We haven’t had the opportunity to focus our attention on the Pentamatic lately. Carol is still working and I’m the retired one. I keep the home business rolling in our studios and lately most of my free time has been spent “rescuing vintage film cameras” – cameras that most people would probably throw away rather than restoring them. We just can’t bring ourselves to do that. Now let me be clear, restoring old cameras is as close to the most crazy thing one can do with their spare time. The amount of hours spent stripping old paint, chasing away rust and corrosion, cleaning lenses and restoring leather cases never equals a smart return on the hours and dollars spent. But we love re-imagining a 60 year old camera into a useful machine again and at the same time make it a work of art.
Anyway, we hope to be able to showcase one of our TLR restorations soon here in on blog. In the meantime, I ran across a few forgotten images of one of our Pentamatics today and I thought I would share them. They haven’t been posted elsewhere – when I first downloaded them I wasn’t sure that I liked them so they sat and sat. Today (after a few tweaks) here they are.
Both images were taken on the same day in our ca. 1911 post office building here in town. The one hundred year old windowsill provided a nice setting for the modern lines of the 1960 Yashica. Strong light flooded the space via the very dirty windows which in turn diffused the light nicely. I reflected some light back at the Yashica via a white shirt I was wearing. The bottom image is the same camera placed on the floor about 10 feet away from the windows. I liked the color and grain of the wood (fir or southern yellow pine) and again the 100 year old wood provided a nice contrast to the Pentamatic.
The Pentamatic remains one of the most invisible of Yashica’s SLRs. I’m drawn to it because of its rather unique styling – a clean pentaprism design, front mounted shutter release button and of course its crazy big lenses.
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Chris & Carol ^.^