Yashica L AF – Field Test v2.0 – Can this Yashica hold its own against the T* Series?

A fun little point and shoot camera from Yashica-Kyocera (1986). This lovely camera was kindly donated to us from a blogger friend and photographer who lives in Japan. She tests cameras that strike her fancy and often processes her film at home. We think her test shots are extremely interesting – and always well composed too. You can find her at https://cameragocamera.wordpress.com/

Field test v1.0 was done in Japan.

She typically hunts around in second hand shops and picks up cameras for well under $10 (I think this one was only $3).

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The Yashica gets a fresh roll of Fujicolor Superia X-TRA 400 and a new finger strap (in almost matching red).

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This Yashica uses a 32mm f3.5 lens. The camera features a simple drop and go (well almost) film loading. It is a DX coded camera so it sets the ASA (sorry, old school). It produced 26 exposures from a 24 exposure roll.

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Pull the film leader to mid point on the orange line and between the white marks.

The real test – can this inexpensive Yashica L AF deliver the same image quality as its highly regarded cousins – the Yashica T3 Super with Zeiss T* 35mm f2.8 lens or the more closely related Yashica T AF?

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The T3 – often sells for over $200 on eBay. The L AF – well under $20!

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Yashica T AF. Yashica’s first in the T* Series of cameras (1985). Probably the most closely related to the L AF.

I won’t post all 26 images here. I will pick a broad representation of the photographic challenges that I threw at the Yashica L AF.

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First image overall – strong back lighting. A challenge for any simple AE camera. First sign of a red spot (far left).

These next two images were focused at infinity. Strong mid day lighting so deep shadows. The Fujicolor rocks some nice vivid colors and contrast!

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First real test of the auto-focus and AE in dim lighting below. It did well considering the strong sunlight in the background.

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I know right – crazy dark blue sky! No filters, just Superia X-TRA 400 and a contrasty lens.

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Nice detail. Sharp focus too on this sign below. The Yashica employs center weighted metering. Most AE cameras would be thrown off by the bright sky.

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Tough AE situation for a simple point and shoot (deep shade below). Post production would help but I like it as it is.

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Back in the bright Florida sun!

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Day 2 below at home. I was about 3 feet from the carp. Looks good.

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The attack of the red bar! Not sure the why of it.

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The AE handled this situation well – I blocked out the sun with the palm tree which allowed the Yashica to get a good reading on the building.

As I said at the top. All 26 images were excellent with about 4 experiencing the mystery red spots and bars.  I’m thinking that the red marks are from a processing error – it’s way too random to be a light leak. No post production on any of these images. They’re presented just as they were scanned by the processing lab. Maybe the CD will be even sharper.

We’re impressed! The camera has a solid feel – it has some weight and is actually as big as our Fujifilm FinePix S9900W.

So does this inexpensive Yashica L AF beat the Yashica T* Series? Don’t know yet – now all we need is someone to donate a T3 or T4 to test it!!! ^.^

For the money, if you can find a decent Yashica L AF and want a great point and shoot 35mm camera that produces better than expected images – the L AF more than delivers and at a price that won’t break the bank!

Camera(s): Yashica L AF Date, Fujifilm FinePix S9900W and Samsung Galaxy S4

Final shout out goes to the City of Fernandina Beach, Florida! Thanks for never messing with the Historic District – it looks the same (for the most part) as it did 120 years ago! 

Many thanks for your visit! Comments – please do. Donating a T3 or T4? – email us ASAP!

Chris & Carol

1957 Yashica-C

The Yashica-C made by Yashima, was part of the new wave of Yashicas that were released in late 1956 for sale in the world markets (focus scale is only in feet). It was listed at $46.50 plus $8.00 for the “De Luxe Leather Eveready Case”. The other models released at the same time were the Yashica-A ($29.95) and the Yashica LM ($59.95) which featured a built-in exposure meter!

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This handsome camera came to us recently with all features fully working – even after six decades of use, no issues. Our guess would be this camera saw maybe 1 or 2 rolls of film in its life. It is in factory new condition.

Features: Semi-automatic film wind, 80mm Yashikor f: 3.5 taking and viewing lenses (hard coated and color corrected), Copal shutter with speeds at 1, 1/2, 1/5, 1/10, 1/25, 1/50, 1/100, 1/300 second and Bulb, self-timer, flash sync (M-x) built-in, bayonet lens mount and flash gun shoe with standard PC flash terminal.

If you’re looking to try medium format photography, the Yashica-C is a great camera and a great value. It can often be had for significantly less money then a Yashica-D.

