any and all guesses too.

Chris and Carol

 

Brand New (NOS) Fujifilm GF670s!

Fujifilm GF670 Professional 6×7 Camera

At a Glance

The Fujifilm GF670 Professional 6×7/6×6 dual-format folding camera is another shining example of Fujifilm’s unwavering commitment to preserving and nurturing the culture of photography. Designed with the traveling professional in mind, the GF670 is lightweight and sports a Gauss-type EBC Fujinon lens allowing the photographer to not compromise quality for ease of travel.

It’s amazing to think that Fujifilm USA recently found an undisclosed amount of these beautiful cameras in their warehouse. They were then sold (as best as I can tell) to B&H in New York for sale to the public. It looks like the first guess pricing was around $1899 then quickly up to $1999 and now on B&H’s site they’re at $2199 or so. They’re taking pre-orders now with availability in February. Released in early 2009? and discontinued in 2014. I would love to be able to put one of these in our collection – but it’s not gonna happen!

Maybe for you? Check out B&H’s site for more.

Chris