A word of caution about 6 decade old TLRs. Corrosion of the black metal parts is common as is fungus and mold in and on the lenses. If the camera you’re interested in shows some exterior rust (and other forms of corrosion), then ask the seller a bunch of questions. Cameras like these that come from humid environments are often left in their organic leather cases (and in the dark) – fertile grounds for growing mold and fungus. Fungus filaments can completely destroy a lens or at the very least, etch parts of the coating for good.

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All the goodies!

On a more happy note – this beauty has no mold or fungus and was purchased from a seller in Michigan. Probably a one owner camera – it came with a roll of Kodak Tri-X film loaded inside (at least from the mid 1960s).

Studio Camera: Fujifilm FinePix S9900W

Thanks for your visit and comments are always welcome. C&C ^.^

New Arrival – Fuji Photo Film Fujipet!

Another new (to us) Fujipet has arrived! This one is in gray and came with its original gray leather Pet case. It’s hard to tell exactly when this one was made – guessing it’s a 1959 or 1960 version.

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We just love all the quirky knobs and numbered levers – sweeping curves and that crazy viewfinder.

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A true medium format 6x6cm film camera – as simple to use as falling out of bed. Takes 12 exposures on 120 roll film.

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Simple and then simple some more.

The Fabulous Fuji Foto Photo Film Fujipet!

Thanks for your visit!

C&C ^.^

Petri 35 Super 28 – 1956 – A little gem with a serious flaw.

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This Petri 35mm rangefinder was purchased in June 1956 at a U.S. military facility in Japan. It came with excellent documentation – sales receipt (not shown), instruction booklet, guarantee card (dated 4 June 1956), a JCII hang tag (May 1956), original metal lens cap, the leather case (not pictured) and the original box. It was nice to see that all of these items stayed with the camera after all these years.

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We don’t normally collect rangefinder cameras – this one was included with a Yashica TLR from the same year (and purchased by the original owner at the same time). After some initial cleaning and inspection it was discovered that the lens (last element inside) was ripe with fungus. I had a feeling it would (most of this era do) as it still had a roll of film inside with a light white haze on it. Not a good sign. Everything worked on the camera but there was no point in testing it with a fresh roll of film – way too much fungus. I don’t try to clean the lenses on these types of cameras. My one and only attempt resulted in a completely clouded lens.

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In our opinion, this mark identifies mostly cameras and camera equipment and sometimes electronics like stereos, that were sold in Japan for export. The <E.P> stands for ‘Exempt Product or Exempt Purchase’ to let customs officials know that fees (taxes and the like) were not paid. This allowed foreigners living in Japan to buy high quality products and not pay taxes as long as it was purchased for personal use. Mostly available at U.S. military facilities (Navy Exchange and the like). May have also been available for diplomats and their families and tourists that shopped in the duty free shops. Notice that the symbol is on the camera’s cold shoe (accessory shoe). The camera maker could easily change the shoe for a camera made for sale in the domestic market.

This lovely set is now proudly owned by a collector in Italy. He purchased it with full disclosure on our part that the lens had fungus. Some of our more collectible Yashima-Yashica twin-lens reflex (TLR) cameras have some fungus and mold spots. They have all been exposed to strong sunlight and are stored properly to prevent further fungus and mold growth.

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So there you have it – a short photo essay on a very attractive camera and set from Petri. We wish that it could have stayed in our collection since it was so complete – but our true focus is Yashica 35mm SLRs and Yashica TLRs with an occasional rangefinder thrown in for fun!

Camera(s): Sony DSC-W170 and Samsung Galaxy S4

Many thanks for your visit – comments are always welcome. Chris & Carol ^.^

Neat Little Find

This camera cleaning cloth with an advertisement on it was with a Minolta camera we just acquired from a seller in Mie Prefecture, Japan.

A machine translation tells us that it is for a camera shop in Tokyo – Sakaecho – Tama 多摩ニュータウン.

Neat find from about 1963 or so… especially with the Contax camera depicted.  It’s 15 x 15cm square. We love the 4 digit telephone number! Just before the 1964 Tokyo Olympics.

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Thanks for your visit!

C&C

Mystery Models – v2.0

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1959 Yashica Model A twin-lens reflex camera instruction booklet cover.  

This dapper dude appears on at least two different Yashica brochures in the late 1950s and early 1960s. This cover shot is from a Yashica A III instruction book from 1959. He always appears with a “modern” pipe, fancy derby and is winking at the camera. My thought is that he is an actor who may have lived in or was super popular in Japan during that period. Any thoughts? Please see the back cover image below.

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Here he is in a German language Yashica brochure from early 1960 (below).

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Any help would be appreciated. As researchers of silly Yashica stuff, knowing who he is helps with some other silly stuff we’re interested in (Yashica-wise).

Thanks!

C&C

 

Help solve another mystery… who is she?

Help! She’s been driving us crazy for years trying to identify what type of uniform she’s wearing.

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Is she a stewardess, cruise ship officer, tour bus guide, train hostess? The uniform is certainly not a military uniform (but could be). This instruction booklet is from the late 1950s. Her cap is keeping with the style of the airlines at the time but definitely not JAL. Take note, she has a gold stripe on her right sleeve which wasn’t consistent with airlines unless you were in the cockpit. There is a hint of what looks like a pin (wings ?) on the left side of her jacket and of course there’s the emblem (logo) on her cap.

We’ve tried to place her by her looks. She doesn’t appear to be Asian… we think she looks northern European or from the UK… just don’t know.

We’re open to any and all ideas… just for fun since this is the only time Yashica used an image with a model wearing a uniform on the cover of their booklets. It was replaced rather quickly with a plain cover on later booklets.

Many thanks! We’ll take any and all guesses too.

Chris and Carol

 

Pentamatic – Finally Found ‘in the wild’. Nerds heaven!

After many years of searching for proof that Yashica had in fact released its first production run (from December 1959) of the 5.5cm f1.8 Auto-Yashinon lenses for the Pentamatic ’35’ – we finally found one in the wild! Now it’s ours.

We stumbled upon this lens the other day on an online auction site. After some negotiations with the seller, we reached an accord. The camera this lens was mounted on was a pure dog… “Junk Treatment” as ‘Google Translates’ the kanji for crap (one would think) items. We took a chance that the lens was going to be OK. We’ve seen enough of these over the years to get a good feel – this one we just had to have even if it matched the condition of the camera body it was on. Man was it dirty – sooty and a tad yellow (the markings yellow over time). But it was a hidden gem. No mold – no fungus – no cleaning marks or haze – and, the best part, it focuses crisply and although the aperture blades are a bit worn, they move nicely (snappy as ‘they’ say).

The Pentamatic went into production at Yashica’s modern factory campus in Suwa, Nagano Prefecture in December 1959. At the same time, or just slightly before (maybe in October), Tomioka Optical started making the lenses for the first Pentamatics. We don’t know for certain if Tomioka delivered completed lenses to Yashica or only manufactured the optics for them and Yashica did the rest – we just don’t have that information yet.

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Here’s the lens we just acquired – Auto Yashinon 55mm (5.5cm) f1.8 which was the normal lens supplied with Yashica’s first Pentamatics. The background ad is from a ‘Popular Photography’ magazine – June 1960 issue. The ad lens serial number is – No. 59100581 – our lens serial number is – No. 59100092. Not often do you find a lens in the wild with a lower serial number than an ad. By the way, the advertisement was the first ever for the Pentamatic.

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The lens that is featured in one of the first sales brochures for the Pentamatic, is serial numbered – No. 59100036. Our lens was made just slightly after the lens in the brochure (same day?). We don’t know when the sales brochure came out. Our guess is March 1960. The photographs were probably taken by the marketing people in Yashica’s Shibuya headquarters sometime in late 1959 or early 1960.

We know – this is all super boring nerd stuff that only Yashica fanatics would find interesting – wait, that’s a great name for a blog… ‘Yashica Pentamatic Fanatic’. ^.^

So what does the serial numbers tell us? The SN No. 59100092 (our lens) translates to – made in 1959, the ’10’ is for October, and the 0092 is the sequential production number of the lens assembly. This means that Tomioka Optical started production of the new lenses for the Pentamatic as early as October 1959! Lenses made in 1960 are labeled No. 605xxxxx. The ‘5’ being a placekeeper or model number. The highest serial number we have in our collection is No. 60515157. That lens came with a Pentamatic body that was made in January 1961 and the lens was the 15,157th made up until that point.

The highest serial number seen in the wild is No. 60521460 which was mounted on a Pentamatic-S body.

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Thanks for your visit and if you made it to this point in the post, pat yourself on the back! You may be a bit of a camera nerd – just like us!

Chris & Carol ^.^

First Pics! Fujica GW690

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We just got our first roll of film from our new Fujica processed with ‘The Darkroom’. They scanned the 6×9 negatives and zipped them to us. We couldn’t be any more pleased with the results.

As a refresher – this is the 1978 version of Fuji Photo Film’s GW690 medium format film camera. It is the last model to to be called ‘Fujica’. It looks great in this image and it is in very nice condition, but well worn from the thousands of rolls and exposures taken. It will settle in to a more quiet life with us as we can’t afford to buy and have processed 120 film and only get 8 exposures per roll. But we are super happy with it. Super sharp Fujinon 90mm lens transfers the image nicely to the 6×9 negative.

By the way… all of the images presented are direct scans from the negatives. No post production on our part – no crops or other messing with the images. Some I missed the correct exposure by a stop or two with my guesses. I was mostly shooting at 1/250 with 100 film at around f8 to f11. Neopan Acros is very forgiving.

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As you can see, we’ve presented 6 exposures vice 8… 1 other was a duplicate and exposure 8 wasn’t on the roll! I think I may have wound past the first frame. We believe the level of detail and contrast of the Fujinon lens is superb. Did we mention that we’re big fans of Fuji’s Acros? We also love the 6×9 format too. I would say that I was surprised at the shallow depth-of-field in the truck image – I focused on the ‘GMC’ logo and as you may be able to see, I missed spot on focus.

All of the images were taken along Centre Street, downtown historic district, Fernandina Beach – Amelia Island, Florida. The post office building is ca. 1911. The clock tower is ca. 1891. The ‘Pineapple Patch’ building is ca. 1880s. You get the point – for the U.S. it’s kinda old – for most of the rest of the world they’re kinda new. It’s all relative. ^.^

Thanks for your visit!

Chris and Carol

Colorful Yashica Brochures… 1980s

A small collection of some 1980s Yashica and the Yashica-Kyocera sales brochures. We enjoy collecting brochures as they usually capture a slice of life for that period (at least in the marketing folks view of things). Enjoy!

Cute brochure from around 1980 featuring the Yashica Auto Focus. Yashica’s home office was still in Shibuya-ku Tokyo at this time. Kyocera was in Yashica’s near future and it would signal the beginning of the end!

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Another nice sales brochure from October 1981. The cameras featured in this brochure are the Diary, Flasher, Snap and the Auto Focus Motor.

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Yashica Auto Focus, Auto Focus Motor and Motor-D. These were technological breakthrough cameras for Yashica in the early 1980s. Of course at this same time, Canon had the A-1, AE-1, AE-1 Program and of course the Canon F-1. These cameras from Canon were all SLRs so not a fair comparison but Canon made similar compact rangefinder cameras. It was a tough go for Yashica at this time and a takeover was on the horizon.

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What a cutie! Full color sales brochure from Yashica dated 1 March 1980. Features the Flasher, Auto Focus, Snap and the Diary.

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Neat sales brochure from September 1980. In the early 1980s Yashica promoted its auto focus and auto exposure cameras extensively. This brochure featured the Yashica Snap, Diary, Flasher and the Auto Focus which listed for ¥41,000.

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The dark days of Yashica begin with this very cute sales brochure from February 1984. Yashica by this time was taken over by the Kyocera Corporation which was headquartered in Kyoto. Yashica was now a just a division of Kyocera…Yashica was still in its long time office in Shibuya-ku. This move (Kyocera ownership) was the beginning of the end for the Yashica we knew.

When Kyocera killed Yashica (about 1991) they kept the optical portion of the company which was originally the Tomioka Optical Co., Ltd. of Tokyo. That division is still part of Kyocera and is now called Kyocera Optec Co., Ltd. and is still headquartered in Tokyo.

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There you have it. A nice collection of some of the best of the 1980s Yashica sales brochures. As we mentioned, the Kyocera ownership was just on the horizon and the final days of the once great Yashica were coming to an end. We do own a few cameras from the Kyocera (Kill-a-Yashica) period and some were received as excellent point and shoot compact wonders.

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A lovely Yashica-Kyocera L AF Date from 1986. Very nice lines and we’ll be running a roll through it very soon!

This good looking camera (above) was sent to us from a blogger friend and photographer living in Japan. She was very kind to donate it to us for sharing it on our blog. You can see excellent reviews of all sorts of cameras and awesome photographs too at https://cameragocamera.wordpress.com/

Another donated camera comes to us from a friend in Virginia and a fellow Flickr poster.

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We haven’t run film through this beauty yet – it’s on our “catch up” list of things to do. Thanks to Ken for sharing his lovely camera with us so that we could share it with y’all here on the blog.

By the way, if you’ve got a nice Yashica, Kyocera or Fujifilm camera from this period (1980s to mid 1990s) and would like to see it featured here, just contact us through WordPress and we’d be glad to do it.

Many thanks for your visit – comments are always welcomed.

Chris & Carol ^.^